The Magical Roundabout Acting Team is a group of talented individuals who come together to create whimsical and unique performances for audiences of all ages. This team is known for their ability to bring fantastical stories to life through their imaginative and captivating performances. One of the main reasons why The Magical Roundabout Acting Team is so successful is because of their strong commitment to collaboration. Each member of the team brings their own unique skills and talents to the table, and they work together to create a truly enchanting experience for their audiences. In addition to their commitment to collaboration, The Magical Roundabout Acting Team is also known for their dedication to storytelling. They understand the power of a good story and the impact it can have on an audience.
Halena Kays
Director
Halena Kays is thrilled to be working at The Armory for the first time. Regional theater: The Magic Play at Goodman Theatre, Actors Theatre of Louisville and Olney Theatre Center; Lord of the Flies at Steppenwolf Theatre Company; Feast (part of a collaborative directing effort) for The Albany Park Theatre Project at Goodman Theatre. Chicago credits: Pop Waits, Burning Bluebeard, 44 Plays for 44 Presidents, Daredevils, Daredevils Hamlet and Fake Lake at The Neo-Futurists (artistic associate); and Endgame, Ivywild and Six Characters in Search of an Author at The Hypocrites. Kays is the former Artistic Director of The Hypocrites and co-founder and former artistic director of Barrel of Monkeys. She has been nominated for a Jefferson Citation for Best Supporting Actress and Best Direction and is a recipient of the 3Arts Award. She is the professor of directing at Middle Tennessee State University.
Andrew Hinderaker Playwright Andrew Hinderaker is an ensemble member of The Gift Theatre in Chicago, where his play Suicide, Incorporated premiered before subsequent productions in New York and throughout the world. Philip has been the media technologist for Actors Theatre of Louisville since 2008, where he has designed media for more than 50 productions, including many world premieres for the Humana Festival of New American Plays, such as Lucas Hnath s The Christians , Charles L.
They understand the power of a good story and the impact it can have on an audience. They work tirelessly to ensure that each performance is filled with emotion, excitement, and captivating narratives that leave a lasting impression on those who witness it. The team is also known for their exceptional acting abilities.
"The Magic Play" Cast and Creative Team
Andrew Hinderaker
Playwright
Andrew Hinderaker is an ensemble member of The Gift Theatre in Chicago, where his play Suicide, Incorporated premiered before subsequent productions in New York and throughout the world. Additional plays include I Am Going To Change The World, Dirty, Kingsville and Colossal, which received the 2015 Helen Hayes Award for Best New Play. Hinderaker is thrilled to be working at The Armory and presenting The Magic Play, an almost five-year collaboration with actor/magician Brett Schneider and director Halena Kays. Hinderaker holds an M.F.A. in playwriting from The University of Texas at Austin and also works as a television writer, where recent credits include Penny Dreadful (Showtime), Pure Genius (CBS) and The Path (Hulu). He was recently nominated for another Helen Hayes for The Magic Play (Olney Theatre Center), as well as a GLAAD Media Award for Outstanding Individual Episode of a Television Series.
Halena Kays
Director
Halena Kays is thrilled to be working at The Armory for the first time. Regional theater: The Magic Play at Goodman Theatre, Actors Theatre of Louisville and Olney Theatre Center; Lord of the Flies at Steppenwolf Theatre Company; Feast (part of a collaborative directing effort) for The Albany Park Theatre Project at Goodman Theatre. Chicago credits: Pop Waits, Burning Bluebeard, 44 Plays for 44 Presidents, Daredevils, Daredevils Hamlet and Fake Lake at The Neo-Futurists (artistic associate); and Endgame, Ivywild and Six Characters in Search of an Author at The Hypocrites. Kays is the former Artistic Director of The Hypocrites and co-founder and former artistic director of Barrel of Monkeys. She has been nominated for a Jefferson Citation for Best Supporting Actress and Best Direction and is a recipient of the 3Arts Award. She is the professor of directing at Middle Tennessee State University.
