The Power of Chromatic Vision: Seeing the World through a High Witch's Magical Perspective

A chromatic high witch is a powerful practitioner of magic who possesses the ability to manipulate and control various colors. Unlike traditional witches who typically focus on the use of potions, spells, and rituals, a chromatic high witch utilizes the power of colors to channel and manifest their magical abilities. The chromatic high witch is deeply attuned to the energy and symbolism associated with different hues. Each color holds its own vibrational frequency and is believed to correspond with specific emotions, qualities, and aspects of life. By harnessing and combining these colors, a chromatic high witch can shape and direct the flow of magic. One of the key skills of a chromatic high witch is color visualization.

One of the key skills of a chromatic high witch is color visualization. They can mentally project and manipulate vibrant shades, creating a mesmerizing display of magical energy. This ability allows them to cast potent spells, heal the body and mind, enhance their own power, or even influence the world around them.

Coors mascot promotional video

Beyond our logo, color is the most recognizable aspect of our brand. Our color palette helps audiences identify us at a glance. The way we use color sets the mood for each piece and reflects our heritage and surroundings. Our communications draw on three color palettes to unite them.

Note: Many of these colors should look familiar because most of them, including the primary orange and blue, have not changed. Several colors in the secondary and accent palettes have changed, so even if they look similar to those you’ve used in the past, use this guide to ensure that you are using the correct colors.

COLOR RATIOS

Our color palette is bold and distinctive. It relies primarily on our heritage colors of orange and blue – and generous white space. Secondary colors are used for deeper content levels in layouts and for breaking up headlines. We create a modern look that elevates our momentum by leaning on our heritage colors and plenty of open space.

Note: Always use the color values listed in this section when using color builds. They have been adjusted for the best screen and print reproduction and may not match Pantone Color Bridge breakdowns.

OUR COLORS

At our core, we are orange and blue. As part of our brand’s visual language, we express that in all its forms by expanding the flexibility of these two colors.

With that in mind, this palette unifies the brand’s colors, reflecting our institution’s philosophy and mission.

Note: Always use the color values listed in this section when using color builds. They have been adjusted for the best screen and print reproduction and may not match Pantone Color Bridge breakdowns.

GRADIENTS

Two color gradients are available for use. They pair our Core Blue with Dark Blue and our Core Orange with Alachua.

Note: Premade gradient swatches are available for download at our online brand center. Go to Downloads, and under Brand Toolkit, choose Color Swatches. To build your own, please follow the guidelines pictured below.

SECONDARY PALETTE

Orange and blue should drive most marketing, campus, and alumni materials, but sometimes other colors are needed. For those circumstances, we have developed this secondary palette.

These colors are best suited for internal communications, but they may also be used in long-form communications where more colors are needed for variety, infographics, and icons. Large fields of these colors should be avoided. Be sure that our primary orange and blue are always the most prominent colors.

Under no circumstances should any of these colors become the predominant color for a school, center, institute, or department.

NEUTRAL PALETTE

Neutral tones can add depth, warmth, sophistication, and richness to our communications. Note, however, that white should be used more frequently and prominently than these neutrals.

Also, note that we use black only for long passages of body copy. Never use it in any other way.

Note: White is an indispensable color. Rather than viewing it as a blank area, see it as a break. Please don’t rush to fill it: it can focus attention on what is there rather than drawing attention to what isn’t. Always balance color, typography, and graphic elements with open space.

USING COLOR

Using color is an easy way to evoke energy and emotion within our communications. Use these guides as a reference for using color to convey a particular mood and for applying our palette with restraint and consistency.

COLOR SPECTRUM

This illustrates the color applications of four desired outcomes. These particular color combinations are not dictates; instead, these spectrums demonstrate the proportional adjustments to be made throughout a designed piece.

COLOR NUMBERS

DIGITAL PALETTE

Like printed colors, screen-based colors should be consistent across multiple pages and sites, and a limited color palette is well-suited for digital applications.

All communications should follow the brand’s core color palette. The hexadecimal values of our core palette have been optimized for accessibility on light and dark backgrounds, which can be found above.

To learn more about using the UF Brand Colors with dark mode, download the following presentation: Designing for Dark Mode.
For additional information, contact us using the form at the bottom of this page.

