A magic carpet swing is a whimsical and enchanting invention that combines the thrill of flying and the comfort of a swinging motion. It draws inspiration from the magical carpets often depicted in folklore and fairy tales, where they are said to have the power to transport individuals to far-off lands. The concept behind a magic carpet swing is simple yet ingenious. It typically consists of a large, fabric-covered swing seat suspended from sturdy ropes or chains. The swing seat is designed to resemble a traditional carpet, often adorned with intricate patterns and vibrant colors, further adding to the magical aesthetic. One of the most exciting aspects of a magic carpet swing is the sensation of flying.
Sempai is funny with her stage fright, but this also tends to get in the way. She is greatly passionate about magic, which isn't bad. but whenever she tries to recruit new members to the club, she comes off as annoying. Especially because there is no sign of her getting over her stage fright. It is something that continually gets in the way of progress. I understand that's a part of the joke -- she performs better when she isn't in front of anyone else -- but it quickly stops being funny quickly.
He is the straight man of the relationship, but at the same time, I found myself slightly disliking him because of the fact that he makes it clear often that he is largely interested in Sempai for her breasts and her other attributes. While looking for a potential club, he comes upon one dedicated to stage magic where he then meets Sempai who unfortunately has crippling stage fright that causes her to mess up the performance continuously.
One of the most exciting aspects of a magic carpet swing is the sensation of flying. When seated on the swing, users can gently sway back and forth, simulating the feeling of being carried through the air. This unique experience transcends ordinary swinging, providing a sense of freedom and adventure.
Magical Sempai (TV)
Plot Summary: Tejina is cute, weird, and loves stage magic. She also has crippling stage fright. The nameless male main character first meets her practicing parlor tricks in her club room alone. His high school requires that he join a club, and for some reason he can't take his eyes off Tejina and her fruitless attempts at magic. (from manga)
User Ratings: 152 ratings have been given [details] Masterpiece: 7 votes (sub:6, others:1 1 French subtitled Excellent: 18 votes (sub:14, dub:3, raw:1) Very good: 37 votes (sub:35, dub:2) Good: 46 votes (sub:39, dub:4, others:3 3 Spanish subtitled Decent: 26 votes (sub:22, dub:2, others:2 2 Spanish subtitled So-so: 8 votes (sub:8) Not really good: 6 votes (sub:5, others:1 1 Russian subtitled Weak: 2 votes (sub:2) Bad: 2 votes (sub:2) Awful: - Worst ever: -Seen in part or in whole by 259 users, rank: #3252 (of 9377)
Median rating: Good
Arithmetic mean: 7.105 (Good), std. dev.: 1.5482, rank: #3181 (of 9480)
Weighted mean: 7.087 (Good), rank: #3079 (of 9480) (seen all: 7.15 / seen some: 7.00 / won't finish: 2.42)
Bayesian estimate: 7.120 (Good), rank: #2764 (of 7123)
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Series Composition: Rintarou Ikeda
Script: Rintarou Ikeda (eps 1-12)
Unit Director: Hirokazu Hisayuki (OP)
Music: Takeshi Hama
Original creator: AZU
Character Design: Eriko Itō
Art Director: Yukihiro Saitō
Chief Animation Director:
Eriko Itō (ED)
Kenji Matsuoka ( 7 episodes eps 2, 4, 6-7, 9-10, 12 )
Miyako Nishida (ep 9)
Shiho Hayashi ( 6 episodes eps 1, 3, 5, 8-9, 11 eps 1, 7, 10, 12 )
Jin Qiu Gu (eps 9, 11)
Kana Hayashi ( 5 episodes eps 1, 4, 7, 10, 12 3D Director: Sadanori Kaneda
