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In this production, and unusually for opera, the orchestra is integrated into the production. The musicians and conductor play from a raised pit onstage so they are more visible to the audience and are able to interact with the singers on stage. This is very different to the usual orchestra pit, where players are traditionally hidden away from the action. As the title suggests, the flute takes a central role in the music representing Prince Tamino. For Papageno’s magic bells, Mozart scored a stromento d’acciaio or keyed glockenspiel. In modern productions this is usually performed on the celeste.
Sarastro leads his fellow members of the Temple of Wisdom in a solemn prayer to the Egyptian gods Isis and Osiris and asks for protection for Pamina and Tamino. The German libretto was written by Emanuel Schikaneder, based on the Sophie Seyler s libretto for Hüon und Amande, which in turn had its foundations in the poem Oberon.
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The Magic Flute: A beginner's guide to Mozart's operas
Act 1 opens with the handsome Prince Tamino being chased by a poisonous snake. He faints just as the snake is about to unleash its deadly bite, but the creature is killed by three ladies, servants of The Queen of the Night before it can attack the Prince.Pictured: Pavol Breslik, Sabina Cvilak, mezzo-soprano Barbara Heising and mezzo-soprano Julia Oesch perform Mozart's opera 'the Magic Flute' directed by Polish Krystian Lupa and conducted by English Daniel Harding during the international lyric arts festival, Aix-en-Provence, 2006
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