Color Consistency:
Hexadecimal values are derived from the Pantone Color Bridge system to ensure that colors are consistent from their original selection to print and screen applications.

Note: Adjusted for AA Normal Text Compliance (tested on webaim.org color contrast checker). These colors do not use the formulas recommended by Pantone Color Bridge.

AA-COMPLIANT COLOR FORMULAS FOR SCREEN APPLICATIONS

Ensuring adequate text and visual media contrast can help people with visual impairments navigate content more easily.

The Web Content Accessibility Guidelines (WCAG) provide a set of international standards developed by the Worldwide Web Consortium (W3C), the web’s governing body.

AA Level compliance is a vital contrast standard for displaying text and images in both the foreground and the background. The goal of these accommodations is to help ensure that our online content is equally accessible and user-friendly
to all users.

Because of their quick impact and smaller size, communication pieces on the web (such as web ads) should only feature our orange and blue colors. At the right, we’ve outlined a short list of compliant and non-compliant color pairings for our core colors.

This list is not comprehensive; it’s essential to check accessibility for every piece you create. For additional guidance on web accessibility, visit webaim.org/resources/contrastchecker.

Note: Large text is typically defined as 14 points or larger and bold.

Note: Many of these colors should look familiar because most of them, including the primary orange and blue, have not changed. Several colors in the secondary and accent palettes have changed, so even if they look similar to those you’ve used in the past, use this guide to ensure that you are using the correct colors.

Chromatic high witches are often sought after for their unique healing abilities. Through the use of specific colors, they can tap into the body's energy centers, known as chakras, to balance and restore harmony within an individual. By directing the appropriate color frequencies to the affected chakra, a chromatic high witch can help alleviate physical or emotional imbalances. In addition to healing, chromatic high witches are adept at using colors for divination and gaining insight into the past, present, and future. They may employ colorful tarot cards, rune stones, or crystal balls to connect with higher realms and receive guidance. The colors revealed in these divination practices can provide valuable information and help the witch make informed decisions or prepare for upcoming challenges. While the powers of a chromatic high witch are formidable, they also come with great responsibility. The manipulation of colors requires a deep understanding of their individual properties and how they interact with one another. A chromatic high witch must maintain a balance between light and darkness, using their abilities for the greater good, and avoiding the temptation to succumb to the allure of unlimited power. In conclusion, a chromatic high witch is a practitioner of magic who possesses a unique ability to harness and manipulate colors for various purposes. They are highly skilled in visualizing and channeling the vibrational frequencies of colors, enabling them to cast powerful spells, heal the body and mind, and gain divinatory insight. However, they must exercise caution and responsibility in their actions to ensure their power is used for positive and ethical purposes..

Reviews for "The Dance of Colors: Exploring the Movement and Energy of a Chromatic High Witch's Magic"

1. Mike - 2/5 stars - While the concept of "Chromatic High Witch" sounded intriguing, I found the execution to be lacking. The plot was disjointed and confusing, with several plot holes that were never addressed. The characters were one-dimensional and unlikeable, making it hard to connect with any of them. Additionally, the writing style was choppy and lacked fluidity, which made it difficult to stay engaged in the story. Overall, I was disappointed with this book and would not recommend it.

2. Sarah - 1/5 stars - "Chromatic High Witch" was a complete letdown. The story lacked originality and felt like a mishmash of clichés and predictable plot twists. The writing was overly simplistic and lacked depth, making it difficult to invest in the characters or the world they inhabited. The pacing was also off, with the story dragging in some parts and rushing through others. Overall, I found "Chromatic High Witch" to be a tedious read and would not recommend it to others.

3. Emily - 2/5 stars - I had high hopes for "Chromatic High Witch," but unfortunately, it fell flat for me. The world-building was underdeveloped, leaving many unanswered questions and inconsistencies. The characters were also poorly developed, with shallow motivations and inconsistent personalities. The writing style was overly descriptive at times, slowing down the pace of the story. Overall, "Chromatic High Witch" did not live up to its potential and left me feeling unsatisfied and unengaged.

Through the Rainbow Portal: Journeying into the Realm of a Chromatic High Witch