In the magical world of Maleficent, every detail has a special meaning and purpose. One particular item that stands out is her iconic witch broom. This instrument of magic plays an integral role in the character's image and symbolizes her power, darkness, and, ultimately, her journey towards redemption. In popular culture, witches are often depicted with broomsticks as a means of transportation, a tool for casting spells, or for flying through the night sky. Maleficent's broom is no different. It serves as her trusty companion and a vessel for her abilities.
The only returning face from The White Lotus’s standout season one is Jennifer Coolidge, who won an Emmy playing the hilarious and pathetic half-billionaire Tanya McQuoid. Now Tanya is married to Greg (Jon Gries), the loser she met on Maui. She’s also brought her assistant Portia, played by Haley Lu Richardson, to Italy, though she’s immediately banished to her suite. In season one, it was the hotel manager, subject to the whims of his wealthy guests, who died. In season two, I’d wager it’s time to pick on the guests, so Portia is safe. I wouldn’t miss Greg, though, who food-shames his new wife and blanks her text messages. Frankly, I kind of hope it’s his ankle. I, personally, would choose to drown Greg.
Played by F Murray Abraham, Bert has already fallen down once on this trip to trace his ancestral roots through Sicily, so we can t rule out an accidental drowning. Aubrey Plaza who has joined the MCU in the Agatha Coven of Chaos Disney series which spins off from WandaVision teases The Darkhold Diaries on her social media.
It serves as her trusty companion and a vessel for her abilities. With just a touch, the broom responds to her commands, carrying her effortlessly through the air or aiding her in casting powerful spells. Interestingly, Maleficent's broom is not just a mere mode of transportation or a tool for fixing her appearance.
Welcome back to The White Lotus – here’s who we think is dead
W elcome back to the White Lotus resort, where the food is divine, the conversation asinine, and someone always goes home dead. The first season of HBO’s deliciously sneery social satire, which followed three sets of wealthy guests as they terrorised hotel staff simply by checking in, was the most chewed-over series of 2021. Was the Mike White comedy a sly send-up of the uber-wealthy, or a microscope trained on the very worst parts of us all?
That season opened with Jake Lacy’s newlywed Shane at the airport window, watching as the body of the resort manager he’s accidentally-on-purpose killed is loaded into the cargo hold. The second season keeps the same basic structure – a one-week holiday that ends in tragedy – with a few tweaks. The idyll of Maui is replaced by Sicily (sub aperol spritzes for mai tais, accordingly). And a new deep-pocketed cohort has just arrived.
In the new episode (airing on Sunday in the US and Monday in the UK), we meet the bickering couple Ethan and Harper Spiller, played by Will Sharpe and Aubrey Plaza, who are holidaying with their close frenemies, the ostentatiously affectionate Cameron and Daphne Babcock (Theo James and a pitch-perfect Meghann Fahy). It’s Daphne, enjoying her final dip in the crystal blue Ionian Sea, who first encounters a corpse as it floats to the surface beside her. The White Lotus is, once more, a comic farce in the shape of a murder mystery. So who do we think that ankle bobbing up and down belongs to? Let’s talk it out.
It’s easiest to start by ruling out whose ankle it surely isn’t. It’s not Daphne’s, of course, and while the ankle for some reason strikes me as male, I doubt it’s Cameron’s, either. We’d get a different kind of anguished shriek from Suzy Homemaker if she’d bumped into the leg of the man who fathered her children. Could it be Ethan’s, or Harper’s? Harper has so far revealed her disdain for prosecco, watching TV, whitefish, and people who don’t vote, such as the Babcocks. To me, she seems like the kind of gal who doesn’t get her hair wet.
It could be Ethan’s, but right off the bat he seems too mild to die. In fact, he’s much more likely to flip out and become a killer. To that end, The White Lotus is already offering up a menu of options for him should he find himself homicidal in paradise. His wife is a pill who doesn’t even let him order what he wants for dinner, and his old buddy Cameron, who’s already flashed Harper, called him “the original incel” in front of their wives. This is on day one of seven.
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Still, the odds-on bet at this point in the series has got to be Bert, the octogenarian patriarch of the Di Grasso trio. Played by F Murray Abraham, Bert has already fallen down once on this trip to trace his ancestral roots through Sicily, so we can’t rule out an accidental drowning. He’s also a creepy old horndog who flirts voraciously and inappropriately with every woman he meets. It’s not difficult to imagine him making fast enemies. For example, his unhappily divorced son Dominic (Michael Imperioli) already seems to hate him. And Dominic’s son Albie (Adam DiMarco) already seems to hate his own dad. If that ankle turns out to belong to Di Grasso, I’d bet the killer’s a Di Grasso, too.
