My private magic tome is something that holds immense significance to me. It is not just a book, but a collection of spells, rituals, and knowledge that has been passed down through generations in my family. Within its worn pages lie the secrets to harnessing my own personal powers and connecting with the mystical forces of the universe. The tome is not something that can be easily obtained or replicated. It is a family heirloom, an ancient artifact that has been carefully guarded and protected over the years. Its worn leather cover carries the weight of centuries of wisdom and experiences.
In “Santa Claus and His Old Lady,” Cheech is trying to write a song about Santa Claus, but Chong confuses Santa with a local musician. So Cheech enlightens him. “Once upon a time, about five years ago, there was this groovy dude, and his name was Santa Claus, you know?” Cheech tells how Santa Claus and his old lady moved up north with a bunch of midgets to eat brownies and drink tea, and to start a business delivering toys to kids around the world. Santa Claus delivers in a sleigh driven by “flying reindeers,” Cheech says, “On Donner, on Blitzen, on Chuy, on Tavo,” landing in “Chicago, L.A., Nueva York, Pacoima, all those places, you know?” Chong believes it all, except for the flying reindeers part—until Cheech explains that what makes them fly is “magic dust.” “Oh, magic dust!” says Chong. But Santa doesn’t do the toy bit anymore, Cheech says. He got strip-searched at the border, and down South, people cut his hair and shaved his beard. “Everywhere he went, he ran into too much recession.” Chong says, “No, you mean he ran into too much repression, man.” “Recession, repression, it’s all the same thing.” The bit ends with Cheech saying Santa has gone underground and appears only in disguise now, ringing a bell next to a kettle downtown. “Hey!” Chong says, “I played with that cat last year!” “Santa Claus is not a musician, man!” “I’m hip, man. That cat didn’t know any tunes!”
It s also shown on a 12 27 71 listing from KWFM in Tucson, a progressive rock station the kind of station far more likely to play such a thing than a station that played American Pie and Brand New Key. They were still over a year away from their great commercial breakthrough, the albums Big Bambu and Los Cochinos , and the singles Basketball Jones and Sister Mary Elephant.
Its worn leather cover carries the weight of centuries of wisdom and experiences. As I flip through the pages, the words come alive, dancing off the paper and into my mind. Each spell is meticulously written, infused with the energy of those who came before me.
Cheech & Chong and War to play the Arena
The Up In Smoke tour featuring CHEECH & CHONG and WAR, is burning it up all over the country and plays The Arena at Gwinnett Center on Saturday, JUNE 13 at 8PM.
A Night of Music and Comedy You’ll Never Forget, this tour promises to be the "smokiest" night of the year, featuring all of your favorite WAR hits and all of CHEECH & CHONG's outrageous and hilarious comedy. The Up In Smoke tour is a complete integration of WAR's timeless catalog, and CHEECH & CHONG's no authority brand of comedy and music. The party begins with WAR performing hit after hit such as “Why Can’t We Be Friends,” “Low Rider” and “Cisco Kid,” with the show progressing into a combination of Cheech and Chong’s most infamous songs (backed up by WAR) such as “Earache My Eye,” "Basketball Jones” and “Mexican Americans” and some of their most iconic comedic skits such as “Dave’s Not Here” “Santa Clause and His Magic Dust” and “Sister Mary Elephant.” Seeing WAR and CHEECH & CHONG jamming together on the same stage, has been described as a genius night of music and comedy.
CHEECH & CHONG's first film, “Up In Smoke," was the highest grossing comedy of 1978 and topped $100 million at the box office. In 2009, the duo made history when comedy partners Cheech Marin and Tommy Chong announced their first reunion tour in more than 25 years, selling out shows from coast to coast. Multi-platinum-selling WAR, the original street band, has been sharing its timeless music and message of brotherhood and harmony for more than four decades to millions across the globe. Their hits include “The World Is A Ghetto,” “Why Can’t We Be Friends,” “The Cisco Kid,” “Low Rider,” and many more. WAR performs more than 150 shows a year and the phenomenal group and has been honored twice by its hometown of Los Angeles for making positive contributions to the betterment of the community with its powerful music.
