Scosche MagicMount Instructions The Scosche MagicMount is a versatile and user-friendly device that allows you to mount your smartphone or tablet securely in your car, home, or office. With its innovative design and strong magnetic hold, the MagicMount ensures that your device stays in place while you drive or work. Here are the instructions on how to use the Scosche MagicMount: 1. Find a suitable location: First, choose a location in your car, home, or office where you want to mount your device. The MagicMount can be attached to various surfaces, such as your car's dashboard, windshield, or any smooth, flat surface. 2.
This is the question I set out to answer in my book, Waking the Witch: Reflections on Women, Magic, and Power. In it, I explore how the figure of the witch is inextricably linked to our anxieties and aspirations regarding female power. Looking at witches in fiction became a crucial part of my research because, as I quickly discovered, the archetype of the witch is constantly evolving, and beliefs about “real” witches are deeply influenced by the stories we tell about them. In other words, our conception of witches is a cross-pollination—or even a cross-pollution—between reality and fantasy.
More than one woman wears a voluminous cape; some subjects fingers are crowded with ornate, sculptural rings, and others makeup is goth-y and exaggerated lips crimson, eyes dramatically shaded. Okorafor s Akata series is an example of Africanjujuism, a term she coined to describe, in her words, a subcategory of fantasy that respectfully acknowledges the seamless blend of true existing African spiritualities and cosmologies with the imaginative.
2. Clean the surface: Before sticking the MagicMount, make sure to clean the surface thoroughly with an alcohol wipe or a clean cloth. This step ensures proper adhesion and prevents the mount from falling off.
The Many Faces of Women Who Identify as Witches
My first encounter with the figure of a witch in popular culture—apart from those in kids’ movies like Disney’s “Sleeping Beauty” and M-G-M’s “The Wizard of Oz,” or in books like Tomie dePaola’s “Strega Nona” and Roald Dahl’s “The Witches”—was in a campy scene from Oliver Stone’s 1991 bio-pic, “The Doors,” depicting Jim Morrison (played by Val Kilmer) and one of his lovers, a Wiccan witch (a character played by Kathleen Quinlan, and based on the rock journalist Patricia Kennealy, who reportedly married the singer in a Celtic handfasting ceremony, in 1970). In the flickering light of dozens of candles barely illuminating a high-ceilinged chamber, the two peruse an esoteric sorcery tract in the nude, snort cocaine, slit their wrists with a dagger, drink each other’s blood, and have wild sex to the shrieking strains of Carl Orff’s “Carmina Burana.”
More than a quarter century later, the often paradoxical grab bag of clichés tied to the contemporary figure of the witch is not that far off, I think, from those shown in Stone’s movie. The witch is often understood as a mishmash of sometimes contradictory clichés: sexually forthright but psychologically mysterious; threatening and haggish but irresistibly seductive; a kooky believer in cultish mumbo-jumbo and a canny she-devil; a sophisticated holder of arcane spiritual knowledge and a corporeal being who is no thought and all instinct. Even more recently, the witch has entered the Zeitgeist as a figure akin to the so-called nasty woman, who—in the face of a Presidential Administration that is quick to cast any criticism as a “witch hunt”—has reclaimed the term for the feminist resistance. (This latter-day witchiness has often been corralled to commercial ends: an Urban Outfitters shirt bearing the words “Boss Ass Witch,” say, or the women-only co-working space the Wing referring to itself as a “coven.”) The muddled stereotypes that surround witches nowadays are, in the end, not so very different from those used to define that perennial problem: woman.
