hallowween house

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Directed by Gorō Miyazaki, the film was announced as the first full 3D CG animated film by Studio Ghibli and was scheduled for a television premiere on NHK in late 2020. On June 19, 2020, images from the film were revealed by Miyazaki. Goro said that his father told him to go with it and Toshio Suzuki encouraged him, but after that he was left on his own and made the anime with young staff and "didn't consult with the old guys at all". He also said that he is the only one at the studio who knows the method of creating CG animation. Satoshi Takebe composed the music for the film. The theme song "Don't Disturb Me" and ending theme "Atashi no Sekai Seifuku" (あたしの世界征服) are performed by a team composed of Sherina Munaf on vocals, Hiroki Kamemoto of Glim Spanky on guitar, Kiyokazu Takano of Mrs. Green Apple on bass, Kavka Shishido on drums, and Takebe on keyboards.

The theme song Don t Disturb Me and ending theme Atashi no Sekai Seifuku あたしの世界征服 are performed by a team composed of Sherina Munaf on vocals, Hiroki Kamemoto of Glim Spanky on guitar, Kiyokazu Takano of Mrs. If the standard feels slightly made-for-TV, that s most likely because it was originally produced for a Japanese channel NHK General TV, before earning a theatrical release.

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Earwig And The Witch Review

An orphan girl known as Earwig (Taylor Paige Henderson) is adopted by a mysterious couple known only as Bella Yaga (Vanessa Marshall) and the Mandrake (Richard E Grant). When Earwig discovers Bella Yaga is a witch, she begins to learn spells with the help of a talking cat (Dan Stevens) — and discover her own magical past.

Like Bob Dylan going electric, Earwig And The Witch was met with howls of protest from some members of the Studio Ghibli faithful when the first trailer was launched. For many, the venerated institution of hand-crafted 2D Japanese anime crossing the cartoon picket line into the modern age (and the third dimension) with a fully CGI feature film seemed like sacrilege. Surely it would be enough to wipe the grin from Totoro’s giant face?

In truth, Ghibli has been tinkering with computer-generated animation for years: a fully CG-animated TV series came in 2014 (Sanzoku no Musume Rōnya), and the studio has been adding minor CG enhancements to traditional techniques in films as far back as Princess Mononoke in 1997. So, this is perhaps more evolution than revolution. Still, the studio’s first feature film in seven years certainly looks different to anything they’ve ever produced, and the initial effect is undoubtedly jarring. While the backgrounds are richly rendered — the company’s affection for the natural world remains intact — the character animation is plastic-y and doll-like, more akin to the early years of CGI than modern-day Pixar-level quality. If the standard feels slightly made-for-TV, that’s most likely because it was: originally produced for a Japanese channel NHK General TV, before earning a theatrical release.

It's clearly aimed to appeal to kids more than grown-ups, but there is just the right amount of spark to hold everyone’s attention.

But director Goro Miyazaki — keeping the flame of the studio alive after a hiatus triggered by the semi-retirement of his father, Hayao — nonetheless brings a very familiar spirit of imagination and colour to this brave new world. Like many a Ghibli before it (Howl’s Moving Castle, Arietty), it’s an adaptation of a beloved English children’s novel, in this case the Diana Wynne Jones book of the same name; and like those earlier films, it trades heavily on some comforting character types — the precocious child, the aloof spellcaster, the sarcastic talking cat (see also: Kiki’s Delivery Service, Whisper Of The Heart).

The lively story, of an orphan being mentored by a witch while dreaming of her estranged mother, is clearly aimed to appeal to kids more than grown-ups, but there is just the right amount of spark — and enough appearances from that sarcastic talking cat — to hold everyone’s attention. It may not satisfy the purists, but Earwig has enough storytelling charm for it to be recognisably Ghibli.

On review aggregator Rotten Tomatoes, 34% of 44 critic reviews are positive for Earwig and the Witch, and the average rating is 5.20/10. The critics consensus on the website is: "With a story as uninspired as its animation, Earwig and the Witch is a surprising — and near-total — misfire for Studio Ghibli." According to Metacritic, which calculated a weighted average score of 45 out of 100 based on 14 reviews, the film received "mixed or average reviews".

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hallowween house