The Intersection of Nationality and Magic: An In-Depth Analysis

By admin

Magic maagy nationality is a term that refers to individuals who possess an innate ability to perform magic. These individuals are not bound by any particular nationality or ethnic background, but rather their magical abilities are believed to be an inherent part of their identity. While magic has been a subject of fascination and folklore in various cultures throughout history, the concept of a specific magical nationality is relatively new. It arises from the idea that certain individuals are born with a natural talent for magic, which sets them apart from others. In many fantasy novels, movies, and games, magic maagy nationals are often portrayed as having their own unique cultures, traditions, and even governments. They may have their own distinct language, clothing styles, and rituals that are specific to their magical abilities.

Aria of curse for a hoky swordsman

They may have their own distinct language, clothing styles, and rituals that are specific to their magical abilities. They may also live in secret or secluded communities, away from the prying eyes of ordinary humans, to avoid persecution or exploitation. In some fictional worlds, magic maagy nationals may be divided into different subgroups based on their magical abilities.

World Break: Aria of Curse for a Holy Swordsman (TV)

Plot Summary: Swords of Salvation, known as Saviors, are special people chosen from across Japan who inherited the memories of their previous lives and able to use the miraculous power of the Ancestral Arts. They are being trained in order to break down Metaphysicals who randomly attack.

User Ratings: 279 ratings have been given [details] Masterpiece: 14 votes (sub:10, dub:3, raw:1) Excellent: 25 votes (sub:17, dub:6, others:2 1 Spanish subtitled
1 Russian dubbed Very good: 56 votes (sub:44, dub:11, others:1 1 Portuguese subtitled Good: 65 votes (sub:49, dub:13, raw:1, others:2 1 Spanish subtitled
1 Russian dubbed Decent: 57 votes (sub:46, dub:8, others:3 3 Spanish subtitled So-so: 26 votes (sub:21, dub:4, ?:1) Not really good: 13 votes (sub:11, dub:2) Weak: 14 votes (sub:11, dub:2, others:1 1 Spanish subtitled Bad: 8 votes (sub:7, others:1 1 Korean subtitled Awful: - Worst ever: 1 vote (sub:1)

Seen in part or in whole by 544 users, rank: #1980 (of 9378)
Median rating: Good
Arithmetic mean: 6.631 (Good−), std. dev.: 1.8884, rank: #5143 (of 9480)
Weighted mean: 6.492 (Decent+), rank: #5516 (of 9480) (seen all: 6.61 / seen some: 5.09 / won't finish: 3.69)
Bayesian estimate: 6.539 (Good−), rank: #4972 (of 7123)

Running time: 24 minutes per episode Number of episodes: 12 Episode titles: We have 12 Vintage: 2015-01-11 Opening Theme: "Hi no Ito Rin'ne no Gemini" (緋ノ糸輪廻ノGEMINI) by petit milady Ending Theme: "Magna Idea" (マグナ・イデア) by fortuna Official website: TVアニメ「聖剣使いの禁呪詠唱<ワールドブレイク>」 (Japanese) テレビ東京・あにてれ 聖剣使いの禁呪詠唱 (Japanese) Review: World Break: Aria of Curse for a Holy Swordsman BD+DVD (Sep 10, 2016) News: Show: 10 +2 +7 unverified North American Anime, Manga Releases, October 7-13 (Oct 9, 2018) World Break: Aria of Curse for a Holy Swordsman Light Novels End in June (May 24, 2018) Australian Release List - October 2016 (Oct 30, 2016) North American Anime, Manga Releases, July 31-August 6 (Aug 2, 2016) Tatsunoko Productions Makes Time Bokan 24 TV Anime (Mar 26, 2016) Current Anime on Viewster (Updated) (Aug 4, 2015) Funimation Announces World Break: Aria of Curse for a Holy Swordsman English Dub Cast (Feb 19, 2015) Funimation Announces Tokyo Ghoul √A English Dub Cast (Feb 18, 2015) Funimation Announces Death Parade English Dub Cast (Feb 17, 2015) Funimation Announces Assassination Classroom English Dub Cast (Feb 16, 2015) Viewster to Stream Sengoku Musou (Samurai Warriors) (Jan 30, 2015) World Break: Aria of Curse for a Holy Swordsman Anime Gets Smartphone RPG (Jan 13, 2015) Crunchyroll to Stream World Break: Aria of Curse for a Holy Swordsman (Jan 9, 2015) Funimation to Stream World Break: Aria of Curse for a Holy Swordsman Anime (Dec 31, 2014) Madman's Final Day of Christmas Brings Five New Acquisitions (Dec 22, 2014) Seiken Tsukai no World Break Anime Casts Yui Ogura, Maaya Uchida (Nov 9, 2014) Seiken Tsukai no World Break Anime Premieres in January (Sep 18, 2014) Seiken Tsukai no World Break Light Novels Get Anime (Feb 10, 2014) Other articles: Show: 2 +4 unverified Funimation Considers One Piece Broadcast Dub as It Airs in Japan (Feb 22, 2015) Anime Spotlight Winter 2015 - The List (Jan 31, 2015) The Winter 2015 Anime Preview Guide - World Break: Aria of Curse for a Holy Swordsman (Jan 11, 2015) The Winter 2015 Anime Preview Guide - Unlimited Fafnir (Jan 11, 2015) The Winter 2015 Anime Preview Guide - KanColle (Jan 7, 2015) Seiken Tsukai no World Break TV Anime Slated for January 11 (Dec 1, 2014)
You can contribute information to this page, but first you must login or register

