The curse of the mutants is a concept prevalent in various forms of media, particularly in the realm of science fiction and fantasy. It revolves around the idea of individuals who possess abnormal abilities or physical traits due to a genetic mutation. These individuals are often feared and ostracized by society due to their differences, leading to themes of prejudice and discrimination. One of the most famous examples of the curse of the mutants is found in Marvel Comics' X-Men series. Mutants in this fictional universe are born with extraordinary powers, such as telepathy, super strength, or the ability to manipulate the elements. However, they are often regarded as a threat to humanity by ordinary individuals, leading to widespread hatred and persecution.
My favorite part of the event is that it actually gives long-absent ex-X-Men Jubileee something to do. As one of the depowered mutants from the aftermath of House of M she hasn’t really been seen for years. Here she’s chilling in San Fran with friend Pixie when a vampire suicide bomber explodes next to her, infecting her with a bioengineered version of vampirism (okay technically just the desire to be fed on by a vampire). Xarus’ plan is to turn the X-Men one by one, and she’s the guinea pig.
They re not bad though I m not a fan of Ariel Olivetti s water-color art but pitting the already alien world and characters of Atlantis around a mer-folk vampire invasion is a bit much. Rather than an old-fashioned 19th century suit, Dracula is wearing strange red armor that make him look less like the lord of the night and more like the king of all lobsters.
However, they are often regarded as a threat to humanity by ordinary individuals, leading to widespread hatred and persecution. The curse of the mutants serves as a metaphor for real-world issues such as racism, homophobia, and discrimination against individuals with disabilities. It highlights the irrational fear and prejudice that can arise when society encounters something perceived as different or unknown.
Curse of the mytants
Betrayed by his son Xarus, Dracula was revived by the X-Men to assist them in their war with his offspring. But the true king of the vampires needs no help from mutants, and Dracula vows to deal with his son in his own way.
Dracula has a son? And it's not Alucard? Go figure. This isn't the first time Drac's run afoul of the X-Men: he bit Storm in Uncanny X-Men #159, and was "killed" (wink wink) in Uncanny X-Men Annual #6. Of course, back then he looked like what you'd expect Dracula to look like; now, not so much.
Time hasn't been kind to Dracula. He still has the palid flesh and the pointy ears, but his hair's gone white. And long. He gets a new hair piece with a separate ponytail. He's also wearing giant earrings, to make himself feel pretty. His face is lined, and his eyes are blank red - the face suits Dracula, even if the hair doesn't.
Rather than an old-fashioned 19th century suit, Dracula is wearing strange red armor that make him look less like the lord of the night and more like the king of all lobsters. It may have been inspired by the armor Gary Oldman wore in the beginning of the 1992 movie, but that doesn't make it good. The gloves, boots and chest cap are all new pieces, detailed with overlapping plates and rivets.
There are two design issues with Dracula. First, his feet don't fit into his legs properly. There are gaps at the ankles, and the feet fall out easily. Normally this could be fixed by twisting the feet until they forced their way into the legs, but the armor on the shins prevents that from happening. Secondly, he has a sword, but the hilt is too short to actually fit in his hand, rendering it useless. You can usually count on Minimates for reliable construction, which is why we never mention it: there are no problems, and no nothing to talk about. But Dracula is not up to their usual standards.
Although he helps the X-Men obtain a vampire test subject so they can work on a cure for Jubilee, Blade objects to their plan to revive Dracula. It is Blade who discovers Xarus' plan to invade San Francisco, specifically the mutant sanctuary Utopia.
This is the second Blade Minimate, the first having come in 2005's Series 9. At the time, his look in the comics was heavily influenced by the movie costume - soon after, the Blade tv series debuted, and the comics soon switched to that new look. It's been fairly consistent since, so that's what this Minimate is sporting, as well.
The most noticable difference between the movie and TV versions is the hair: Wesley Snipes had his high-top fade, while Sticky Fingaz was bald, so modern Blade is bald. Mostly bald - there are two "lightning bolts" of hair on his scalp, whatever those are about. He's got a skinny handlebar mustache and is wearing reflective shades. Usually Art Asylum gives bald characters smooth heads without a "hair hole" in the top, but not Blade: he looks like he's been stabbed in the brain.
Blade gets some new pieces to make up his otherwise-simple costume: an armored vest with holes in the back where scabbards plug in, and a utility belt. The belt originally belonged to Deadpool, but being painted black and silver makes it look entirely new. Instead of a revolver to fit in the loop at the back, he has some kind of rounded sci-fi pistol thing. The swords are also from a Deadpool, but a different one. If you take off Blade's vest, there's a fully detailed torso underneath - he's wearing a tank top.
Few X-Men would be able to stand up to Wolverine under normal circumstances, but a vampiric Wolverine in the grips of bloodlust is nigh-unstoppable. It's too bad his mutant healing factor doesn't work on the vampire virus.
Here we are, with Wolverine #37. It's sort of something we've seen before, and yet also something we haven't. This is clearly based on the Astonishing X-Men costume, but with the tweaks that happened later, such as the darker blue and the X-symbol on his chest (which is particularly silly, since he started wearing it about the time he joined the Avengers).