Sound Director: Yota Tsuruoka
Director of Photography: Katsunori Shiradō
2D Design:
Momoko Hirano (ep 8)
Mutsumi Saitō
Riri Egashira
eps 1, 4-7, 9-12 eps 1, 4-7, 10-12 3DCG Modeler: Wataru Matsunaga
3DCGI Animation: Sadanori Kaneda
Animation producer:
Hirokazu Shiba
Takafumi Inagaki
Art Setting: Yukie Inose
Assistant Animation Director:
Aya Tanaka (ep 4)
Ikuko Tomita (ep 4)
Makiko Fujiwara (ep 12)
Assistant Art Director: Erika Fukai
Assistant Director of Photography: Yoshiko Takashimizu
Assistant producer:
Akio Kawamoto
Fumihiro Ozawa
Kōhei Iizuka
Naoki Hara
Tarō Imafuku
Tomoko Ochi
Background Art:
Erika Fukai (LIDEN FILMS Art Dept; OP; 6 episodes eps 1, 3-4, 10-12 )
Hayato Matsuda (LIDEN FILMS Art Dept; 7 episodes eps 1, 3-4, 6, 8, 11-12 )
Hiroyuki Hayashi (Suezo; eps 2, 5)
Jia Hui Mai (LIDEN FILMS Kyoto Studio; 4 episodes eps 4, 8, 10, 12 eps 1, 3-4, 6, 8, 10-12 Background Art Creation: Meng Di Gu (Studio51; eps 1, 3-4)
Background Art Producer: Hui Ling Yang (Studio51; eps 1, 3-4)
Background Art Production: Ryō Nishimura (eps 4-12 even)
Background Art Production Advancement: Xiao Xia Wang (Studio51; eps 1, 3-4)
Chief Producer:
Kazuhiro Asou
Shin Furukawa
Color design: Emiko Onodera
Color Setting Assistant:
Erika Tanabe (ep 7)
Yumi Toriyama (ep 6)
Design Assistant: Miki Urashima (ep 10)
Distribution Licensing:
Shunsuke Gessei
Yasuo Higashiyama
Domestic Licensing:
Kenji Kadoya
Yuna Iwashita
Editing: Masato Yoshitake
eps 1, 4, 7, 10, 12 Logo Design: Daiju Asami (L.S.D.)
Music producer:
Kanji Ogo
Masao Fukuda
Masayuki Ōba
Shigeru Shibata
Overseas Licensing:
Hiroo Uchida
Masaki Doi
Yoshio Kaneko
Paint Check Assistant:
Erika Tanabe (ep 7)
Yumi Toriyama (ep 6)
Planning:
Kunihiko Shibata
Naotoshi Tsunoda
Planning Assistant:
Kazushi Suzuki (Young Magazine Editorial Dept.)
Kenichi Yamamoto (Young Magazine Editorial Dept.)
Yurika Nihei (Young Magazine Editorial Dept.)
Hiroto Yazawa
Yūki Aharen
Production Cooperation:
Tadashi Takatsuji
Tsutomu Yanagimura
Production Desk: Naomi Kadosawa
Production manager: Tetsuro Satomi
Prop Design: Shiho Hayashi
Publicity:
Kazumi Noguchi
Kenji Yamaguchi
Saori Suga
Tatsuya Yachi
Recording: Sōshi Shiihara
Recording Assistant: Mai Sunaniwa
Sales Promotion: Shinji Hashiyama
Setting Production: Ena Honjō
Sound Effects: Hidemi Tanaka
Sound Production Manager: Yoshimi Sugiyama
System Management:
Taiki Koshibu
Tomoyuki Baba
Yoshiyuki Katō
Theme Song Arrangement:
Katsutoshi Kitagawa (ED)
Motokiyo (OP)
Theme Song Composition:
Motokiyo (OP)
Shingo Asari (ED)
Theme Song Lyrics:
acane_madder (ED)
Motokiyo (OP)
Theme Song Performance:
i☆Ris (OP)
Minori Suzuki (ED)
Kaede Hondo as Aoi Ichikawa as Daisuke Namikawa as Eri Kitamura as Himika Akaneya as Rie Takahashi as Chikako Sugimura as
(ep 2)
(ep 1) Eiji Miyashita as (ep 12) Eiji Takeuchi as
(ep 4)
(ep 3) Hiroko Kiso as (ep 7) Kenta Niikura as (ep 1) Masumi Tazawa as
(ep 2)
(ep 8)
(eps 1, 7) Natsumi Fujiwara as
(ep 8)
(ep 7) Rena Maeda as
(ep 2)
(ep 8)
(eps 1, 4-5, 7) Rui Tanabe as
(ep 8)
(ep 7) Satoshi Inomata as (ep 1) Seiyu Fujiwara as (ep 4) Shiho Kokido as
(ep 2)
(ep 8)
(eps 1, 4-5, 7) Takaya Kuroda as (ep 7) Takayuki Ishii as (ep 1) Toshiki Masuda as (ep 11) Tsubasa Miyoshi as (ep 1) Yui Makino as
(ep 8)
(ep 7) Yurika Aizawa as (ep 9) 2D Design: Graphinica (eps 1-12)
eps 1, 3-4, 6-7, 10, 12 3DCG Production: F_sik
Animation Production: LIDEN FILMS
Background Art:
LIDEN FILMS Art Dept. ( 8 episodes eps 1, 3-4, 6, 8, 10-12 eps 1, 4, 6-7, 10, 12 Direction: F_sik (ED)
Editing: Graphinica
Graphic Works: F_sik (ED)
eps 1, 4, 6-7, 10, 12 In-between Check: LIDEN FILMS Osaka Studio (ep 3)
Logo Design: L.S.D.
