Witchcraft, often associated with magic, spells, and the occult, has been practiced throughout history in various cultures. Witches are believed to possess supernatural powers and often align themselves with a deity or entity for guidance and protection in their practice. The question of who witches worship is multifaceted, as it varies depending on the individual witch and their particular tradition or belief system. Some witches may worship ancient pagan deities, such as the Greek pantheon, Norse gods and goddesses, or Celtic spirits. These witches may honor specific gods and goddesses in their rituals and seek their favor for assistance in their magical workings. Others may choose to worship nature itself, seeing the Earth as sacred and divine.
Ghost Spider: Exceptional. The contrasting tones between the upper and lower half lead to a dynamic image. The red with blue webbings are nicely detailed. The hood gives an enigmatic eminence. 8/8 Legs
The UO also offers a host of extracurricular activities and opportunities for comic and cartoon enthusiasts, including student comics magazine Art Ducko , regular lectures and panel discussions featuring industry professionals, and internships with publishing companies like Marvel. Thanks to Saunders groundbreaking work and that of his colleagues, UO students can take classes that help them develop international, historical, and critical perspectives on the art form of comics.
Others may choose to worship nature itself, seeing the Earth as sacred and divine. These witches may focus on connecting with the natural elements and cycles of the earth, incorporating practices such as herbalism, divination, and environmental conservation into their craft. There are also witches who follow more eclectic or syncretic paths, combining elements from different religious and spiritual traditions in their worship.
Spider-Man at 60: learning from the history of comics
It’s truly amazing! Marvel’s Spider-Man turns 60 this year.
The wall-crawling crime-fighter was introduced to the world in August 1962, debuting in the anthology comic book Amazing Fantasy #15. Created by the collaborative team of writer Stan Lee and artist Steve Ditko, Spider-Man was an instant sensation with readers. Marvel quickly made him the star of his own title, establishing a classic character of the Silver Age of Comic Books. Featured for decades in films, television, toys, video games, apparel, and innumerable other media, the iconic web-slinger’s latest stop is a major museum exhibition.
Spider-Man: Beyond Amazing – the Exhibition opened July 1 at San Diego’s new Comic-Con Museum.
According to Ben Saunders, director of the University of Oregon’s comics and cartoon studies program, gallery walls are a fitting stage not only owing to the character’s status in popular culture—but also the genius of Spider-Man’s creators.
“Some of the finest commercial artists in history have worked at Marvel, from the 1950s right up to the present day. And the real-world narrative of Marvel is every bit as fascinating as the fictional, superhero worlds they’ve created.”
The series editor for Penguin Classics’ historic new series of Marvel anthologies, Saunders also served as co-curator of the new exhibit, which features original art drawn for comics of all eras, plus thousands of unique artifacts spanning every facet of the hero’s lifetime in media.
“When you get to see the original artwork, the traditional distinctions between fine art and commercial art break down,” he says.
Ben Saunders, co-curator of Beyond Amazing—The Exhibition and director of comics studies with the University of Oregon
Patrick A. Reed, co-curator of Beyond Amazing—The Exhibition
A lifelong reader of comics who is also a professor of English and an expert on the works of Shakespeare, Saunders brought to the exhibit project not only his literary and historical insights, but also significant elbow grease. He estimates scanning more than 300 images from his personal comic book collection to use in the show. For the many original works on display, however, he acknowledges the exhibitors' reliance on generous collectors who agreed to loan them the materials. Marvel Comics de-acquisitioned their archives of production art during the 1980s, Saunders explains—most of those pieces ended up in private hands, making comprehensive exhibitions like this one a special challenge to organize.
“For several years my focus in curation has been getting this production art, which most of the public has never seen, onto gallery walls where it can be appreciated. A well-penciled and inked comics page is, I think, some of the most beautiful art you can find.”
Saunders’ collaborator in the show’s creation, Patrick A. Reed is an events professional and independent pop culture historian. He promises that visitors will not only be immersed in the world of classic and contemporary comic books—but can anticipate a large-scale, multi-media experience encompassing Spider-Man’s entire journey through the popular imagination: cinema, animation, gaming, collectibles, and much more.
“Our show is rooted in classic museum structure—the power and resonance of the artifacts on display,” he says.
“But we’ve also used modern, digital technologies and brought in something like a theme-park construct of world building. It’s a hybrid concept. People will get to experience pieces of the fictional worlds of Spider-Man, and also learn the real-life history behind them.”
They may draw inspiration from various mythologies, folklore, and esoteric teachings to create a unique and personalized practice that resonates with them. Furthermore, not all witches worship external deities or entities. Some witches believe in the power of the self and focus on personal growth, introspection, and developing their own innate abilities. These witches may see magic as a tool for self-empowerment and transformation, rather than something bestowed upon them by external forces. It is important to note that witchcraft is a diverse and individualistic practice, and not all witches adhere to or worship any particular entity or deity. For many witches, their craft is deeply personal and may not necessarily involve worship in the traditional religious sense. Instead, their focus may be on connecting with their own intuition, inner wisdom, and the energy of the universe itself. In conclusion, the question of who witches worship is complex and subjective, as it depends on the individual witch's beliefs, traditions, and personal experiences. Some witches may worship ancient deities, nature, or the self, while others may have a more eclectic or individualistic approach to their practice. Ultimately, the path of witchcraft is a deeply personal and spiritual journey that can vary greatly from person to person..
Reviews for "Witchcraft and the moon goddess: Exploring lunar worship in witchcraft traditions"
1. Sarah - 2 stars - I found "Who do witches worship" to be extremely confusing and hard to follow. The plot jumped around constantly, and the characters were poorly developed. It felt like the author was trying to fit in too many ideas and themes without effectively tying them together. Additionally, the writing style was clunky and awkward, making it difficult to engage with the story. Overall, I was disappointed with this book and would not recommend it to others.
2. John - 1 star - "Who do witches worship" was a complete waste of time for me. The story was slow-paced, and the dialogue was stilted and unconvincing. I couldn't connect with any of the characters, as they lacked depth and complexity. The author's attempt at creating suspense fell flat, and the twists in the plot were predictable. On top of that, the ending was unsatisfying and left many loose ends. I do not understand the hype around this book and wouldn't recommend it to anyone looking for a captivating read.
3. Emily - 3 stars - While I didn't hate "Who do witches worship," I found it to be somewhat underwhelming. The concept was interesting, but the execution fell short. The pacing was inconsistent, with some parts dragging on while others felt rushed. The main character lacked strong motivations, making it difficult to root for their success. Additionally, the world-building felt incomplete, leaving many unanswered questions. Overall, this book had potential, but it failed to live up to my expectations.
4. Richard - 2 stars - "Who do witches worship" was a disappointing read for me. The writing style was unremarkable, with repetitive phrases and cliché descriptions. The plot was lackluster, with very little happening for the majority of the book. The dialogue felt forced, and the characters were forgettable. I also noticed several grammatical errors and typos throughout the text, which further detracted from my reading experience. Overall, I was not impressed with this book and would not recommend it to others.