The Victorian era, which spanned from 1837 to 1901, was a time of great fascination with the supernatural and magical. It was during this time that myths and legends surrounding magical beings flourished, capturing the imagination of both adults and children. One prominent magical being from Victorian folklore is the fairy. Fairies were believed to be tiny, ethereal creatures with magical powers. They were often described as having wings, and were known for their mischievous nature. In Victorian literature, fairies often played significant roles, appearing as both helpful and troublesome characters.
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The Stratemeyer Syndicate had begun to make its writers sign contracts that prohibited them from claiming any credit for their works, but Benson never denied her writing books for the series. After Harriet s death in 1982, Simon and Schuster became the owners of the Stratemeyer Syndicate properties and in 1994, publicly recognized Benson for her work at a Nancy Drew conference at her alma mater, the University of Iowa.
In Victorian literature, fairies often played significant roles, appearing as both helpful and troublesome characters. Another magical being that captured the Victorian imagination was the witch. Witches were often depicted as old women with supernatural abilities, capable of casting spells and brewing potions.
The witch tree symbol Nancy Drew Mystery series, book 33 (Nancy Drew mystery stories 33)
When a neighbor asks Nancy Drew to accompany her to an old uninhabited mansion, a new mystery opens ups, and danger lurks on the second floor. Nancy finds a witch tree symbol that leads her to Pennsylvania Dutch country in pursuit of a cunning and ruthless thief. The friendly welcome the young detec. Полное описание
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Итог: When a neighbor asks Nancy Drew to accompany her to an old uninhabited mansion, a new mystery opens ups, and danger lurks on the second floor. Nancy finds a witch tree symbol that leads her to Pennsylvania Dutch country in pursuit of a cunning and ruthless thief. The friendly welcome the young detective and her friends receive from the Amish people soon changes to hostility when it is rumored that Nancy is a witch! Superstition helps her adversary in his attempt to get her off his trail, but Nancy does not give up. Persistently she uncovers one clue after another. Nancy's intelligence and sleuthing ability finally lead to the fascinating solution of this puzzling case. Объем: 1 online resource Формат: Requires OverDrive Read (file size: N/A KB) or Adobe Digital Editions (file size: 1634 KB) or Kobo app or compatible Kobo device (file size: N/A KB) or Amazon Kindle (file size: N/A KB). ISBN: 9781101077344 Авторские замечания: Carolyn Keene was the pseudonym that Mildred Wirt Benson and Walter Karig used to write Nancy Drew books. The idea of Nancy Drew came from Edward Stratemeyer in 1929. He also had other series, that included the Hardy Boys, but he died in 1930 before the Nancy Drew series became famous. His daughters, Harriet and Edna, inherited his company and maintained Nancy Drew having Mildred Wirt Benson, the original Carolyn Keene, as the principal ghostwriter. During the Depression, they asked Benson to take a pay cut and she refused, which is when Karig wrote the books. Karig's Nancy Drew books were Nancy's Mysterious Letter, The Sign of the Twisted Candles, and Password to Larkspur Lane. He was fired from writing more books because of his refusal to honor the request that he keep his work as Carolyn Keene a secret. He allowed the Library of Congress to learn of his authorship and his name appeared on their catalog cards. Afterwards, they rehired Benson and she wrote until her last Nancy Drew book (#30) was written in 1953, Clue of the Velvet Mask.
Harriet and Edna Stratemeyer also contributed to the Nancy Drew series. Edna wrote plot outlines for several of the early books and Harriet, who claimed to be the sole author, had actually outlined and edited nearly all the volumes written by Benson. The Stratemeyer Syndicate had begun to make its writers sign contracts that prohibited them from claiming any credit for their works, but Benson never denied her writing books for the series.
After Harriet's death in 1982, Simon and Schuster became the owners of the Stratemeyer Syndicate properties and in 1994, publicly recognized Benson for her work at a Nancy Drew conference at her alma mater, the University of Iowa. Now, Nancy Drew has several ghostwriters and artists that have contributed to her more recent incarnations.
They were often seen as figures of fear and caution, with stories warning of the consequences that could arise from crossing them. In addition to fairies and witches, other magical beings such as goblins, elves, and gnomes also populated the Victorian folklore. These beings were seen as mystical creatures with unique abilities and characteristics. Goblins, for example, were often portrayed as mischievous and troublesome, while elves and gnomes were often associated with nature and were believed to be guardians of the forests. The fascination with magical beings during the Victorian era can also be seen in the art and literature of the time. Fairy paintings, for example, became popular, with artists such as John Anster Fitzgerald and Richard Doyle depicting enchanting scenes of fairies in their work. Literary works such as Lewis Carroll's "Alice's Adventures in Wonderland" and J.R.R. Tolkien's "The Hobbit" also featured magical creatures and beings. The Victorian era was a time of great curiosity and imagination, and the belief in magical beings was prevalent. Whether seen as fantastical and enchanting or as figures of caution and fear, these beings played a significant role in the folklore and cultural imagination of the time..
Reviews for "The Charms and Talismans of Victorian Magical Beings"
1. John - 2/5 stars - I found "Victorian magical beings" to be overly complex and confusing. The world-building was overwhelming, and it felt like the author was trying to fit too many magical creatures into the story without fully developing them. The plot was also a bit convoluted, with multiple storylines that didn't always connect seamlessly. Overall, I was disappointed and struggled to fully engage with the book.
2. Sarah - 3/5 stars - While "Victorian magical beings" had its moments, it fell short of my expectations. The pacing was inconsistent, with some parts dragging on unnecessarily while others were rushed. Additionally, the characters lacked depth and their motivations weren't well explored. I also found some of the magical elements to be too far-fetched, even for a fantasy novel. Overall, it was an okay read, but I was left wanting more from the story and characters.
3. Emily - 2/5 stars - Unfortunately, "Victorian magical beings" didn't resonate with me. The writing style was overly descriptive and verbose, making it difficult to get immersed in the story. I also struggled to connect with the characters, as their actions and dialogue often felt forced and unnatural. The plot lacked cohesiveness and direction, and it was hard to keep track of what was happening. Overall, I found the book to be a tedious read with little payoff.
4. Mark - 2/5 stars - I had high hopes for "Victorian magical beings," but it left me underwhelmed. The pacing was extremely slow, and I found myself losing interest in the story multiple times. The world-building, though initially intriguing, became overwhelming and muddled as the book progressed. The characters were also quite forgettable, and I struggled to care about what happened to them. Overall, I was disappointed by the lackluster execution of what had the potential to be a fascinating concept.
Victorian Magical Beings: Protectors of Secrets and Ancient Knowledge