One popular style of volume knobs for Jazzmaster guitars is the witch hat design. These knobs are named after their unique shape, which resembles the broad brim of a witch hat. The witch hat style volume knobs are often made from plastic or metal and come in various colors and finishes to suit different aesthetic preferences. The main advantage of witch hat volume knobs is their ergonomic design. The broad surface area of the knob makes it easier to grip and control the volume, especially while playing live or in a fast-paced musical setting. The wider grip provides more stability and precision, ensuring that players can make quick adjustments to their volume levels without any difficulty.
A proven 2 UAD card system:
Board: DFI LANParty UT Nf3 250Gb
CPU: AMD Athlon 64 3200+ (Socket 754 @ 2.2Ghz)
RAM: Corsair VS512MB400 (x3 = 1.5GB RAM)
All this means is that the 12AU7 can be slowly turns off over a wider control voltage range, closer to how a vari-mu tube like the 6386 or 6BC8 works. The MDEST has an additional Master output level knob, whereas the MDE s is hidden, and the MDEST has a Threshold Link which seems a bit confusing at first, as a single Threshold control applies to both channels, but in practice it does tighten things a bit.
The wider grip provides more stability and precision, ensuring that players can make quick adjustments to their volume levels without any difficulty. Another benefit of witch hat volume knobs is their retro and vintage appeal. Jazzmaster guitars are known for their classic look, and the witch hat style volume knobs complement the overall aesthetic perfectly.
DDMF MagicDeathEye versus UAD-2 Compressors
Just wondering how the MDE stacks up against the UAD-2 Compressors.
Thanks for the feedback!
Cheers!
LUNA user since Day 1: Apollo x8 l Quad + 2 OCTOs | 80+ UAD Plugins | OX + OX Stomp l UAFX DREAM 65 + RUBY | VOLT 1 | SSL UF8, UF1 & UC1 | 2023 Mac Studio M1 Max with 10-core CPU, 24-core GPU, 16-core Neural Engine, 64 GB unified memory l macOS Ventura running the latest version of Luna | Ableton Live 11 + Push 2 Controller | 20+ years using Pro Tools.
electro77
Venerated Member
DDMF is severely underrated. DDMF Metaplugin should be able to upsample Spark and UAD plugins to 192Khz getting rid of the constant upsample/downsample stage.
A proven 2 UAD card system:
Board: DFI LANParty UT Nf3 250Gb
CPU: AMD Athlon 64 3200+ (Socket 754 @ 2.2Ghz)
RAM: Corsair VS512MB400 (x3 = 1.5GB RAM)
sirthought
Established Member
I don't know if it's so easy to compare any of these things. You pick one compressor for a source because you like what it does, learn to control what you need and move on.
That said: Magic Death Eye works well in the Vari-Mu vein and has really nice results. Like a Fairchild 660 with fewer tubes. The hardware unit is what Al Schmidt used exclusively on his 2-bus. DDMF is a really competent developer who offers good value and support.
The main plug you linked to can run mono or stereo, but note that they also sell a stereo version that has more gentle compression curves and some select EQ points that help on master bus. The one you linked is the better all-arounder.
Apollo 8p • Apollo x6 • Quad Satellite x2 • Audient ASP800 • 2021 16" MBP M1 Pro 16GB RAM • Monterey • Logic Pro 10.7
Using this new design, I wanted to experiment with relay based attenuators. Instead of the Elma switches on the standard model, I built modules containing a microchip
that controlled a set of relays and resistors for perfect stepped stereo matching. The audio sees exactly what it would see with regular stepped switches. Resistors and mechanical (relay) switches.
There is no digital processing of the audio.
The micro controller is controlled with a rugged wirewound pot. So the turn is continuous but the steps are shown in 7 segment LED displays.
I really like the 80’s look (hence the Jordache horse) of this system and the clicking sound of the relays when turning the dials. Its more work and complexity so I’m just testing the waters for now.
These knobs give the instrument a timeless and elegant appearance, reminiscent of the golden era of jazz and rock 'n' roll. In addition to their aesthetic value, witch hat volume knobs also offer practical advantages. For instance, the larger size of the knob makes it easier to locate and adjust the volume quickly while performing. This can be particularly useful for musicians who rely on dynamic changes in their playing style. Overall, witch hat style volume knobs for Jazzmaster guitars are a popular choice for both their ergonomic design and vintage aesthetics. As such, they are a great option for guitarists who value both functionality and style in their instrument..
Reviews for "Adding a touch of elegance to your Jazzmaster with witch hat volume knobs"
1. John - 2 stars - I was really excited to try out these witch hat style volume knobs for my Jazzmaster, but unfortunately, they disappointed me. The quality of the knobs was subpar, and they felt cheap and flimsy in my hands. Additionally, the sizing was off, and they didn't fit snugly on my guitar's volume knobs. Overall, I was not satisfied with this purchase and would not recommend them.
2. Sarah - 1 star - These witch hat style volume knobs for Jazzmaster guitars were a complete waste of money for me. Not only did they look cheap and tacky on my guitar, but they also didn't function properly. The knobs were really stiff and difficult to turn, which made adjusting the volume a frustrating experience. Save your money and invest in better quality volume knobs for your Jazzmaster.
3. Tom - 2 stars - While the idea of witch hat style volume knobs for Jazzmaster guitars seemed cool, the execution was lacking. The appearance of the knobs wasn't as attractive as I had hoped, and they didn't add any style to my instrument. Additionally, the knobs were a bit loose and didn't fit securely on the volume knobs of my Jazzmaster. Overall, it was a disappointing purchase, and I won't be using these knobs again.
4. Emily - 1 star - I purchased these witch hat style volume knobs for my Jazzmaster, and I regretted it immediately. They were flimsy and felt like they would break easily. Moreover, the color of the knobs was not what was advertised - they appeared dull and lacked the vibrant finish. I ended up returning them and buying a different set of volume knobs that were not only better quality but also looked much better on my guitar. Avoid these witch hat style volume knobs if you're looking for something durable and visually appealing.