Wiccan ritual cycle illustrations can be found in various books and online resources for those interested in Wicca and its rituals. These illustrations often depict the different phases of the Wiccan ritual cycle, which includes the Wheel of the Year and the lunar phases. The Wiccan ritual cycle is based on the changing seasons and the cycles of the moon. It typically consists of eight Sabbats, which are the major festivals celebrated by Wiccans throughout the year. These Sabbats are divided into two halves: the light half and the dark half. The light half includes the spring and summer festivals, while the dark half includes the autumn and winter festivals.
The Festival of the Accused tells the stories of those accused of witchcraft and its modern devotees.
Ham is represented by Anti Clone Gallery under the pseudonym Nullo, their silicone based work takes the form of design objects that intersect organic forms with the manmade. Nullo launched in 2019 via a runway show with a collection of surreal sex toys and fetishwear based on transhuman bodily augmentation and mutation, the project has since manifested through VR, performance, and sculpture.
The light half includes the spring and summer festivals, while the dark half includes the autumn and winter festivals. Each Sabbat represents a specific time of year and has its own unique symbolism and rituals. Another important aspect of the Wiccan ritual cycle is the lunar phases.
Rituals: Performance Art and Witchcraft
Marissa Carnesky, performer Parma Ham and Jennifer Higgie exploring magical practices in performance art.
This event takes place in the British Library.
From the heritage of folk and tribal ritual to the role of artist as shaman; the esoteric and incantatory are wellsprings of artistic inspiration. Why are so many in contemporary performance and live art turning to witchcraft as a model for creation? And what does magical thinking offer the artist that other ways of working cannot?
This panel explores the witch as touchstone for artists and performers and delves into the power of ritual to captivate and move us.
With performer, director and teacher Marisa Carnesky and the artist, curator, musician, and DJ Parma Ham . Chaired by the writer Jennifer Higgie .
The Festival of the Accused tells the stories of those accused of witchcraft and its modern devotees.
Jennifer Higgie is an Australian writer who lives in London. Her latest book, The Other Side: A Journey into Women, Art and the Spirit World is published by Weidenfeld & Nicolson.
Marisa Carnesky is an Olivier award-winning performer, director and teacher. She is best known for her immersive theatre ride Carnesky’s Ghost Train which toured nationally and internationally for over a decade until 2015. More recently her experimental group performance work Dr Carnesky’s Incredible Bleeding Woman toured extensively to wide critical acclaim. Her work has been funded, commissioned and programmed by Arts Council England, National Theatre Studios, The Arts and Humanities Research Council and the Attenborough Centre For The Creative Arts amongst many others. She was awarded a Doctorate from Middlesex University in 2019.
Parma Ham (they/them) is an artist, curator, musician, and DJ, based in London. Since 2015 they have been a producer with the Serpentine Galleries . Ham is represented by Anti Clone Gallery under the pseudonym Nullo, their silicone based work takes the form of design objects that intersect organic forms with the manmade. Nullo launched in 2019 via a runway show with a collection of surreal sex toys and fetishwear based on transhuman bodily augmentation and mutation, the project has since manifested through VR, performance, and sculpture. Ham’s performances activate their design work, through narratives from local folklore and esotericism, via outsider queer aesthetics. Their work has been commissioned or programmed by Comme Des Garçon, Dover Street Market London and Paris, Soho House, Silencio, Burberry, and more. In 2019 Ham founded the Wraith event series and its sibling magazine Inertia , both platform ritual as performance, music, and posthuman fashion.
Image credit: Illustration from The Discovery of Witchcraft by Reginald Scot, 1584. Shelfmark:G.19129. British Library.
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Please arrive no later than 15 minutes before the start time of this event.
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Wiccans often follow the cycles of the moon in their rituals and spellwork. The moon goes through various phases, including the new moon, waxing crescent, first quarter, waxing gibbous, full moon, waning gibbous, last quarter, and waning crescent. Each phase has its own unique energy and is associated with different types of magic and rituals. Illustrations of the Wiccan ritual cycle often include representations of the Wheel of the Year, which is a circular diagram that shows the eight Sabbats and their corresponding seasons. Sometimes, these illustrations also include depictions of the lunar phases and their associations. These illustrations serve as visual aids for Wiccans to understand the flow of the ritual cycle and to assist them in planning their rituals and celebrations. In conclusion, Wiccan ritual cycle illustrations are a visual representation of the Wiccan ritual cycle, which includes the eight Sabbats and the lunar phases. These illustrations help Wiccans understand the flow of the ritual cycle and aid in planning their rituals and celebrations..
Reviews for "Visualizing the Sacred: Artistic Interpretations of Wiccan Rituals"
1. John - 1 star - I was really disappointed with the illustrations in the Wiccan ritual cycle book. They were poorly drawn and lacked detail and creativity. The colors were flat and the images were just so bland. It felt like they were just quickly sketched without any thought or effort put into them. I was expecting beautiful and intricate illustrations that would help bring the rituals to life, but unfortunately, that wasn't the case. It was a major letdown and I wouldn't recommend this book solely based on the poor quality of the illustrations.
2. Sarah - 2 stars - As a visual person, I was really looking forward to seeing the illustrations in the Wiccan ritual cycle book. However, I found them to be quite underwhelming. The style was too simplistic for my taste and they lacked the depth and richness I was hoping for. The choice of colors was also not very appealing. The illustrations failed to capture the essence and magic of the rituals, and I felt like they didn't add much value to the book. It's a shame because good illustrations could have made the book more engaging and immersive.
3. Mark - 2 stars - I found the illustrations in the Wiccan ritual cycle book to be uninspiring and generic. They seemed like stock images that were hastily inserted into the book without much thought or relevance to the rituals. I was hoping for more intricate and unique artwork that would enhance the reading experience and help me connect with the rituals on a deeper level. Instead, I was presented with bland and generic images that felt disconnected from the content. Overall, I was disappointed with the lack of creativity and originality in the illustrations.