“Shine (New York, NY)” “Deborah (Nyack, NY)”In her portrait series “Major Arcana: Witches in America,” which will be shown at the ClampArt gallery, in Chelsea, beginning October 4th, the photographer Frances F. Denny seeks to explore the figure of the contemporary witch beyond the cultural chestnuts that have shrouded and obscured it. In the course of the past two years, Denny, who holds an M.F.A. in photography from the Rhode Island School of Design (where I taught her for a semester a number of years ago), has travelled in California, Louisiana, and along the East Coast, taking the portraits of dozens of women who identify as witches. Her subjects are of diverse age, social class, and ethnicity, and practice a range of rituals, often drawing on “mysticism, engagement with the occult, politically oriented activism, polytheism, ritualized ‘spell-work’ and plant-based healing,” according to Denny’s exhibition notes. Among them are “self-proclaimed green witches, white witches, kitchen witches, hedge witches, and sex witches.” The series as a whole aims to avoid easy formulas and, instead, to exhibit the heterogeneity and individuality of modern-day witches, Denny told me recently, adding, “I’m not pinning these women down.”
“Kir (Brooklyn, NY)” “Instruments”In one photograph—“Randy (Plainfield, VT)”—a grandmotherly woman is standing in a lush green meadow, wearing a flower-sprigged sack dress, her hair arranged a bit girlishly in tousled white ringlets. In one hand she casually clasps a pair of divining rods, while in the other she holds up a pendulum, her gaze raised toward it, her lips upturned in a slight, self-possessed smile. In another—“Kir (Brooklyn, NY)”—a young, lithe woman is dressed in tight black jeans and a tank top, her booted feet planted firmly on a city street, a large, inquisitive-looking tabby cat on a leash at her side. And in “Shine (New York, NY),” a statuesque black woman, posed against a wall of ivy, is dressed in an elaborately embroidered coat, gazing piercingly at the camera. These subjects are all self-identified witches, and yet that fact would not be immediately or necessarily obvious to the uninformed viewer. When she first started the project, Denny read a book by Margot Adler about witches, in which the late journalist and Wiccan priestess argued that “witch” was not just a word but “a cluster of powerful images,” Denny said. “So I thought, I want to make this cluster of images.”
“Sallie Ann (New Orleans, LA)” “Luna (Oakland, CA)”Denny asked the women she photographed for the series to wear an outfit or bring along an item that they felt would represent their practice and identity as witches, and some of the portraits do answer more readily to our expectations of what a witch might look like. More than one woman wears a voluminous cape; some subjects’ fingers are crowded with ornate, sculptural rings, and others’ makeup is goth-y and exaggerated—lips crimson, eyes dramatically shaded. They brandish mysterious implements—a crystal ball, a bow and arrow, a wooden staff; one woman reclines, entwined with a snake—and most are dressed in black. Still, Denny said, it was important for her to make portraits that diverge from the ways she had seen witches typically photographed. “In what I saw out there, there was a lot of low lighting, and a lot of use of colored gels, usually purple or green. There was an immense theatricality,” she told me. In her photographs, Denny used natural light whenever possible, and the women are posed straightforwardly, facing the camera. Like other portraitists, such as the contemporary Dutch photographer Rineke Dijkstra, or the twentieth-century German master August Sander, Denny captures her subjects suspended delicately between performativity and naturalism. These self-identified witches are positioning themselves before us, fully conscious of our eye, and Denny is allowing them a lovely three-dimensionality.
In her portrait series “Major Arcana: Witches in America,” which will be shown at the ClampArt gallery, in Chelsea, beginning October 4th, the photographer Frances F. Denny seeks to explore the figure of the contemporary witch beyond the cultural chestnuts that have shrouded and obscured it. In the course of the past two years, Denny, who holds an M.F.A. in photography from the Rhode Island School of Design (where I taught her for a semester a number of years ago), has travelled in California, Louisiana, and along the East Coast, taking the portraits of dozens of women who identify as witches. Her subjects are of diverse age, social class, and ethnicity, and practice a range of rituals, often drawing on “mysticism, engagement with the occult, politically oriented activism, polytheism, ritualized ‘spell-work’ and plant-based healing,” according to Denny’s exhibition notes. Among them are “self-proclaimed green witches, white witches, kitchen witches, hedge witches, and sex witches.” The series as a whole aims to avoid easy formulas and, instead, to exhibit the heterogeneity and individuality of modern-day witches, Denny told me recently, adding, “I’m not pinning these women down.”