Since he's gone all vampire, his eyes are blank white and he's baring his fangs. Okay, those aren't completely unusual features, but they feel vampiric here. His hair is reused, and he gets a repainted mask. A repainted mask that neither looks like the one he wears with this costume, nor actually fits on his head. Seriously, it's an even tighter fit than even Iron Man or the Viper pilots had to deal with. I'm afraid to put it on him, for fear it may never come off. Or will rub his face off when it does. Like many recent Wolverines, he includes the "pulled back" mask around his neck - such a cool little feature!
Jubilee may have lost her mutant powers, but is targeted by Xarus' forces for her bond with Wolverine. Infected by a vampire virus, Jubilee is turned by Xarus himself, and is in his thrall when her former partner comes to rescue her.
After M-Day, millions of mutants lost their powers - but as far as "important" mutants, Jubilee was one of only a handful. It was, like, her and Blob, and then a million losers you never heard of. She was briefly a member of the (new) New Warriors, using a powered suit, but that didn't last either, so she moved to San Francisco to at least be near her old friends. Which is why she was handy when the vampires attacked - and the only reason they did that is they knew Wolverine would be the one who came to rescue her.
Turning evil suits Jubilee: instead of her old yellow, pink and blue, she's wearing black leather with a deep neckline, and instead of her old chest she's sporting some cleavage. She's wearing grey lipstick and has a new hair piece. The necklace on her chest protects her from sunlight, somehow - it's how the vampires got around in daylight.
There's a molding error on Jubilee; it was present on Blade, too, but we were willing to leave it alone when only one figure had it - after all, that could just be a fluke. However, when two figures in one set are wrong in exactly the same way, it suggests a deeper problem. The error is found on the hip block: the underside has too much plastic on the left side, so the left leg's range of motion is FUBAR. Looks like it's time to quality-check the steel tool used to mold the hips.
The Curse of the Mutants box set is not a great one. Dracula is a weird modern design that will be forgotten in a week, his feet fall off and he can't hold his only accessory. Wolverine's mask doesn't fit, and Blade and Jubilee both have molding issues (though clearly, that may vary from set to set). Then again, the more I look at King Crimson Dracula, the more I like him - not as Dracula, because the design is stupid, but as a generic hench-villain. Blade's cool, Jubilee looks great evil, and when else are you ever going to see Vampire Wolverine? Definitely not a must-have, though.
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In many stories featuring the curse of the mutants, the mutants themselves struggle to find acceptance and a place in society. They may face constant persecution, forcing them to hide their abilities or live in isolation. This struggle often forms the basis of their character arcs, as they strive to overcome societal prejudices and prove their worth. However, not all stories featuring mutants portray them negatively. Some narratives explore the positive aspects of mutant abilities, emphasizing the potential for heroism and the ability to make a positive impact on the world. These stories typically center around mutants who use their powers for the greater good, fighting against injustice and protecting those who cannot protect themselves. Overall, the curse of the mutants is a compelling concept that has resonated with audiences across different mediums. It offers a platform for exploring themes of prejudice, social ostracization, and the struggle for acceptance. It serves as a reminder to embrace diversity and celebrate our differences, rather than fear them..
Reviews for "The Curse of the Mytants: Lessons from History's Mistakes"
1. John - 2 stars:
I was really disappointed with "Curse of the mytants". The story felt disjointed and the characters were poorly developed. There were so many plot holes and unanswered questions that it ended up being frustrating to watch. The special effects were also lacking, and it was difficult to suspend disbelief when the CGI creatures looked so fake. Overall, I wouldn't recommend this movie to anyone looking for a captivating and well-executed fantasy film.
2. Emily - 1 star:
"Curse of the mytants" was one of the worst movies I've ever seen. The acting was terrible, the dialogue was cheesy and cliché, and the storyline was incredibly dull. I found myself questioning why I was still watching halfway through, but I was hoping it would somehow redeem itself. Unfortunately, it never did. The whole film felt like a wasted opportunity and was a complete waste of my time. Save yourself and skip this movie.
3. Alex - 2 stars:
I was really excited to see "Curse of the mytants" based on the trailer, but the actual film fell short of my expectations. The pacing was off, with slow and uneventful scenes dragging on for far too long. The characters lacked depth and the dialogue felt forced. The visual effects were underwhelming, making the mythical creatures appear more laughable than intimidating. It's a shame because the concept had potential, but the execution was disappointing. I would advise others to look elsewhere for a more captivating fantasy adventure.
4. Sarah - 2 stars:
"Curse of the mytants" had an interesting premise, but it failed to deliver a compelling story. The plot felt predictable and the twists were easily guessable. The acting was mediocre, with many performances feeling half-hearted and unconvincing. The film also suffered from inconsistent world-building, leaving the audience confused about the rules of the fantasy realm. Overall, this movie was forgettable and lacked the imagination and creativity that make fantasy films enjoyable.