Tickets range from $38.00 to $78.00 and go on sale to the public beginning Friday, January 23 at 10AM at www.GwinnettCenter.com, The Arena at Gwinnett Center Box Office or by calling (770) 626-2464.
All dates, acts and ticket prices subject to change without notice. Fees may apply.
About Gwinnett Center
Just minutes outside of Atlanta, Gwinnett Center’s 80-acre lakefront campus can accommodate a variety of events from concerts, performances, meetings, trade shows, conventions, banquets, and celebrations. The multipurpose campus includes an amazing 13,000 seat arena, a 702-seat Performing Arts Center, 23 versatile meeting rooms, a 50,000 square foot exhibit hall, and a 21,600 square foot grand ballroom. Gwinnett Center is beautifully landscaped and architecturally stunning facility with an award-winning outdoor private garden, soaring atriums and modern angles which provide a beautiful backdrop for any event. The campus, operated by the Gwinnett Convention and Visitors Bureau, distinguishes itself by hosting a diverse range of events, including the NCAA Women’s Gymnastics Championships, Lady Gaga, Catalyst Convention, George Strait, Beyoncé, Enrique Iglesias, Red Hot Chili Peppers, Menopause the Musical, Justin Timberlake, Dave Matthews Band, Vicente Fernandez, Carrie Underwood, Eric Clapton, FLW Forrest Wood Cup, Michael Bublé, MUSE, and many more. For a full list of events, please visit www.gwinnettcenter.com.
For press inquiries, please contact:
Gwinnett Center, Marketing and PR Manager
The incantations, rituals, and potions are carefully crafted to channel the power latent within me. This tome is not just a book of magic, it is a reflection of my own growth and journey as a practitioner. Within its pages, I have recorded my own discoveries, experiments, and experiences. It is a record of my successes and failures, a testament to the power of perseverance and dedication. In this private magic tome, I find solace and guidance. It is my sanctuary, a place where I can retreat to delve deeper into my own magical potential. Here, I find inspiration and instruction, learning how to refine my craft and explore new avenues of magic. However, this tome is not just for personal gain and self-indulgence. It is a responsibility and a duty. It is a reminder of the importance of using magic ethically and responsibly. Each spell, each ritual, is accompanied by a moral lesson or cautionary tale, reminding me of the consequences of abusing power. The pages of my private magic tome are filled with symbols, illustrations, and annotations. It is a living document, ever-evolving and growing as I continue to carve my own path in the world of magic. It is a testament to the power of knowledge and the transformative potential of magic. In conclusion, my private magic tome is not just a book, but a portal to a realm of possibilities. It is a connection to my ancestors and a guide on my own magical journey. With its ancient wisdom, ethical teachings, and personal experiences, it is a treasured possession that holds the key to unlocking my true magical potential..
Reviews for "The Secrets of Casting Spells from My Private Magic Tome"
- Sarah - 2 stars - I was really excited to read "My private magic tome" based on all the hype, but I was sorely disappointed. The writing was mediocre at best, with a weak plot and unrelatable characters. There were too many unnecessary descriptions that dragged the story and made it hard to stay engaged. Additionally, I found the pacing to be incredibly slow, and the supposed magical elements felt forced and poorly integrated into the overall narrative. Overall, this book did not live up to the hype for me.
- John - 1 star - I couldn't even finish "My private magic tome" because it was so poorly written. The grammar and punctuation errors were abundant, making it difficult to understand what was going on. The dialogue was stilted and unnatural, and the characters lacked depth. The overall concept of the book had potential, but it was executed poorly. I wouldn't recommend this book to anyone.
- Emily - 2 stars - I found "My private magic tome" to be a frustrating read. The story had an interesting premise, but it was overshadowed by the lackluster writing style. The author seemed to rely too heavily on cliches and predictable plot twists, making the book feel unoriginal. The dialogue felt forced, and the characters lacked any real development. It's a shame because the concept had so much potential, but it fell short in execution.
- Tom - 3 stars - "My private magic tome" had some redeeming qualities, but it fell short in many areas. The plot had an intriguing premise, but it lacked depth and felt rushed in some parts while dragging in others. The characters had potential, but they were underdeveloped and lacked complexity. The writing style was average, nothing exceptional or memorable. Overall, the book was mediocre at best, and I couldn't fully connect with the story or the characters.