Magical Floating Drawings Magical floating drawings are a fascinating artistic technique that combines the principles of drawing and illusion. They create the optical illusion of floating objects or characters that appear to defy gravity in a two-dimensional plane. The concept behind magical floating drawings is to create a sense of weightlessness and suspension, giving the illusion that the drawn objects are levitating above the surface. This technique often involves meticulous attention to detail and precise shading to create the desired effect of depth and realism. Artists who specialize in magical floating drawings often use a variety of materials, such as pencils, charcoal, or ink, to bring their creations to life. The choice of medium depends on the desired effect and the individual artist's style.
Halfway through the album, Guerra’s voice appears, too, in a sequence the band has titled “The Words of the Dead.” These screams were recorded for, and cut from, Four Phantoms, and they form the living emotional core of Mirror Reaper. Here is where the tension of the album’s first side climaxes, where life and death seem to pierce each other. Guerra is dead, and he is singing with his former band; they are mourning him and they are with him at the same time. Then the cresting waves of sound fall away, and on Mirror Reaper’s second side, Shreibman and Desmond wade through acres of empty space. Their instruments echo into beats of silence. The loss of their friend bores holes in the music itself.
Though the instrumental performances on this record are as sharp as the band has yet conjured, the vocal performances are for me the true highlight of the record. When we arrived after what seemed an interminable amount of time in silence in the car, my father, whom I d never seen cry in my life, embraced his own father s lifeless body and wept like I ve never seen a person weep.
The choice of medium depends on the desired effect and the individual artist's style. Some artists may also employ digital tools and technologies to enhance their drawings and add extra elements of magic and enchantment. One of the key aspects of creating magical floating drawings is understanding the principles of perspective and spatial relationships.
Ghostly longing: Tonality as grieving in Bell Witch’s Mirror Reaper
Mirror Reaper , by the funeral doom metal band Bell Witch, is an immense 83-minute composition in which tonal organization plays an essential role in enhancing and creating meaning. Little analytical attention has been paid to doom metal; armed with a flexible conception of theories of tonal harmony and my full transcription of the album, I show that slow, repetitive music and rich engagement with musical details are not mutually exclusive. I present an analysis in which the tonal drama centres around slowly shifting bass support for a persistent melody F natural. At first, this F appears as a dissonant ninth over an E♭, then as a hollow fifth above a B♭ and finally as a consonant major third above D♭. I understand this progression as a sonic analogue for the grieving process that, according to interviews with the band, is the album’s main focus.
© 2021 Intellect LtdArticle metrics loading.
/content/journals/10.1386/mms_00049_1 2021-06-01 2023-10-19Full text loading.
Berger , H. M. . ( 1999 ), Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience , Music/Culture , Hanover:: University Press of New England;.
Buchler , M. . ( 2008 ;), ‘ Modulation as a dramatic agent in Frank Loesser’s Broadway songs. ’, Music Theory Spectrum , 30 : 1 , pp. 35 – 60 , https://doi.org/10.1525/mts.2008.30.1.35. Accessed 13 May 2021 .
Burns , L. . ( 2019 ;), ‘ Interpreting transmedia and multimodal narratives: Steven Wilson’s “The Raven That Refused to Sing”. ’, in C. Scotto ,, K. M. Smith , and J. Brackett . (eds), The Routledge Companion to Popular Music Analysis , New York and Abingdon:: Routledge Music Companions, Taylor and Francis Group;.
Capuzzo , G. . ( 2018 ;), ‘ Rhythmic deviance in the music of Meshuggah. ’, Music Theory Spectrum , 40 : 1 , pp. 121 – 37 , https://doi.org/10.1093/mts/mty005. Accessed 13 May 2021 .
Clark , S. . ( 2011 ), Analyzing Schubert , Cambridge:: Cambridge University Press;, https://doi.org/10.1017/CBO9780511842764. Accessed 13 May 2021 .