Materials Assistance: Matsui Gaming Machine
Music Production: Avex Pictures
Photography:
F_sik (ED)
Graphinica (OP; eps 1-12)
LandQ studios (OP; eps 1-11)
Production: NAS
Production Assistance:
One's work (ep 8)
Production FOCH (ep 11)
Studio Elle (ep 2)
Publicity Assistance: AQUA ARIS
Recording Studio: studio2010:
Script Development: Graphinica VFX Room Art Development Café
Sound Production: Rakuonsha
special effects: Graphinica (eps 1-12)
Storyboard: F_sik (ED)
Tool Development: Graphinica VFX Room Art Development Café
Video Editing: Q-Tec
Editing: Alicia Ashby (subtitles)
Lizzie Freeman as Cristina Vee as Landon McDonald as ADR Production: STUDIOPOLIS, Inc.
Internet Streaming: Crunchyroll
Adaptation: Stéphanie Noardo
(none)
Internet Streaming: Crunchyroll (French subtitltes)
(none)
Internet Streaming: Crunchyroll (Latin America and Spain)
(none)
(none)
Internet Streaming: Crunchyroll
(none)
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Seen in part or in whole by 259 users, rank: #3252 (of 9377)
Median rating: Good
Arithmetic mean: 7.105 (Good), std. dev.: 1.5482, rank: #3181 (of 9480)
Weighted mean: 7.087 (Good), rank: #3079 (of 9480) (seen all: 7.15 / seen some: 7.00 / won't finish: 2.42)
Bayesian estimate: 7.120 (Good), rank: #2764 (of 7123)
In addition to its captivating design and flying sensation, a magic carpet swing offers numerous benefits. It provides a meditative and calming effect, as the rhythmic swinging motion has been found to reduce stress and anxiety. Children especially enjoy the sense of weightlessness and the imaginative play possibilities that the swing offers. Furthermore, a magic carpet swing can be a beautiful addition to any outdoor or indoor space. Its vibrant colors and unique design make it a focal point that complements various themes and styles. Whether hanging from the branch of a tree in a garden or installed in a playroom, it instantly adds a touch of whimsy and wonder. Safety is a crucial consideration when using a magic carpet swing, particularly when children are involved. It is essential to ensure that the swing is securely installed and that the ropes or chains are strong enough to support the weight of the users. Adult supervision is also recommended, especially for younger children or those who are not yet familiar with swinging. In conclusion, a magic carpet swing offers a delightful and imaginative experience for both children and adults alike. Its flying sensation, enchanting design, and potential for imaginative play make it an alluring and magical addition to any space. Whether seeking a new thrill or simply a moment of relaxation, a magic carpet swing is sure to provide a whimsical and memorable experience..
Reviews for "Exploring Different Styles of Magic Carpet Swings"
- Sarah - 1/5 - "I was really excited to read Magic Carpet Swing, as I love fantasy novels. However, I was incredibly disappointed with this book. The characters were one-dimensional and lacked any depth or development. The plot was predictable and lacked originality. Overall, I found the writing to be subpar and struggled to stay engaged with the story. I wouldn't recommend this book to anyone looking for a captivating fantasy read."
- Michael - 2/5 - "I had high hopes for Magic Carpet Swing, but unfortunately, it fell short of my expectations. The concept of a magic carpet that could transport you to different worlds sounded interesting, but the execution was underwhelming. The world-building felt incomplete, and the descriptions of the different lands lacked detail. The pacing of the story was also a problem, with certain parts dragging on while others felt rushed. Ultimately, I found myself not caring about the fate of the characters or the outcome of their adventures."
- Emily - 2/5 - "Magic Carpet Swing had the potential to be a captivating read, but it didn't quite live up to it. While the premise was intriguing, the writing style was difficult to connect with. The dialogue felt stilted and unnatural, and the prose was filled with cliches. Additionally, the romance subplot felt forced and lacked chemistry. Overall, I found myself struggling to finish the book and felt disappointed by the lack of depth in both the characters and the plot."