The phrase "Which witch is which" is a play on words that is often used in a humorous or pun-filled context. It plays on the homophones "which" and "witch" to create a phrase that is both catchy and confusing. In its literal interpretation, the phrase could be asking the listener to identify or differentiate between multiple witches. This could be in reference to a story, movie, or other fictional scenario where there are multiple witches present. The phrase implies that it may be difficult to distinguish between the various witches, as they might have similar appearances or abilities. However, the phrase is more commonly used in a figurative sense to express confusion or uncertainty about a situation or decision.
The increasing waves of visions begin to drag Dane down in some sort of emotional tsunami. It’s not clear how the visions are harming him, but he acts like they’re overwhelming him. As the visions pour in, Mordred either knows what Dane is seeing or he remembers because he lived through it, and he narrates the visons with his own spin.
With Dane fatally wounded, Elsa gone, and Jacks standing around ineffectually, Mordred takes all the Ebony Artifacts he needs and casts them into a forge. The final issue of the series is reminiscent of the first, with the majority of the plot interwoven with Dane s confessions to this anonymous app on his phone, but the final issue s confessions mean something.
However, the phrase is more commonly used in a figurative sense to express confusion or uncertainty about a situation or decision. It suggests a scenario where there are multiple options or alternatives, and it is difficult to determine which one is the most appropriate or desirable. This could apply to anything from choosing between two job offers, to deciding on a course of action, to selecting an item from a menu.
‘Black Knight: Curse of the Ebony Blade’ manages to make the title character compelling
Even if you come in thinking Black Knight is a loser, you’ll come out convinced to buy the next volume.
November 3, 2021
I’m a huge Avengers fan — especially the ’70s and ’80s Avengers, before John Byrne took over. I have a fondness for almost every Avengers team of that era, and I hold a lot of love and feelings towards nearly every member of those Avengers teams. This is important context because the reason I said “nearly” is because of a handful of members: Dr. Druid, Starfox, and Black Knight. The first two on that list aren’t relevant here; they’re just characters that were very frustrating to read at the time and have no business being called heroes. Black Knight, on the other hand, is a more unique case.
See, for a while, Black Knight was a good idea. Dane Whitman is a guy with a magical sword that begs him to murder people, but Dane wants to be a hero and not murder anyone. If his blade sheds any blood, Dane is basically possessed by it, making his own means of being a hero his downfall. But this really cool concept never really translated to strong writing or interesting characterization. At one point, they got rid of the Ebony Blade altogether, giving him a lightsaber that made him super uncool. Let me repeat that: Black Knight managed to make a lightsaber boring. So you can understand why I’ve generally not been a fan.
Si Spurrier kicks off Black Knight: Curse of the Ebony Blade reminding everyone that yeah, Black Knight’s a loser. But not just in the way where the audience doesn’t like him — he’s such a loser the Avengers audibly vent their frustration about having to deal with him when he’s working with them. They make it painfully clear that they only see him as someone to destroy magical enemies, and even then only when their first pick is busy. Reading this first issue of Black Knight was cathartic at first, seeing this character I found boring get dragged by the likes of Thor and Black Panther. But by the end, it was just sad. Dane Whitman was a sad man, venting to an app on his phone that refused to give him any real advice, who just wanted to be appreciated by the people he looked up to. And of course, that’s his downfall.
The plot of the book is pretty solid, even if the middle portions are a bit dull. There’s a subversion of Arthurian myth that feels very reminiscent of Kieron Gillen and Dan Mora’s Once and Future, there’s a POV character through whom we see this world of the Black Knight and his history through a new lens, and there’s an Elsa Bloodstone team-up that’s pretty fun if nothing special. Sergio D á vila’s artwork is good if a bit muddled in some of the flashback segments. But all of this is secondary to the highlight of the book: Dane Whitman’s acceptance of his history and legacy and the path he’s given to move forward.
The final issue of the series is reminiscent of the first, with the majority of the plot interwoven with Dane’s confessions to this anonymous app on his phone, but the final issue’s confessions mean something. They’re not the desperate pleas of a pathetic man desperate to have someone love him, they’re the final words of a man who’s made something he’s proud of. It’s beautiful and despite the story getting a bit muddled in the middle (as I mentioned earlier), it’s an incredibly earned moment. It makes the whole story worth it, even before the last five or so pages promise a direction for the future that’s incredibly intriguing.
Black Knight’s not a character who’ll move a lot of sales, and this run obviously exists so that Marvel has something to point to when the Eternals movie releases since he’s going to be played by Kit Harington there. And while this character is likely going to be completely different from whatever the MCU’s version is, Spurrier and D á vila have certainly managed to make him compelling in his own right, and they’ve convinced even a person who thinks Black Knight is a loser that a follow-up volume is a day one purchase.
‘Black Knight: Curse of the Ebony Blade’ manages to make the title character compelling Black Knight: Curse of the Ebony BladeEven if you come in thinking Black Knight is a loser, you'll come out convinced to buy the next volume.
Elsa Bloodstone: Not to worry, I daresay I can find some fleshy bits to shoot off without killing him.
The phrase highlights the challenge of making a decision when there are multiple similar or competing options. As a pun, the phrase "Which witch is which" underscores the way in which English words can have multiple meanings or interpretations. In this case, the homophones "which" and "witch" are used interchangeably to create confusion and add an element of humor to the phrase. Overall, "Which witch is which" is a playful phrase that incorporates wordplay, confusion, and humor. Whether used literally or figuratively, the phrase draws attention to the complexities of decision-making and the often convoluted nature of English language..
Reviews for "Witchy Worldviews: How Different Beliefs Shape Witchcraft"
1. Emily - 2 out of 5 stars - I found "Which witch is which" to be extremely confusing and hard to follow. The plot seemed disjointed and the characters were one-dimensional. It felt like the author was trying too hard to be clever and ended up sacrificing the coherence of the story. I had high hopes for this book but unfortunately, it fell flat for me.
2. David - 1 out of 5 stars - I couldn't finish "Which witch is which" as I found it to be boring and uninteresting. The storyline lacked originality and the writing style failed to engage me. The humor felt forced and the magical elements seemed cliché. Overall, I was extremely disappointed and would not recommend this book.
3. Sarah - 2 out of 5 stars - I struggled to connect with the characters in "Which witch is which". They lacked depth and development, making it hard for me to care about their journey or outcome. The pacing was also quite slow, which made the book feel like a drag to get through. I had hoped for more from this book, but unfortunately, it fell short of my expectations.
4. Michael - 2 out of 5 stars - "Which witch is which" was a disappointment for me. The concept seemed interesting, but the execution left much to be desired. The writing style was flat and uninspiring, and the plot felt predictable and lackluster. I found myself losing interest halfway through and had to force myself to finish it. Overall, not a book I would recommend.