Mox Emerald is a powerful and sought-after card in the game of Magic: The Gathering. It is part of the "Power Nine," a set of cards that are considered the most valuable and influential in the game's history. Mox Emerald is an artifact card that provides one green mana when tapped. This means that it can be used to generate mana to cast spells or activate abilities that require green mana. What sets Mox Emerald apart from regular land cards is that it does not have a mana cost or require tapping to produce mana. This allows players to accelerate their mana production and play more powerful spells earlier in the game.
The Little Witch’s Book of Toys (1986)
These craft books were written by Linda Glovach, and in spite of the Little Witch theme, they don t seem connected to any other series of fiction books about a character called Little Witch like this one. It s really the kind of typical activities that you might find at a kids birthday or Halloween party, although some of them have been modified to fit other holidays.
This allows players to accelerate their mana production and play more powerful spells earlier in the game. The Mox Emerald's power and flexibility make it a staple in many decks, particularly those that rely on green mana or want to ramp up their mana quickly. It can be used to great effect in strategies that rely on casting large creatures or playing multiple spells in a turn.
Review of the Day: Little Witch Hazel, A Year in the Forest by Phoebe Wahl
Little Witch Hazel: A Year in the Forest
By Phoebe Wahl
Tundra Books
$24.99
ISBN: 9780735264892
On shelves now. I don’t think anyone really understands what “subversive” means anymore. At least not when we talk about books for kids. There was a time when children’s books, particularly picture books, could go a little wild and adults were the ones left shocked. Whether it was the horror of Slugs by David Greenberg and Victoria Chess, the unapologetic nudity of Maurice Sendak’s In the Night Kitchen, or the surprise ending awaiting you in books like Zeralda’s Ogre by Tomi Ungerer, books for children that upset expectations are what keep our shelves interesting. Sometimes I get worried that they’re not allowed to be surprising anymore. Everything gets churned through the same corporate press, rendering them relatively flat and samey. Maybe that’s why I get so excited when I come across something that looks innocuous, and then sneaks up on the reader in unexpected ways. There is nothing about the outward appearance of Little Witch Hazel to suggest that it is in any way subversive. Anyone might write it off as a sweet looking bedtime book. And it IS a sweet bedtime book. It’s just also smart, sassy, upsets the gender normies, is pro-breastfeeding in public, has a heroine that doesn’t shave her legs, is body positive, portrays the differently abled . . . and is about a tiny witch in the woods. Did I mention that it’s also excellent? I feel like that should factor in. Four seasons. Four stories. Each one starring Little Witch Hazel. In the spring story “The Orphaned Egg”, Little Witch Hazel discovers just that. After taking the egg home it soon becomes a fuzzy little baby owl and she promptly names him Otis. But what happens when wild things grow too big for houses? In the summer story “The Lazy Day”, Little Witch Hazel has a million things to do . . . and a million friends determined to help her enjoy the day. The autumn story “The Haunted Stump” sets up an appropriately spooky tale, when everyone hears unearthly moans emanating from a nearby stump. Finally, in the winter story “The Blizzard” we see Little Witch Hazel making her rounds in the forest. What she doesn’t see is the approaching snow storm, and the return of an old friend. Each tale is told simply and well with art that draws you in and makes you reluctant to ever leave.
The large pages of this book clock in at 11.25” X 9.25”. There are detailed endpapers to pore over. As for the art, Wahl is working with digital illustrations that use colored-pencil textures. Not that you’d ever be able to tell. Digital art has grown so sophisticated in the last decade that this book feels distinctly handmade from start to finish. In terms of the content, there’s a definite Jill Barklem Brambly Hedge feel to the enterprise, though the art style is completely different. I’m thinking more in terms of tone. The book taps into the comfort that comes to a child when they see friendly neighbors in a woodland setting having a wonderful time with one another. This was the kind of thing that really appealed to me as a kid. Community and nature and that sense that you have a village of people willing to support one another (and you!). For this reason alone, it’s an ideal gift book. All the more reason that I was delighted to find that it did not bore me in the least. This is the kind of book designed to upset the apple cart when it comes to your standard fairy-in-the-woods tales. A good friend of mine, and an even better author, once explained to me the allure of fairies. While princesses are so often trapped in their finery, and are strictly indoor creatures, fairies are deeply connected to nature. They get to run and fly and get dirty. They have outsized emotions for their petite statures. Remind you of anyone you know? Little Witch Hazel, one is obligated to note here, is not a fairy per se. She doesn’t even sport any wings. Even so, she is small and capable and she lives in the forest and there are plenty of fairy-obsessed young children who won’t care one jot that her name seems to indicate “witch” rather than fae. For those children, this book is bound to be beloved. And to get back to what I was saying about subversion earlier, I like books that look old-fashioned but are written with a contemporary mind at work. The little forest denizens of this book represent a range of skin tones, body types, and ages. The summer story even shows them in wheelchairs, with beards and dresses, and generally showing a wider diversity of people than you tend to see in books of this sort. It’s not showy. A lot of folks might miss it. But it is there and it is important.
