Exploring the Lyrical Depth of Yellow Magic Orchestra's Music

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Old English witchcraft

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Cases of Male Witchcraft in Old and New England, 1592-1692

This exciting new study examines cases of male witchcraft from the English Atlantic world in order to explore the kinds of masculine behaviour exhibited by men accused of witchcraft, the way this behaviour shaped accusations of witchcraft against them, and the responses such men evoked in the communities who accused them.

  • Religious history (c. 1501-1800)
  • Heresies, persecutions of heterodoxy & sects
  • British Isles (c. 1501-1800)
  • North America
Review(s)

"This study reminds us that male witches were, nonetheless, a real and frightening possibility for early modern people. Kent’s work sheds light on this important minority of suspects, and will prove extremely stimulating and valuable to future scholars in this field." (Darren Oldridge, in: Renaissance Quarterly , Vol. 67, No. 3 (Fall 2014), pp. 1056-1057)

Summary

This study explores cases in which men were accused of witchcraft in England and the British colonies of New England between 1592 and 1692. Using a series of case studies that begin in Elizabethan Norfolk and end with the Salem trials in Massachusetts, this book examines six individual male witches and argues they are best understood as masculine witches, not feminized men. Each case considers the social circumstances of the male witch as a gendered context for the accusations of witchcraft against him.

Instead of seeking to identify a single causal condition or overarching gendered circumstance whereby men were accused of witchcraft, this study examines the way that masculinity shaped the accusations of witchcraft made against each man. In each case, a range of masculine social and cultural roles became implicated in accusations of witchcraft, making it possible to explore how beliefs in witches interacted with early modern English gender cultures to support the religious, legal, and cultural logic of the male witch. The result is an approach to early modern English witchcraft prosecution that includes, rather than problematizes, the male witch.

TABLE OF CONTENTS

Chapter 1. Nicholas Stockdale, Norfolk, 1593–1619

Chapter 2. Edwin Haddesley, Essex, 1597–1607

Chapter 3. John Lowes, Suffolk, 1600–45

Chapter 4. Hugh Parsons, Springfield, Massachusetts, 1648–52

Chapter 5. John Godfrey, Massachusetts, 1640–75

Chapter 6. George Burroughs, Salem Village, Massachusetts, 1692

Chapter 6. George Burroughs, Salem Village, Massachusetts, 1692
Yepllow magic orcheatra sovix stxrte survivor

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Reviews for "Yellow Magic Orchestra's Evolutionary Journey: From Solo Projects to Group Success"

- Jessica - 2/5 stars - I really didn't enjoy "Yepllow magic orcheatra sovix stxrte survivor". I found the plot to be confusing and disjointed, with too many characters to keep track of. The writing felt sloppy and the dialogue was unrealistic. Overall, I was disappointed and wouldn't recommend this book to others.
- Mark - 1/5 stars - "Yepllow magic orcheatra sovix stxrte survivor" was one of the worst books I've ever read. The story was completely unoriginal and predictable, and the characters were one-dimensional with no depth. The writing style was dull and lacked any sense of excitement or emotion. I struggled to finish this book and would not recommend it to anyone.
- Emily - 2/5 stars - I had high hopes for "Yepllow magic orcheatra sovix stxrte survivor" but was ultimately let down. The pacing of the story was incredibly slow, and I found myself losing interest in the plot. The characters were underdeveloped and I couldn't connect with any of them. The writing itself was average at best, with no standout moments. Overall, this book just fell flat for me.
- Benjamin - 3/5 stars - While "Yepllow magic orcheatra sovix stxrte survivor" had some interesting ideas, I felt like they were poorly executed. The writing was mediocre and lacked depth. The characters were forgettable and their motivations were unclear. The plot had potential, but it was never fully explored or resolved. Overall, I was left feeling disappointed and unsatisfied with this book.

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