magical egypt stream

Days of Magic, Nights of War In the realm of fantasy and imagination, there exist tales of epic battles and enchanting enchantments - a world where magic and war collide. These tales often transport us to distant lands where heroes embark on perilous quests, facing wicked sorcerers and monstrous creatures. In these realms, the days of magic are characterized by the presence of mystical beings and awe-inspiring spells. Wizards and sorcerers harness their powers to manipulate the very fabric of reality, conjuring fireballs, levitating objects, and enchanting ordinary items with extraordinary abilities. Their mastery over the arcane arts fills the air with an unmistakable aura of wonder and possibility. But as the sun sets and darkness envelopes the land, the nights of war unfurl amidst the moonlit shadows.

The infuriating thing is that Baum (the author of the original) wrote a series of sequels. They are similar in tone to the original. While I think the film is superior to the original childrens’ book, I’d be far more comfortable if the studios announced that they were filming one of those books. At least then you could be guarunteed that the story followed the spirit of the original.

Many of these elements were required to create the magic of the fantasy film, but four elements that especially stood out to me included setting, costumes, makeup, and props. The yellow brick road can be compared to the journey of life, in which both friends and enemies are made, struggles and triumphs occur, and strengths and weaknesses are discovered about oneself.

But as the sun sets and darkness envelopes the land, the nights of war unfurl amidst the moonlit shadows. Battle cries echo through the forests, as armies clash in fierce confrontations. Warriors armed with swords, bows, and shields face off against each other, their valor pitted against the forces of evil.

The subversive messages hidden in The Wizard of Oz

It’s easy to mistake the 1939 classic as traditional family entertainment – but 80 years on from its release, the musical is more radical and surreal than ever, writes Nicholas Barber.

In December 1937, Walt Disney Productions released its first feature-length cartoon, Snow White and the Seven Dwarfs. It went on to be cinema’s biggest hit of 1938, a success that not only encouraged Disney to make other fairy-tale cartoons for decades to come, but also encouraged another studio, Metro-Goldwyn-Mayer, to try its own fantasy musical about an orphaned girl and a wicked witch: The Wizard of Oz.

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But for all of its similarities to the Disney film, MGM’s version was more of an anti-fairy tale than a fairy tale. Just look at the trio of frightened and feeble misfits that accompanies its heroine along the yellow brick road. None of them is what you’d call a handsome prince. In the clanking of the Tin Man’s rusty limbs, you can hear echoes of Don Quixote’s home-made armour. In the trio’s moaning and blubbing as they prepare to sneak into the witch’s castle, you can see a foreshadowing of Westley, Inigo and Fezzik invading Humperdinck’s castle in The Princess Bride. The pig-tailed Dorothy Gale (Judy Garland) is so wholesome, the Harburg and Arlen songs are so delightful, and the Technicolor adventures are so exciting that it’s still easy to mistake The Wizard of Oz for traditional family entertainment, 80 years on from its release in August 1939. But it upends the conventions of good-v-evil storytelling in ways that would have had Walt Disney fuming.

The film’s Technicolor adventures are so engaging it’s easy to mistake The Wizard of Oz for traditional family entertainment (Credit: Alamy)

In the sepia opening scenes, we are warned that the magic we’re about to see might not be wholly magical. Having run away from her home in Kansas to stop her pet dog Toto being put down, Dorothy meets a travelling clairvoyant named Professor Marvel (Frank Morgan) – a character who isn’t in L Frank Baum’s source novel, but was created by screenwriters Noel Langley, Florence Ryerson and Edgar Allan Woolf. As kindly as he is, the professor is a con artist who pretends to be psychic by peeking at a photo Dorothy is carrying. Another film might have contrasted this earthbound huckster with the genuine marvels performed by the wonderful Wizard of Oz, but in this one the wizard is played by the same actor as Professor Marvel, and he turns out to be much the same character: a fast-talking fairground showman who hides behind a curtain, waggling levers, and using mechanical trickery to keep his subjects loyal and afraid. He admits that he ended up in the land of Oz when his hot air balloon was blown there – and even that balloon is beyond his control. In a gloriously gonzo final flourish, he floats off into the sky with a cheerful cry of: “I can’t come back. I don’t know how it works!” There aren’t many films that show politicians being quite as brazenly incompetent as that.

These nights are filled with tension and danger, where life and death hang in the balance. However, in this world of magic and war, the lines between good and evil blur. Heroes wrestle with their own inner demons, facing difficult choices and moral dilemmas. Even the most virtuous characters find themselves tempted by power or consumed by vengeance. The complexity of these tales reminds us that even in the realm of fantasy, the human experience is not so easily defined. Days of magic and nights of war also hold profound symbolism. They represent the eternal struggle between light and darkness, good and evil. Each hero's journey becomes a metaphorical battle within ourselves, as we confront our own fears, doubts, and temptations. In these stories, the triumph of good over evil gives us hope that we too can overcome our own internal battles. Ultimately, the tales of days of magic and nights of war tap into our primal desire for adventure and escapism. They allow us to witness extraordinary feats and experience the thrill of victory, all from the safety of our own imagination. They remind us of the power of storytelling and the enduring allure of the fantastical. So, let us immerse ourselves in these fantastical worlds, where sorcery and warfare intertwine. Let us witness the days of magic and nights of war, and be transported to a realm where anything is possible. In these stories, we may find not only entertainment but also inspiration, courage, and a reminder of the boundless potential that lies within each of us..

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