Lizzie Bracken
Scenic Designer
Lizzie is delighted to be designing at The Armory for the first time. Regional theater: The Magic Play at Actors Theatre of Louisville, Olney Theatre Center and Goodman Theatre; Lord of the Flies, The Book Thief, Blacktop Sky and See What I Wanna See at Steppenwolf Theatre Company. Chicago credits: Burning Bluebeard with The Ruffians; Endgame, Ivywild and Six Characters in Search of an Author with The Hypocrites; PopWaits and 44 plays for 44 Presidents with The Neo-Futurists. Lizzie received her M.F.A. from The University of Texas at Austin and B.Arch. from University of Notre Dame. Lizzie was an assistant professor at North Central College for several years and, prior to her career in theater, was an architect with Fairfax & Sammons Architects in New York.
Alison Siple
Costume Designer
Recent projects include Lost Laughs (Merrimack Repertory Theatre), You Got Older (Steppenwolf Theatre Company), In the Next Room, or the vibrator play (TimeLine Theatre Company); Angels in America, Airness and The 39 Steps (Actors Theatre of Louisville); Earthquakes in London, Motortown (Steep Theatre); The Yeomen of the Guard (Oregon Shakespeare Festival); Our Town (Almeida Theatre, Kansas City Repertory Theatre, Huntington Theatre Company, The Broad Stage, Barrow Street Theatre, The Hypocrites); All Our Tragic, The Pirates of Penzance, The Mikado, H.M.S. Pinafore (The Hypocrites). She is a graduate of Northwestern University, a community member of The Hypocrites, an artistic associate with Lookingglass Theatre Company and an associate company member of Steep Theatre. alisonsiple.com
Jesse Belsky
Lighting Designer
Jesse Belsky is delighted to be working at The Armory. Regional credits include The Year of Magical Thinking (Arena Stage); Who’s Afraid of Virginia Woolf (Ford’s Theatre); Lydia and Rough Crossing (Yale Repertory Theatre); Handbagged and The Book Of Will (Round House Theatre); The Mystery of Love & Sex (Signature Theatre); Sense & Sensibility and A Midsummer Night’s Dream (Folger Theatre); The Year of Magical Thinking (PlayMakers Repertory Company); The Magic Play (Olney Theatre Center); The Effect, Three Sisters, No Sisters and ANIMAL (Studio Theatre); and Everything is Illuminated (Theater J). New York City designs include The Body Politic (59E59 Theaters); Lysistrata and Women of Troy (La MaMa Annex); and My Trip Down the Pink Carpet (starring Leslie Jordan). Mr. Belsky holds a B.A. from Duke University, an M.F.A. from Yale School of Drama and has taught lighting design at Connecticut College and UNC Greensboro. jessebelsky.com
Matthew M. Nielson
Sound Designer/Original Music
Off-Broadway: The Public Theater/New York Shakespeare Festival, 59E59 Theaters and Lincoln Center. Regional: Cincinnati Playhouse in the Park, Milwaukee Repertory Theater, The Repertory Theatre of St. Louis, Delaware Theatre Company, Arena Stage, Ford’s Theatre, The Kennedy Center, The Smithsonian, Philadelphia Theatre Company, Barrington Stage Company, Contemporary American Theater Festival, Signature Theatre, Studio Theatre, Woolly Mammoth Theatre Company, Olney Theatre Center, Round House Theatre and Theater Alliance. Film and television: The Hero Effect, Death in Time, Elbow Grease, Blue, Epix Drive-In, From Hell to Here, The Good Ways of Things and The Long Road. Nielson is a founding member of the audio theater company The Audible Group and creator of the audio web series Troublesome Gap. He has won several Helen Hayes Awards and various film festival awards for his work in theater, film and television. He is currently running Sound Lab Studios, a recording studio and post-production house. curiousmusic.com
Philip Allgeier
Media Designer
Philip Allgeier has performed multiple media-related duties for television and live events across the country. Philip has been the media technologist for Actors Theatre of Louisville since 2008, where he has designed media for more than 50 productions, including many world premieres for the Humana Festival of New American Plays, such as Lucas Hnath's The Christians, Charles L. Mee's The Glory of the World and Will Eno's Gnit. Additional credits at Actors Theatre of Louisville: The Mountaintop, At the Vanishing Point, The 39 Steps, The Last Five Years, Peter and the Starcatcher, Angels in America (part one and two), The Hour of Feeling and The Elaborate Entrance of Chad Deity. Philip has also designed media for productions at Playwrights Horizons, Mark Taper Forum, Brooklyn Academy of Music and others. Mr. Allgeier is a graduate of Western Kentucky University.