3. Remove the adhesive backing: Peel off the protective film from the adhesive backing on the MagicMount, exposing the sticky side. 4. Stick the MagicMount: Carefully place the MagicMount on the desired surface, pressing firmly to ensure a secure hold. Hold it in place for a few seconds to allow the adhesive to bond properly. 5. Mounting options: The MagicMount comes in various options, including a vent mount, dash mount, or an adhesive mount. Choose the one that suits your preference and attach it to the MagicMount base. 6. Attach your device: The MagicMount uses strong neodymium magnets to hold your device securely. Simply attach the included metal plate to the back of your phone or tablet and align it with the magnetic surface of the MagicMount. For thinner devices, you can also place the metal plate inside your phone case. 7. Adjust the position: Once your device is attached, you can adjust the position of the MagicMount to ensure the best viewing angle. The mount is designed to be adjustable, allowing you to swivel or tilt your device to your desired position. 8. Enjoy hands-free experience: Now that your device is securely mounted, you can enjoy a hands-free experience while driving or working. Use your smartphone or tablet without the need to hold it in your hands, making multitasking safer and more convenient. 9. Re-adjust if needed: If you need to reposition the MagicMount or attach it to a different surface, simply peel it off gently and reapply it following the same steps mentioned earlier. The adhesive is strong but can be removed without leaving residue when done correctly. 10. Caution: It's important to note that the MagicMount's strong magnetic hold may interfere with certain devices that rely on wireless charging or magnetic sensors. It's advisable to remove your device from the mount before using these features. Overall, the Scosche MagicMount is a reliable and convenient solution for mounting your smartphone or tablet. By following the instructions mentioned above, you can easily install and use the MagicMount to enhance your user experience and make your daily life more efficient and organized..
Reviews for "Everything You Need to Know About Scosche Magic Mount Compatibility"
1. Sarah - 2 stars - I found the Scosche magic mount instructions to be extremely confusing and difficult to follow. The illustrations were not clear and the written instructions were also very vague. I struggled for hours trying to figure out how to properly attach the mount to my car, and even when I thought I had it right, the mount would still fall off whenever I placed my phone on it. Overall, I was highly disappointed with the instructions and would not recommend this product to others.
2. Michael - 1 star - The Scosche magic mount instructions were a complete nightmare. It was like trying to solve a complex puzzle with no guidance. The steps were not organized logically, and I ended up spending way too much time just trying to understand how everything was supposed to fit together. Even after several attempts, I never managed to successfully install the mount in my car. The instructions desperately need improvement, as they are simply not user-friendly at all.
3. Emily - 2 stars - I was very frustrated with the Scosche magic mount instructions. They were written in such a technical manner that it felt like I needed to have an engineering degree just to figure them out. The language was filled with jargon and terms that were unfamiliar to me, making it difficult to understand what I was supposed to do. I eventually resorted to watching YouTube videos to get a better idea of how to properly install the mount. It's a shame that the instructions were not more accessible and straightforward for the average consumer.
4. John - 1 star - The Scosche magic mount instructions were a complete waste of time. I followed them step by step, or at least I thought I did, but the mount simply did not work as advertised. It failed to securely hold my phone and would often detach from the car's surface, resulting in my phone falling to the ground. The instructions provided no troubleshooting tips or alternative methods, leaving me feeling extremely frustrated and disappointed. I would strongly advise against purchasing this product if you're looking for clear and effective instructions.
5. Amanda - 2 stars - As someone who is not very tech-savvy, I found the Scosche magic mount instructions to be extremely confusing. The diagrams provided were not detailed enough, and the written instructions assumed a certain level of prior knowledge about car accessories. I had to consult other online resources to figure out how to properly install the mount, which was frustrating and time-consuming. The lack of user-friendly instructions definitely detracted from my overall experience with this product.