Coggins , O. . ( 2018 ), Mysticism, Ritual, and Religion in Drone Metal , Bloomsbury Studies in Religion and Popular Music , London and New York:: Bloomsbury Academic;.
Desmond , D. . ( 2017 ;), ‘ Bell Witch’s new LP is a loving tribute to former drummer Adrien Guerra. ’, interviewed by Joseph Schafer .
Doll , C. . ( 2017 ), Hearing Harmony: Toward a Tonal Theory for the Rock Era , Tracking Pop , Ann Arbor, MI:: University of Michigan Press;.
Ewell , Philip A. . ( 2020 ;), ‘ Music theory and the white facial frame. ’, Music Theory Online , 26 : 2 , https://doi.org/10.30535/mto.26.2.4. Accessed 13 May 2021 .
Garza , Jose M. Jr . ( 2021 ;), ‘ Transcending time (feels): Riff types, timekeeping cymbals, and time feels in contemporary metal music. ’, Music Theory Online , 27 : 1 , https://doi.org/10.30535/mto.27.1.3. Accessed 13 May 2021 .
Hannan , C. . ( 2018 ;), ‘ Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan. ’, Metal Music Studies , 4 : 3 , pp. 433 – 58 , https://doi.org/10.1386/mms.4.3.433_1. Accessed 13 May 2021 .
Hannan , C. . ( 2019 ;), ‘ Hearing form in progressive metal: Motivic return, genre borrowing, and Sonata form in Between the Buried and Me’s Parallax II. ’, master’s thesis , New York:: Columbia University;.
Hudson , S. S. . ( 2019 ;), ‘ Feeling beats and experiencing motion: A construction-based theory of meter. ’, Ph.D. dissertation , Evanston, IL:: Northwestern University;.
Hudson , S. S. . ( 2021 ;), ‘ Compound AABA form and style distinction in heavy metal. ’, Music Theory Online , 27 : 1 , https://doi.org/10.30535/mto.27.1.5. Accessed 13 May 2021 .
Lavengood , M. . ( 2020 ;), ‘ Journal of Scheknerian studies: Proving the point. ’, 27 July , https://meganlavengood.com/2020/07/27/journal-of-schenkerian-studies-proving-the-point/. Accessed 13 May 2021 .
Lennard , C. . ( 2016 ;), ‘ Deforming the backbeat: Dissonant states and musical expression in Meshuggah’s ObZen and Koloss. ’, paper in master’s portfolio , Cincinnati, OH:: University of Cincinnati College-Conservatory of Music;.
Lilja , E. . ( 2009 ), Theory and Analysis of Classic Heavy Metal Harmony , Vantaa and Helsinki:: IAML Finland (Suomen musiikkikirjastoyhdistys);.
Lucas , O. . ( 2014 ;), ‘ Maximum loudness yields maximum results. ’, Journal of Sonic Studies , 7 , https://www.researchcatalogue.net/view/84314/87805. Accessed 13 May 2021 .
Lucas , O. . ( 2018 ;), ‘ “So complete in beautiful deformity”: Unexpected beginnings and rotated riffs in Meshuggah’s ObZen. ’, Music Theory Online , 24 : 3 , http://mtosmt.org/issues/mto.18.24.3/mto.18.24.3.lucas.html. Accessed 13 May 2021 .
McCandless , G. R. . ( 2010 ;), ‘ Rhythm and meter in the music of Dream Theater. ’, dissertation , Tallahassee, FL:: Florida State University;.
McCandless , G. R. . ( 2013 ;), ‘ Metal as a gradual process: Additive rhythmic structures in the music of Dream Theater. ’, Music Theory Online , 19 : 2 , http://mtosmt.org/issues/mto.13.19.2/mto.13.19.2.mccandless.html. Accessed 13 May 2021 .
Moore , A. F. . ( 2012 ), Song Means: Analysing and Interpreting Recorded Popular Song , Ashgate Popular and Folk Music Series , Farnham, Surrey and Burlington, VT:: Ashgate;.
