Crayola Model Magic White is a unique modeling material that allows children and adult artists alike to unleash their creativity and bring their ideas to life. This versatile and easy-to-use material is perfect for a variety of arts and crafts projects, from sculpting and molding to creating intricate details and texture. One of the most remarkable features of Crayola Model Magic White is its lightweight and spongy texture, which is similar to marshmallows. This makes it extremely easy to shape and mold, providing an enjoyable and hassle-free experience for artists of all ages and skill levels. The material is also adhesive, allowing pieces to stick together effortlessly and ensuring that the final product remains intact. Another notable advantage of Crayola Model Magic White is its quick-drying nature.
Danielle is the director and producer of A Choreographer’s Vision, a theatrical belly dance salon that promotes the exploration of human connection through dance. Danielle recently shifted her focus to her own work, offering 1 on 1 Creative Development sessions as well as solo performances, classes and workshops. Connect with Danielle on thedancerwitch.com
Originally from La Grange, Texas, East was born in 1997 and lived the majority of her life around her family in particularly her grandmother and in the rural areas of Fayette County, Texas. As short term goals, East plans to continue her education and get her masters from a university in Texas, continue creating art, and curate opportunities for marginalized artists of color.
Another notable advantage of Crayola Model Magic White is its quick-drying nature. Unlike traditional clay or other modeling materials that require hours or even days to fully dry and harden, this product air dries in just 24 hours. This fast drying time means that artists can complete their projects more quickly and do not have to wait long before they can start painting or decorating their creations.
Transfiguration of a Black Girl’s Magic
West Texas-based installation artist, Danielle Demetria East has been honing her skills as a found-object sculptor and mixed-media assemblage artist for the past few years. Originally from La Grange, Texas, East was born in 1997 and lived the majority of her life around her family (in particularly her grandmother) and in the rural areas of Fayette County, Texas. Recently, East was a graduate of the University of Mary Hardin-Baylor with a degree in Studio Arts where she studied abroad in Prague, Czech Republic and received the Austin-Burks Award for Most Outstanding Art Major. Currently, she is an artist-in-residence at the Charles Adams Studio Project where she is exploring Afrofuturism, Black Girl Magic, and African-American Vernacular English. As short term goals, East plans to continue her education and get her masters from a university in Texas, continue creating art, and curate opportunities for marginalized artists of color.
“The common thread running through my work is the similarities between the Black woman and that of practitioners of magic. In my installations and performance work, I experiment with the values and beliefs systems, along with the levels of persecution of the Black female community and that of witches, rootworkers, and shaman. I am influenced by the works of Betye Saar, Wangechi Mutu, and Renee Stout. The catalyst for my work is the Black Girl Magic movement, Beyonce’s visual album Lemonade, Louisiana practitioner Marie Laveau and Tituba, an enslaved black woman of Salem first accused of witchcraft.
Across societies, the witch is seen as a metaphor of femalehood. As with witches, Black women are also caricatured as being ugly, hypersexual, and as superpredators. Despite the pain and persecution, these two emblems of feminine power actually parallel meanings of being a matriarch, a healer, and a representative of a higher being. Because of this discrimination, in my work, I want to embody this pain along with the process of healing and growth as a woman. By doing this, I am highlighting the Black woman and the practitioners core values such as, sacrifice, healing, and seduction.
In my installations, I intersect motifs of occult culture and important aesthetics of the Black female experience. The found objects in my pieces are primarily sourced from my homestead. I choose to use these items because they are reminiscent of my childhood as a Black girl and of culturally classed materials such as synthetic hair, black hair care tools, and my grandmothers possessions.
My performance work are pieces that connect the audience to the artist. Through this medium I want to enhibite a vulnerability between the audience while also carrying on the traditions and beliefs of my grandmothers. It is as if the the audience will be a client or guest entering into my coven.”
Danielle wrote: "Pulling together my Red Witch routine."
Furthermore, Crayola Model Magic White is very pliable, allowing for easy shaping, detailing, and blending. The material can be sculpted into any desired form, whether it is a simple shape or a complex structure. It also accepts color wonderfully, so artists can easily add vibrant hues using markers, paints, or other coloring tools. In addition to its versatility and user-friendly characteristics, Crayola Model Magic White is also non-toxic and safe for use by children. It is certified as a quality art material that meets all safety standards, giving parents peace of mind that their little ones can enjoy creating art without any harmful side effects. Overall, Crayola Model Magic White is an excellent modeling material that offers endless possibilities for artistic expression. Its lightweight and easy-to-use nature, quick drying time, pliability, and safety features make it the perfect choice for any art project, whether it is for school, home, or professional use. So grab a pack of Crayola Model Magic White and let your imagination soar!.
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