universitty of chicago

I believe in magic song is a powerful and uplifting anthem that resonates with people of all ages. This song captures the essence of hope, wonder, and the belief that anything is possible. It reminds us that there is magic in the world if we choose to see it. The lyrics of this song are filled with imagery and beautiful metaphors that transport listeners into a world of enchantment. It speaks of dreams that can come true, of love that can heal, and of miracles that can happen. It encourages us to hold onto our imagination and to never stop believing in the magic of life.

You'd better not tickle the monkey, because it just might chatter if you do! Babies and toddlers won't be able to resist tickling the touchy-feely patches to hear the animal sounds in this unique and hilarious novelty book. As well as the monkey there's a warthog, a laughing hyena and an ostrich to be tickled, followed by a musical finale where you can hear all the animals being noisy at once.

Feminist scholars in queer and affect theory have shown how the act of rescuing animals can resist traditional gender expectations and create alternative family arrangements with animals and people committed to rescuing them. The neurobiological nature of human laughter is discussed, and the relevance of such ludic processes for understanding clinical disorders such as attention deficit hyperactivity disorders ADHD , addictive urges and mood imbalances are discussed.

It encourages us to hold onto our imagination and to never stop believing in the magic of life. Music has the incredible ability to touch our hearts and souls, and the I believe in magic song does just that. It stirs up emotions and makes us feel a sense of awe and wonder.

Interspecies Tickling (in Gender: Laughter. Edited by Bettina Papenburg. Macmillan Interdisciplinary Handbooks. Farmington Hills, MI: Macmillan Reference USA, 2017.)

Although a long tradition of philosophy and science has maintained that humans are the “laughing animal,” that assumption has been tested first by science’s attention to the great apes, and second by tests conducted on so-called “lower” creatures, such as rats. This essay reviews some of the most important debates about and experiments regarding interspecies laughter, focusing on the phenomenon of tickling. By attending to the important relationships between science and popular culture, it teases out the erotics intrinsic to interspecies tickling and the close relationships between pleasure and pain. It ends with raising questions about the tickling, consent, and the ethics of tickling research.

It has long been claimed that human emotional expressions, such as laughter, have evolved from nonhuman displays. The aim of the current study was to test this prediction by conducting acoustic and phylogenetic analyses based on the acoustics of tickle-induced vocalizations of orangutans, gorillas, chimpanzees, bonobos and humans. Results revealed both important similarities and differences among the various species’ vocalizations, with the phylogenetic tree reconstructed based on these acoustic data matching the well-established genetic relationships of great apes and humans. These outcomes provide evidence of a common phylogenetic origin of tickle-induced vocalizations in these taxa, which can therefore be termed “laughter” across all five species. Results are consistent with the claims of phylogenetic continuity of emotional expressions. Together with observations made on the use of laughter in great apes and humans, findings of this study further indicate that there were two main periods of selection-driven evolutionary change in laughter within the Hominidae, to a smaller degree, among the great apes and, most distinctively, after the separation of hominins from the last common ancestor with chimpanzees and bonobos.

This article addresses both well-researched and relatively unexplored questions pertaining to humor and laughter. The following are some of the questions that are considered here: What is humor? What is the role of laughter in humor? What are the ontogenetic and phylogenetic origins of laughter? How does humor work, cognitively? What is the functional significance of humor? What are the varieties of laughter and how are they perceived?What kinds of disorders of laughter have been documented and what do they suggest about the neural circuitry underlying laughter and humor?

Quarterly Review of Biology

Paul MacLean's concept of epistemics-the neuroscientific study of subjective experience-requires animal brain research that can be related to predictions concerning the internal experiences of humans. Especially robust relationships come from studies of the emotional/affective processes that arise from subcortical brain systems shared by all mammals. Recent affective neuroscience research has yielded the discovery of play- and tickle-induced ultrasonic vocalization patterns ( approximately 50-kHz chirps) in rats may have more than a passing resemblance to primitive human laughter. In this paper, we summarize a dozen reasons for the working hypothesis that such rat vocalizations reflect a type of positive affect that may have evolutionary relations to the joyfulness of human childhood laughter commonly accompanying social play. The neurobiological nature of human laughter is discussed, and the relevance of such ludic processes for understanding clinical disorders such as attention deficit hyperactivity disorders (ADHD), addictive urges and mood imbalances are discussed.

Animal rescue involves ethical considerations about power, including what constitutes a good life for an animal and who has the right to make such determinations. Scholars in gender, race, and sexuality studies have shown that the underlying assumptions motivating rescue efforts are culturally specific. Whether it involves humans or ani- mals, the work of rescue often entails imperialist assumptions about those being rescued, reducing and assigning them to monolithic categories such as the oppressed, the ‘‘primitive,’’ and the victimized. Similar criticisms apply to international animal rescue projects, which transport street animals from ‘‘Third World countries’’ to middle-class homes in the United States or Europe. At the same time, however, animal rescue should not be dismissed as just imperialism; to do so would overlook the emotional bonds formed between humans and the animals they rescue. Individual encounters play an important role in animal rescue, in which both the human and animal are transformed through seeing, speaking, and touching one another. Feminist scholars in queer and affect theory have shown how the act of rescuing animals can resist traditional gender expectations and create alternative family arrangements with animals and people committed to rescuing them. All these facets of animal rescue reveal the importance of taking into account how intersecting factors such as gender, race, and sexuality inform contemporary understandings of animal rescue.

AMERICAN JOURNAL OF PRIMATOLOGY

It reminds us of the innocence and joy of childhood, when we believed in fairy tales and the extraordinary. The I believe in magic song is a reminder that we have the power to create our own magic. It encourages us to pursue our dreams and to never give up. It reminds us that even in the darkest of times, there is always a glimmer of hope and possibility. Listening to this song can be a transformative experience. It reminds us to see the beauty and magic in everyday life, and to appreciate the simple things that bring us joy. It reminds us to have faith in ourselves and in something greater than us. In a world that can sometimes feel cold and harsh, the I believe in magic song serves as a beacon of light and inspiration. It reminds us to open our hearts and minds to the wonder and beauty that surrounds us. It encourages us to live life with a sense of wonder and curiosity. In conclusion, the I believe in magic song is a powerful and enchanting anthem that reminds us of the magic that is within us and all around us. It encourages us to embrace our dreams, believe in the impossible, and live life with a sense of wonder. So let the music wash over you and let the magic fill your soul..

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