Morgan , R. P. . ( 1976 ;), ‘ Dissonant prolongation: Theoretical and compositional precedents. ’, Journal of Music Theory , 20 : 1 , pp. 49 – 91 .
Morgan , R. P. . ( 2016 ;), ‘ Dissonant prolongations again: Nontonic extensions in nineteenth-century music. ’, Journal of Music Theory , 60 : 1 , pp. 1 – 21 , https://doi.org/10.1215/00222909-3448737. Accessed 13 May 2021 .
Osborn , B. . ( 2010 ;), ‘ Beats that commute: Algebraic and kinesthetic models for math-rock grooves. ’, Gamut , 3 : 1 , pp. 43 – 67 .
Phillipov , M. . ( 2014 ), Death Metal and Music Criticism: Analysis at the Limits , Lanham, MD:: Lexington Books;.
Pieslak , J. . ( 2007 ;), ‘ Re-casting metal: Rhythm and meter in the music of Meshuggah. ’, Music Theory Spectrum , 29 : 2 , pp. 219 – 45 , https://doi.org/10.1525/mts.2007.29.2.219. Accessed 13 May 2021 .
Pillsbury , G. T. . ( 2006 ), Damage Incorporated: Metallica and the Production of Musical Identity , New York:: Routledge;.
Piper , J. . ( 2013 ;), ‘ Locating experiential richness in doom metal. ’, Ph.D. dissertation , San Diego, CA:: University of California San Diego;, https://escholarship.org/uc/item/7bq7387s. Accessed 13 May 2021 .
Rings , S. . ( 2011 ), Tonality and Transformation , Oxford Studies in Music Theory , New York:: Oxford University Press;.
Scott , N. , and O’Boyle , T. . ( 2015 ;), ‘ Doom values: Deceleration promoting a philosophy of progression through opposites. ’, in T.-M. Karjalainen , and K. Kärki . (eds), Modern Heavy Metal: Markets, Practices, and Cultures , Helsinki:: Aalto University;, pp. 347 – 53 .
Scotto , C. . ( 2018 ;), ‘ System 7. ’, in C. Scotto ,, K. M. Smith , and J. Brackett . (eds), The Routledge Companion to Popular Music Analysis , New York and Abingdon:: Routledge Music Companions, Taylor and Francis Group;.
Shvarts , A. . ( 2014 ;), ‘ Troubled air: The drone and doom of reproduction in SunnO)))’s metal maieutic. ’, Women and Performance , 4 : 2&3 , pp. 203 – 19 .
Smialek , E. . ( 2008 ;), ‘ Re-thinking metal aesthetics: Complexity, authenticity, and audience in Meshuggah’s I and Catch Thirtythr33. ’, master’s thesis , Montreal:: McGill University;.
Smialek , E. . ( 2015 ;), ‘ Genre and expression in extreme metal music, ca. 1990–2015. ’, dissertation , Montréal:: McGill University;.
Temperley , D. . ( 1999 ;), ‘ The question of purpose in music theory: Description, suggestion, and explanation. ’, Current Musicology , 66 , pp. 66 – 85 , https://doi.org/10.7916/d8tt4pqz. Accessed 13 May 2021 .
Temperley , D. . ( 2007 ;), ‘ The melodic harmonic “divorce” in rock. ’, Popular Music , 26 : 2 , pp. 323 – 42 , https://doi.org/10.1017/S026114300700124. Accessed 13 May 2021 .
Vanek , G. . ( 2018 ;), ‘ Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust. ’, Metal Music Studies , 4 : 3 , pp. 573 – 83 , https://doi.org/10.1386/mms.4.3.573_1. Accessed 13 May 2021 .
Walser , R. . ( 1993 ), Running with the Devil: Power, Gender, and Madness in Heavy Metal Music , Music/Culture , Hanover:: University Press of New England;.
Winkler , P. . ( 1997 ;), ‘ Writing ghost notes: The poetics and politics of transcriptions. ’, in D. Schwarz ,, A. Kassabian , and L. Siegel . (eds), Keeping Score: Music, Disciplinarity, and Culture . Knowledge: Disciplinarity and Beyond , Charlottesville, VA:: University of Virginia Press;, pp. 169 – 203 .