Blu-ray (Region A)
World Break: Aria of Curse for a Holy Swordsman - The Complete Series [Essentials] (Blu-ray) 2018-10-09
Blu-ray + DVD combo
World Break: Aria of Curse for a Holy Swordsman - The Complete Series (BD+DVD) 2016-08-02 (from $19.99)

Director: Takayuki Inagaki
Series Composition: Hiroshi Yamaguchi
Script:
Hiroshi Yamaguchi ( 8 episodes eps 1-2, 5-6, 9-12 )
Mio Inoue (eps 3-4, 7-8)
Unit Director: Takayuki Inagaki (OP, ED)
Music: Go Sakabe
Original story: Akamitsu Awamura (light novel)
Original Character Design: refeia
Character Design: Masakazu Ishikawa
Art Director:
Shigemi Ikeda
Yukiko Maruyama
Chief Animation Director:
Hajime Watanabe
Masakazu Ishikawa
Art design:
Kayoko Tomono
Shigemi Ikeda
Shuichi Okubo
Sound Director: Takayuki Inagaki
Director of Photography: Shinya Matsui
2nd Key Animation: Kaori Dou (ep 1)
Animation producer: Akihiro Sekiyama
Art Board:
Hachidai Takayama
Yoshimi Mineda
Yukiko Maruyama
Associate producer:
Natsuko Nagase
Shuichi Takahashi
CG:
Akihiro Kawasaki (Subaru)
Yuki Someya (Subaru)
CG Technical Director: Tomohiko Kan
Editing: Keisuke Yanagi
Metaphysical Design: Sung Hoo Park
Monitor Design: Koremi Kishi
Music producer: Tomomi Kudo
Program Manager: Masahiro Sugasawa (TV Tokyo)
Program Publicity: Akihiko Oseki (TV Tokyo)
Recording Adjustment: Hiroyuki Suzuki
Recording Assistant: Nozomi Mashita
Sound Effects:
Shota Yaso
Yasuyuki Konno
Sub-Character Design: Hajime Watanabe
Telop Design: Koremi Kishi
Theme Song Arrangement:
Mikiya Katakura (OP)
Sizuk (ED)
Theme Song Composition:
Mikiya Katakura (OP)
Shunryū (ED)
Theme Song Lyrics:
Arika Takarano (OP)
Kanata Nakamura (ED)
Aoi Yūki as Ayana Taketatsu as Kaito Ishikawa as Akira Ishida as Ayane Sakura as Chiaki Omigawa as Fumi Morisawa as Hikaru Midorikawa as Koji Yusa as Maaya Uchida as Machico as Nichika Omori as Reina Ueda as Rie Kugimiya as Ryou Sugisaki as Takehito Koyasu as Toru Ohkawa as Wataru Hatano as Yū Kobayashi as Yui Ogura as Yūichi Nakamura as Yuko Minaguchi as Ai Yamamoto as
(ep 1)
(ep 12) Akari Kitō as
(eps 3, 11)
(ep 9) Ari Ozawa as (ep 2) Atsushi Abe as (eps 9-10) Atsushi Tamaru as (ep 7) Aya Uchida as (ep 7) Ayaka Asai as (ep 10) Daigo Kaneko as (ep 1) Eri Suzuki as (ep 7) Erkin Kawabata as (Russian Speech) Haruki Ishiya as (ep 6) Harumi Sakurai as (ep 6) Hiroshi Watanabe as (ep 9) Hiroyuki Kagura as (ep 10) Itaru Yamamoto as (eps 3, 11-12) Jenya as (Russian speech) Juri Nagatsuma as (ep 10) Kazuki Narumi as (ep 1) Kazuki Shimizu as (ep 3) Kazuyuki Okitsu as (ep 10) Kenichi Mine as (ep 5) Kōichi Sōma as (ep 2) Kōsuke Kobayashi as (ep 1) Kosuke Miyoshi as (ep 1) Kouji Seki as (ep 10) M.A.O as (eps 11-12) Maria Naganawa as
(ep 2)
(ep 9) Marie Miyake as (ep 6) Masamichi Kitada as (ep 5) Masumi Tazawa as (ep 2) Mayu Sawada as (ep 4) Minami Takahashi as
(ep 1)