This isn’t Phoebe Wahl’s first time at this rodeo. It is possible that you’ve stumbled across some of her other picture books before. The Blue House comes immediately to mind. That was a book unafraid to look old-fashioned and tell a contemporary tale of getting priced out of your neighborhood. Here, she shows why she’s one of the most interesting author/illustrators to watch. You can make pretty pictures all day, but unless your writing is up to snuff, it won’t really matter. Likewise, you might have a gift with a pen, but go halfsies on your art and it’ll make the whole book suffer. Here, Wahl marries a great text with beautiful illustrations with seemingly little effort. People always focus so much on the visual aspects of a picture book, but it’s the writing that makes or breaks everything. Wahl keeps her sentences short and at a clip, but never abandons what it is that makes a book evocative. I love lines like “The sky was a dusty shade of peach, and the frozen ground crackled under her boots.” Or how two owls sport faces, “like twin moons in the gathering dark.” She has a way with words, this one. Children will be immersed in this world, season by season. This is a book they can return to over and over. After all, who amongst them won’t be able to relate to a small person in an outsized setting? Their adult readers, meanwhile, will identify in entirely different ways. For example, in the summer story “The Lazy Day”, Wahl does a wonderful job of showing someone getting increasingly agitated thanks, in part, to the heat. There’s a shot of Hazel with her cheeks flushed and her temper high with one bedraggled hair stuck to her forehead that hit me where I live. The book also rewards rereading. Adults will undoubtedly find themselves relieved to discover that anytime you see a book or newspaper, it’s going to have a funny name. These can be as simple as a newspaper called “The Walnut Journal” or a book called “Elf-Love Practices”, or it can be as sophisticated as “Who Rules the Woods” by (I kid you not) Gnome Chomsky. I mean, that’s worth the price of the book right there.
In the future it may not be notable that a fairy/woodsy book believes in representation. It really shouldn’t be notable now, but here we are. And what a pleasure to find a book that distinguishes itself. The kind of book you can remember more than 10 minutes after you finish it. Maybe even more importantly, a book that children will read, remember, and perhaps someday pass on to their children. Little Witch Hazel feels like the kind of book every children’s author wishes that they could write, yet so few are capable of creating themselves. A throwback. A sign of picture books to come. In the end, it’s just one of the best books of the year. Here’s hoping there’s more Little Witch Hazel in our future, then. On shelves now.
Source: Final copy checked out from library for review. Videos: And finally, a book trailer, to give you a taste.
Filed under: Best Books, Best Books of 2021, Reviews, Reviews 2021 SHARE:About Betsy Bird
Betsy Bird is currently the Collection Development Manager of the Evanston Public Library system and a former Materials Specialist for New York Public Library. She has served on Newbery, written for Horn Book, and has done other lovely little things that she'd love to tell you about but that she's sure you'd find more interesting to hear of in person. Her opinions are her own and do not reflect those of EPL, SLJ, or any of the other acronyms you might be able to name. Follow her on Twitter: @fuseeight.
Halloween-themed crafts, games, and party ideas. Available on Internet Archive.
Due to its power level and scarcity, Mox Emerald can be quite expensive and is often sought after by collectors and players alike. It continues to be a highly valuable and sought-after card in the Magic: The Gathering community. In conclusion, Mox Emerald is a highly powerful and sought-after card in Magic: The Gathering. Its ability to generate green mana without tapping or requiring a mana cost makes it a key card in many decks and strategies. Its rarity and value make it a prized possession for collectors and players..
Reviews for "Mox Emerald: A Powerful Tool for Green Magic"
1. Samantha - 2/5 - I was really disappointed with "Mox Emerald Magic." The pacing was incredibly slow, and I couldn't connect with any of the characters. The writing felt forced and cliché, with predictable plot twists. I expected so much more from this highly acclaimed book, but unfortunately, it fell flat for me.
2. Jacob - 1/5 - "Mox Emerald Magic" was a complete waste of time for me. The story lacked originality and was filled with overused fantasy tropes. The dialogue was cringe-worthy, and the characters were one-dimensional and uninteresting. I struggled to finish it and wouldn't recommend it to anyone looking for a captivating fantasy read.
3. Emily - 2/5 - I had high hopes for "Mox Emerald Magic," but it turned out to be a major letdown. The world-building was weak, and the magical elements felt underdeveloped. The plot meandered aimlessly, without a clear and satisfying resolution. Overall, I found the book to be a tedious and forgettable read.
4. Daniel - 1/5 - I don't understand the hype surrounding "Mox Emerald Magic." The writing was clunky and filled with grammatical errors. The characters were unrealistic and lacked depth, making it nearly impossible to connect with their journeys. The story itself was convoluted and confusing, leaving me feeling frustrated and unsatisfied by the end. I regret wasting my time on this book.