Wright , L. M. . ( 2015b ;), ‘ Transcending the form, advancing the norm: Queer post-structuralism in post-metal. ’, in T.-M. Karjalainen , and K. Kärki . (eds), Modern Heavy Metal: Markets, Practices, and Cultures , Helsinki:: Aalto University;, pp. 247 – 56 .
Yavuz , M. S. . ( 2018 ;), “‘ The Barghest o’ Whitby”: (A genealogical study of) death/doom metal music(al) network in Northern England (2018). ’, Ph.D. thesis , Leeds:: Leeds Beckett University;.
Zbikowski , L. M. . ( 2017 ), Foundations of Musical Grammar , Oxford Studies in Music Theory , New York:: Oxford University Press;.
Pieslak , J. . ( 2007 ;), ‘ Re-casting metal: Rhythm and meter in the music of Meshuggah. ’, Music Theory Spectrum , 29 : 2 , pp. 219 – 45 , https://doi.org/10.1525/mts.2007.29.2.219. Accessed 13 May 2021 .
By manipulating lines, shading, and proportions, artists can give the illusion of depth and three-dimensionality to their drawings. This is crucial in making the objects or characters appear as if they are floating in mid-air. Magical floating drawings can depict a wide range of subjects, from everyday objects and people to fantastical creatures and imaginary landscapes. Some artists draw inspiration from the natural world, incorporating elements like flowers, leaves, or clouds into their floating designs. Others explore themes of fantasy and mythology, bringing to life mythical creatures or mystical settings. Due to their captivating nature, magical floating drawings have gained popularity as a form of artistic expression. They have been showcased in galleries, exhibitions, and even online platforms, reaching a wider audience. Many artists have also turned to social media platforms to share their creations, attracting fans and followers from around the world. In conclusion, magical floating drawings are a visually stunning artistic technique that creates the illusion of levitating objects or characters. Artists who specialize in this technique use various materials and employ principles of perspective to bring their creations to life. These drawings can range from everyday objects to fantastical creatures and often capture the imagination of viewers with their sense of magic and enchantment..
Reviews for "Dreamlike Enchantment: The Charm of Floating Drawings"
1. Karen - 2 stars - I was really disappointed with "Magical Floating Drawings". The concept seemed interesting and I was excited to see what they would do with it, but the execution fell flat for me. The storytelling felt disjointed and I couldn't connect with the characters. The magical elements seemed forced and out of place, and overall it just didn't live up to my expectations.
2. John - 1 star - I honestly don't understand the hype around "Magical Floating Drawings". I found it to be exceptionally dull and unoriginal. The plot was predictable and the characters were one-dimensional. The magical drawings were underutilized and didn't add anything meaningful to the story. Overall, it was a waste of time for me.
3. Emily - 2 stars - "Magical Floating Drawings" had an intriguing premise, but it failed to deliver for me. The pacing was slow and I found myself losing interest halfway through. The dialogue felt forced and unrealistic, making it difficult to connect with the characters. The art style may be appealing to some, but I personally found it distracting and overwhelming. I wouldn't recommend this film to others.
4. David - 2.5 stars - I had high hopes for "Magical Floating Drawings", but it just didn't live up to them. While the animation was visually stunning, the story lacked depth and substance. The characters were forgettable and the plot felt disjointed. The magical elements felt more like a gimmick rather than an integral part of the story. Overall, it was a decent watch, but nothing to write home about.
5. Samantha - 1.5 stars - "Magical Floating Drawings" was a complete letdown for me. The storyline was confusing and it felt like the filmmakers tried to cram too many ideas into one film. The pacing was off and it was difficult to follow along. The characters lacked development and their actions often didn't make sense. The magical floating drawings, while visually interesting, didn't contribute much to the overall narrative. I wouldn't recommend this movie to anyone looking for a coherent and engaging watch.