(ep 12) Misa Kayama as (young) Mitsuo Iwata as (ep 10) Moemi Otaka as (ep 7) Motomu Kiyokawa as (eps 3-4) Naomi Ōzora as (ep 5) Natsumi Haruse as (ep 4) Nichika Omori as
(ep 1)
(ep 7)
(ep 4) Nobuo Tobita as (ep 8) Rie Hazuki as (ep 5) Shino Kusuhara as (ep 9) Shunsuke Takeuchi as (ep 10) Sōta Arai as (ep 3) Takahiro Fujiwara as (ep 6) Takeru Morikawa as Takuya Satō as (ep 9) Tsuyoshi Koyama as (ep 9) Yui Takazawa as (ep 7) Yūji Kameyama as (ep 7) Yūma Uchida as Animation Direction: J-Cube (eps 3, 6, 9)
Animation Production: diomedéa
Animation Production Cooperation:
Husio Studio (eps 5, 11)
Magic Bus (eps 3, 9)
Backgrounds:
Atelier Musa ( 7 episodes eps 1-3, 5, 8, 10, 12 CG Animation: SUBARU
eps 2-4, 6, 9, 11 Music Production: Zero-A
Photography: 8-Bit Rocket
Sound: Sound Wing
Video Editing: Tokyo Laboratory
ADR Director: Tyler Walker
Script: Samuel Wooley
Translation:
Duane Johnson
Rei Miyasaka (Crunchyroll)
Executive producer: Gen Fukunaga
ADR Engineer:
Jose Sandoval
Kyle Phillips
Patrick Morphy (eps 4-5, 8)
Phillip Jones (ep 8)
ADR Script Prep: Kyle Phillips
ADR Supervisor: Gino Palencia
Assistant ADR Director: Kyle Phillips
Assistant ADR Engineer:
Andrew Tipps
Cris George (ep 1)
Domonique French
Kevin Ussery
Assistant producer: Zach Bolton
Head Writer: John Burgmeier
Language Asset Coordinator: Kaitlan Estes
Language Asset Manager: Sarah Alys Lindholm
Mix Engineer: Adrian Cook
Production Assistant:
Katherine Salavarria
Sally Haden
Trenton Jons
Russian Language Consultant: Svetlana Beloshapkina
Senior Video Editor:
Daniel Mancilla
Jeremy Jimenez
Video Editing:
Aya Spann
Brittany Smith
Hayley Tiefenthaler
Josh Tyler
Video Engineer: Jason Weems
Video Post Production Director: Clarine Harp
Video Post-Production Manager: Matthew O'Hara
Clifford Chapin as Felecia Angelle as Jad Saxton as Alexis Tipton as Bryn Apprill as Garret Storms as Heather Walker as Michael Jones as Mikaela Krantz as Morgan Garrett as Robert McCollum as Seth Magill as Sonny Strait as Tia Ballard as Trina Nishimura as Alex Organ as Ashleigh Domangue as Austin Tindle as Brienne Olvera as Bryan Massey as Christopher Bevins as Didi Duron as (as Didi Archilla) Ed Blaylock as (ep 3) Eric Vale as Ian Ferguson as Jerry Jewell as Joel McDonald as Katherine Bourne as Kevin Cellar as (ep 4) Kyle Phillips as (ep 7) Leah Clark as (ep 6) Lydia Mackay as Mallorie Rodak as (ep 7) Orion Pitts as Ryan Reynolds as
(young)
Licensed by:
FUNimation Entertainment
Madman Entertainment (Australia and New Zealand)
(none)
Internet Streaming: Viewster (France, DE, AT, CH, BE, IT)
(none)
(none)
Internet Streaming: Viewster (Germany, AT, CH, FR, BE, IT)
(none)
(none)
Internet Streaming: FUNimation Entertainment (Brazil)
Licensed by: FUNimation Entertainment (Brazil)
(none)
This encyclopedia is collaboratively edited by the users of this site
DISCLAIMER add information report an error lookup sources

