Yellow Magic Orchestra (YMO) is a Japanese electronic music band formed in 1978. The band is composed of three members: Haruomi Hosono, Yukihiro Takahashi, and Ryuichi Sakamoto. They are often considered pioneers of electronic music and are credited with influencing numerous artists and genres. YMO's discography is vast and diverse, spanning over several decades. Discogs is an online music database and marketplace where collectors and enthusiasts can explore and purchase music releases. It provides a comprehensive listing of YMO's albums, singles, and collaborations, making it an invaluable resource for fans and collectors.
For the child's costume, I glued an extra piece of orange felt at the bottom of the hoodie to accommodate the tail. The tail itself was a felt Halloween candy bag turned inside-out, trimmed down to scallop the edges, and stuffed with fiberfill, with an extra bit of black felt glued along the (bottom) seam to create a proper clownfish black fin-edge.
Materials Needed 1 orange hoodie zip or pull-over are both fine 1 yard white felt more for a bigger human 1 yard black felt 1 2 yard orange felt I repurposed some felt pumpkin trick-or-treat bags from the 99c store small bag of fiberfill, styrofoam peanuts, crumpled newspaper, bits of cloth, or other light-weight poofy stuff orange and white face paint. Though it may sometimes throw a passing cloud over the bright hour of gaiety, or spread a deeper sadness over the hour of gloom, yet who would exchange it, even for the song of pleasure or the burst of revelry.
It provides a comprehensive listing of YMO's albums, singles, and collaborations, making it an invaluable resource for fans and collectors. YMO's debut album, "Yellow Magic Orchestra," was released in 1978 and featured innovative electronic sounds combined with traditional Japanese music elements. The album was a critical and commercial success, solidifying their position as leaders of the electronic music movement.
The Penny satirist and London pioneer [afterw.] The London pioneer [afterw.] The London literary pioneer [afterw.] Literary pioneer , Том 3
Стр. 37 - I never addressed myself in the language of decency and friendship to a woman, whether civilized or savage, without receiving a decent and friendly answer. With man it has often been otherwise.
БольшеСтр. 124 - Ay, go to the grave of buried love, and meditate ! There settle the account with thy conscience for every past benefit unrequited ; every past endearment unregarded, of that departed being, who can never — never — never return to be soothed by thy contrition!
Стр. 124 - Every other wound we seek to heal — every other affliction to forget ; but this wound we consider it as a duty to keep open — this affliction we cherish and brood over in solitude. Where is the mother who would willingly forget the infant that perished like a blossom 'from her arms, though every recollection is a pang?
Стр. 124 - . who would root out such a sorrow from the heart ! Though it may sometimes throw a passing cloud over the bright hour of gaiety, or spread a deeper sadness over the hour of gloom, yet who would exchange it, even for the song of pleasure or the burst of revelry ? No ; there is a voice from the tomb sweeter than song ; there is a remembrance of the dead to which we turn even from the charms of the living.
Стр. 124 - If thou art a child, and hast ever added a sorrow to the soul, or a furrow to the silvered brow of an affectionate parent; if thou art a husband, and hast ever caused the fond bosom that ventured its whole happiness in thy arms to doubt one moment of thy kindness or thy truth.
Стр. 61 - . king, and keeps order, and exercises many virtues, and promotes the interest of mankind, and is that state of good things to which God hath designed the present constitution of the world.
Стр. 124 - When the summer beams are burning, Hopes and flowers that, dead or dying, All the winter lay. Ah! my heart is sore with sighing, Sighing for the May. Ah! my heart is pained with throbbing, Throbbing for the May, Throbbing for the seaside billows, Or the water-wooing willows, Where, in laughing and in sobbing, Glide the streams away. Ah! my heart, my heart is throbbing, Throbbing for the May. Waiting, sad, dejected, weary, Waiting for the May, Spring goes by with wasted warnings.
Стр. 237 - Our life is but a Winter's day — Some only breakfast and away. Others to dinner stay and are full fed, The oldest man but sups, and goes to bed. Large is his debt who lingers out the day : Who goes the soonest has the least to pay.
Стр. 239 - Then,' said the rose, with deepened glow, ' On me another grace bestow :' The spirit paused, in silent thought, What grace was there that flower.
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| Название | The Penny satirist and London pioneer [afterw.] The London pioneer [afterw.] The London literary pioneer [afterw.] Literary pioneer, Том 3 |
| Владелец оригинала: | Оксфордский университет |
| Оцифровано | 22 ноя 2006 |
| Экспорт цитаты | BiBTeX EndNote RefMan |
WARNING: hot glue is hot! Always keep a bowl of water so you can quick-cool the glue by dunking your hand when you (invariably) get some on your fingers.
Throughout their career, YMO released a series of groundbreaking albums, including "Solid State Survivor" (1979), "Technodelic" (1981), and "BGM" (1981). These albums showcased their ability to merge pop sensibilities with experimental electronic sounds, creating a unique and influential style. In addition to their studio albums, YMO collaborated with numerous artists and produced various singles and EPs. They worked with artists like Yellow Magic Orchestra (with The Pizzicato Five) and released singles such as "Computer Game" and "Firecracker," which became popular hits. YMO's impact on the music industry extends beyond Japan, as their influence can be heard in the work of artists across the globe. Their sound has influenced genres such as synth-pop, techno, hip hop, and even video game music. In conclusion, Yellow Magic Orchestra's discography is a testament to their innovative and pioneering approach to electronic music. Their collaboration with Discogs provides fans and collectors with a comprehensive resource to explore and appreciate their extensive body of work. YMO's contribution to the music world cannot be overstated, and their influence continues to resonate with artists and listeners alike..
Reviews for "The Legacy of Yellow Magic Orchestra, Explored on Discogs"
1. John - 2 stars
I found "Yellow Magic Orchestra Discogs" to be a bit underwhelming. The album lacked the depth and complexity that I usually seek in electronic music. The tracks seemed repetitive and didn't offer much variation. I appreciate the band's contribution to the genre, but this particular album just didn't resonate with me.
2. Sarah - 2.5 stars
While I can understand why "Yellow Magic Orchestra Discogs" might be considered influential in the world of electronic music, it simply wasn't my cup of tea. The overall sound felt dated and didn't have the same impact on me as other albums from that era. I was hoping for a more innovative and engaging listening experience, but unfortunately, this album fell short.
3. Mike - 3 stars
I had heard a lot of praise for "Yellow Magic Orchestra Discogs," but after giving it a listen, I wasn't as impressed as I had expected to be. The tracks on the album lacked a certain cohesiveness and felt disjointed at times. While some individual songs had their moments, as a whole, the album failed to capture my attention and left me wanting more.
4. Emily - 2.5 stars
"Yellow Magic Orchestra Discogs" just didn't leave a lasting impression on me. The tracks felt repetitive and lacked depth. While I appreciate the band's contribution to the electronic genre, this album didn't offer anything new or exciting. I was left feeling underwhelmed and unmoved by the overall musical experience.