Witchcraft, oracles, and magic play a significant role in the Azande culture. The Azande people are an ethnic group primarily based in Sudan and the Democratic Republic of Congo. They believe in the existence of supernatural forces and their ability to influence and shape their daily lives. Witchcraft is seen as a powerful force in Azande society. It is believed that certain individuals, known as witches, possess the ability to inflict harm or misfortune on others through supernatural means. The Azande believe that witchcraft is inherited, passed down from one generation to another.
The Witch however, could have been very different. Initially, a more vampish look was favoured – no doubt inspired by Disney’s Wicked Witch (Snow White, 1937) – and Gale Sondergaard was engaged for the role. The film’s producer Mervyn LeRoy was concerned that the first screen tests were too beautiful, so a few blemishes were added. It’s unclear whether Sondergaard refused to embrace ‘ugly’ or if MGM decided she couldn’t, but she was dropped from the role three days before filming began and was replaced by Margaret Hamilton. If that sounds chaotic, that’s because it was: the script underwent multiple rewrites, the original director (Roger Thorpe) was replaced with George Cukor who in turn was supplanted by Victor Fleming and finally, King Vidor, and Buddy Ebsen (the original Tin Man) suffered an allergic reaction to his aluminium-based make-up. Although Cukor didn’t actually shoot any scenes he made a few key changes, including Dorothy’s hair and make-up. Costume designer Adrian was also brought on board and tasked with upping the scare factor, although it’s unclear if that was a directive from Cukor or an implementation from the top.
So perfectly cast was Hamilton that, when the film was sent for screen tests, audiences claimed her role was too scary, and many of her scenes were cut. The picture made a terrible impression of some kind on them, sometimes a ghastly impression, but most of them got over it, I guess Because when I talk like the Witch and when I laugh, there is a hesitation, and then they clap.
The Azande believe that witchcraft is inherited, passed down from one generation to another. It is not seen as inherently evil but rather as a neutral force that can be used for both positive and negative purposes. Azande oracles are individuals who possess the ability to communicate with the spirit world and provide guidance and predictions.
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This post is my contribution to the Great Villain Blogathon, hosted by three wonderful (and non-villainous) bloggers: Silver Screenings, Shadows & Satin and Speakeasy. Check out all the posts, where there’s evil, dastardly wrongdoings and malice aplenty!
Oracles are consulted in times of uncertainty or to seek advice on important matters. They are believed to possess deep spiritual knowledge and have a direct connection to the supernatural realm. The Azande place great importance on the words and predictions of oracles and often base their decisions on their guidance. Magic is another aspect of Azande culture closely intertwined with their beliefs in witchcraft and oracles. Magic is seen as a means to control and manipulate the supernatural forces for personal gain or protection. It is believed that certain rituals, objects, and spells hold the power to change one's fate or influence the outcome of events. Magic is often used in healing practices as well, with traditional healers using herbs, potions, and chants to cure illnesses or ward off evil spirits. Overall, witchcraft, oracles, and magic are deeply ingrained in Azande culture and are seen as essential elements of their spiritual beliefs. These beliefs shape the way they view the world and interact with the supernatural forces they believe to be present in their lives. While the influence of modernity and external cultures has undoubtedly impacted Azande society, these traditional beliefs continue to hold significant importance in their daily lives..
Reviews for "Witchcraft as a form of power and influence in Azande culture"
1. Emily - ★☆☆☆☆
I was really disappointed with "Witchcraft Oracles and Magic Among the Azande." I found the book to be overly complicated and difficult to follow. The author seemed to jump from one topic to another without providing clear explanations or connecting the ideas. Additionally, I felt that the book relied too heavily on theoretical concepts and didn't offer enough practical examples or real-life experiences to make it relatable. Overall, I would not recommend this book to anyone looking for a comprehensive and accessible guide to witchcraft and magic among the Azande.
2. John - ★★☆☆☆
While "Witchcraft Oracles and Magic Among the Azande" had an interesting premise, I found the execution to be lacking. The author's writing style was quite dry and academic, making it difficult to stay engaged with the material. I also felt that the book lacked a cohesive structure, as it seemed to jump between different aspects of Azande culture without providing a clear narrative or direction. Additionally, the book didn't provide enough context or background information, assuming that the readers already had a deep understanding of the subject matter. Overall, I was disappointed with this book and would recommend looking for other resources on Azande witchcraft and magic.