Compare Credits

review

Re:Zero -Starting Life in Another World- Season 2 Limited Edition Anime Blu-Ray Review

Oct 20, 16:00 anime

All the shifting back and forth weaves together to make a beautiful picture with a singular theme: to move forward from trauma, one must look toward their unchangeable past and clear-eyed into an uncertain future. ― "Just make it about something!" has been my constant refrain as wave after wave of isekai mush has washed over me for the past decade. Enough with the bland, soothing pap intentionally de.

Plot Summary: Swords of Salvation, known as Saviors, are special people chosen from across Japan who inherited the memories of their previous lives and able to use the miraculous power of the Ancestral Arts. They are being trained in order to break down Metaphysicals who randomly attack.
Magic maagy nationality

For example, there could be sorcerers who harness elemental magic, witches who specialize in potions and spell-casting, and wizards who excel in arcane arts. Each subgroup may have its own hierarchy or system of magical education, and individuals may strive to master various magical disciplines. The concept of magic maagy nationality is often intertwined with themes of identity, heritage, and belonging. Characters who possess magical abilities may struggle with their dual identities, torn between the ordinary human world and the magical realm they belong to. They may face discrimination or fear from those who do not possess magical powers, or they may strive to protect and preserve their magical heritage. Overall, the idea of magic maagy nationality adds depth and richness to fantasy worlds. It explores the complexities of identity and showcases the diversity and uniqueness of magical characters. It allows for imaginative storytelling and provides a fascinating lens through which to explore themes of power, prejudice, and self-discovery..

Reviews for "Beyond Hogwarts: Exploring Magical Education in Different Nationalities"

1. Emily - 2/5 - While I was initially intrigued by the concept of "Magic Maagy Nationality," I found myself disappointed with the execution. The plot was convoluted and hard to follow, jumping between different timelines and characters without much explanation. The characters themselves lacked depth, and I found it difficult to connect with any of them. Overall, I was left feeling unsatisfied and confused after reading this book.
2. James - 1/5 - "Magic Maagy Nationality" was a complete disappointment. The writing was amateurish, with numerous grammatical errors and awkward phrasing throughout. The plot seemed almost nonsensical, with random events and unrealistic scenarios that made it difficult to suspend disbelief. It felt like the author was trying too hard to be clever and whimsical, but it fell flat for me. I would not recommend this book to anyone looking for a well-written, coherent story.
3. Sophia - 2/5 - I had high hopes for "Magic Maagy Nationality," but unfortunately, it didn't live up to my expectations. The pacing was incredibly slow, and there were long stretches where nothing seemed to happen. The dialogue felt forced and unnatural, making it hard for me to engage with the characters. Additionally, the magical elements in the story were poorly explained and lacked consistency, further taking away from my enjoyment of the book. Overall, I found it to be a lackluster read.
4. David - 3/5 - Although "Magic Maagy Nationality" had an intriguing premise, I ultimately found it to be a disappointing read. The writing had potential, but it was hindered by a lack of focus and coherence. The story jumped between different perspectives and time periods without clear transitions, making it difficult to follow. Additionally, the character development felt weak, and I struggled to connect with any of the individuals in the book. While there were some interesting ideas present, they were not fully explored or developed, leaving me feeling unsatisfied.

Beyond Wands and Spells: Exploring Magical Nationalities in Literature and Film

The Magic of Diversity: Celebrating Different Nationalities in the Wizarding World