The only returning face from The White Lotus’s standout season one is Jennifer Coolidge, who won an Emmy playing the hilarious and pathetic half-billionaire Tanya McQuoid. Now Tanya is married to Greg (Jon Gries), the loser she met on Maui. She’s also brought her assistant Portia, played by Haley Lu Richardson, to Italy, though she’s immediately banished to her suite. In season one, it was the hotel manager, subject to the whims of his wealthy guests, who died. In season two, I’d wager it’s time to pick on the guests, so Portia is safe. I wouldn’t miss Greg, though, who food-shames his new wife and blanks her text messages. Frankly, I kind of hope it’s his ankle. I, personally, would choose to drown Greg.
Michael Imperioli, Simona Tabasco, Beatrice Grannò in ‘The White Lotus’
Unless it’s not a guest! Valentina (Sabrina Impacciatore) is the hotel manager at The White Lotus Sicily, and she’s watching from the promenade as the cadaver gets bagged on the beach. That rules out a staff casualty, but not the locals. The aspiring musician Mia (Beatrice Grannò) and her bestie Lucia (Simona Tabasco) are both hanging around the hotel on check-in day. Lucia has been dabbling in sex work, and the wealthy clientele make for good customers; now Mia’s considering it, too. In a lesser series, or a procedural drama, there’s no way that ankle would belong to any person other than Lucia, but Mike White is more interesting than that. I don’t think he’d do something so obvious as kill Italy’s most adorable escort.
So where does that leave us? The smart money may be on Bert, who attributes his vitality to the fact that he jerks off every day. But guys like that – the kind so odious that even their own families wonder when they’ll depart – tend to live forever just to spite everyone around them. Which I guess means I’ve talked myself back into thinking it’s Bert’s son Dominic. His ex-wife hates him, but he still calls her for emotional support. He charges his son with caring for his possibly concussed elderly father so he can keep a date with a sex worker. He’s exactly the kind of guy who could really benefit from dying.
‘The White Lotus’ airs on HBO in the US and Sky Atlantic in the UK. It’s also available on Now
It possesses an almost sentient quality, reflecting the bond between the witch and her instrument. It seems to have a mind of its own, acting in concert with Maleficent's actions and desires. This unique feature adds depth to the character, making her more than just a villainous archetype. The design of Maleficent's broom is also an important aspect to consider. Decorated with intricate, macabre details and adorned with dark feathers, it perfectly captures the essence of Maleficent's imposing and mysterious persona. The broom's slightly twisted and crooked handle, along with its worn appearance, suggests a long history and a connection to the mystical arts. Moreover, the broom symbolizes Maleficent's journey and transformation. Initially seen as a vengeful and vengeful witch, Maleficent gradually evolves throughout the story. As her heart softens, so does her broom. It becomes a reflection of her character growth, changing from a tool of darkness to a force for good. In conclusion, Maleficent's witch broom is an essential and symbolic element in the magical world she inhabits. It not only showcases her power and abilities but also serves as a visual representation of her character development. The broom, with its design and mystical qualities, adds depth to Maleficent's persona, making her a captivating and complex figure in popular culture..
Reviews for "Mastering Witchcraft: Becoming One with the Maleficent Witch Broom"
1. John - 1/5
This broom was a huge disappointment. First of all, the bristles are so poorly made that they started falling out after just a few uses. Not to mention, the handle is extremely flimsy and feels like it's going to break any minute. It's definitely not sturdy enough for any intense flying activities. Save your money and invest in a better quality broom.
2. Sarah - 2/5
I had high hopes for this broom, but unfortunately, it didn't live up to my expectations. The design is quite appealing, I'll give it that, but when it comes to functionality, it falls flat. The bristles are way too stiff, making it difficult to maneuver and control the broom while flying. Additionally, the broomstick itself is too short, making it uncomfortable for taller individuals. Overall, I wouldn't recommend this broom unless you're just looking for a decorative piece.
3. Emily - 2/5
The Maleficent witch broom looked great in the pictures, but in reality, it's quite poorly made. The bristles shed like crazy, leaving a trail of debris everywhere I go. Not to mention, the broomstick feels cheap and unfinished. It's definitely not worth the price tag. I was hoping for a high-quality prop, but I got a subpar product instead. Will not be purchasing anything from this brand again.