Jim Steinmeyer
Magic Consultant
Jim Steinmeyer has been called the “celebrated invisible man, designer and creative brain behind many of the great stage magicians of the last quarter-century” by The New York Times. Mr. Steinmeyer’s illusions have been featured by Doug Henning, Siegfried and Roy, David Copperfield, Ricky Jay and many others. He created special illusions for the Broadway productions of Beauty and the Beast, Into the Woods, The Scarlet Pimpernel, Mary Poppins and Aladdin. He is also the author of best-selling books on the history and practice of magic, including Hiding the Elephant, The Glorious Deception and The Last Greatest Magician in the World.
Sylvia Hernandez-DiStasi
Aerial Consultant
Sylvia Hernandez-DiStasi has been creating her unique brand of circus-inspired choreography since leaving her career as a circus acrobat in the early 1990s. She is a co-founder and the current artistic director of The Actors Gymnasium outside of Chicago, where she serves as master teacher, choreographer and director of The Professional Circus Training Program. Sylvia has been an artistic associate of the Tony Award-winning Lookingglass Theatre Company since 1999. She has worked on more than 15 productions with the company, winning three of her four Joseph Jefferson Awards with them. She also won the 3Arts Award for Design (2014) and the Award of Honor for Outstanding Contributions by The Illinois Theatre Association.
Kelsey Daye Lutz
Stage Manager
The Armory credits include stage manager for Twist Your Dickens (2017), His Eye is on the Sparrow, Hershey Felder as Irving Berlin, Hold These Truths, The Pianist of Willesden Lane (2016 and 2017), Each and Every Thing, Forever, The Santaland Diaries, The Lion, The People’s Republic of Portland (2015), Vanya and Sonia and Masha and Spike, The Typographer’s Dream, The Last Five Years and A Small Fire. Kelsey Daye is a graduate of University of North Carolina at Greensboro. She would like to thank her pups for all their unconditional love and Shamus for being wonderful.
Danny Rosales
Production Assistant
Danny is excited to return to The Armory after making his debut as production assistant for Every Brilliant Thing. Born and raised in Oregon, he is a recent graduate of Portland State University with a degree in theater arts. During his time at PSU, he stage managed many shows. His favorites include The Importance of Being Earnest, Eurydice and Sons of the Prophet. When he’s not busy working on shows, you can usually find him either playing the piano or eating ice cream. Silliness aside, Danny is grateful to be working on this fantastic show with such amazing people. Lastly, he would like to thank his friends and family for all their love and support.
ZFX, Inc.
Flying Effects
Founded in 1994, ZFX, Inc. is the complete service provider for flying effects. They don’t just handle the rigging or flying harnesses. They’re not just skilled at automation, choreography and flying design. ZFX, Inc. covers every aspect of flying possibilities. From high schools to Broadway, churches to special events, ZFX, Inc. zealously pursues its goal of worldwide domination of the performer flying industry (galactic domination coming soon). Their infectious enthusiasm comes at no additional charge. They don’t wake up and put their pants on one leg at a time like the others do. They wrap themselves in kilts and stride boldly out into the world.
Cert ificate
Each member of The Magical Roundabout Acting Team is a master in their craft, and they bring a level of skill and expertise to their performances that is truly awe-inspiring. They are able to embody their characters with such depth and authenticity that it is easy for the audience to become fully immersed in the story being told. Overall, The Magical Roundabout Acting Team is a truly special group of individuals who have a passion for storytelling and a dedication to creating magical and unforgettable experiences for their audiences. They bring together their unique talents and abilities to create performances that are both captivating and inspiring. Whether you are young or old, The Magical Roundabout Acting Team is sure to transport you to a world filled with wonder and enchantment..
Reviews for "From Whimsical to Magical: The Costume Design and Acting Team of the Roundabout"
1. Emily Smith - 1/5 stars
I couldn't stand "The magical roundabout acting team". The acting was so over-the-top and cheesy, it made me cringe throughout the entire movie. The characters were one-dimensional and lacked depth, making it hard to connect or care about them. The plot was predictable and unoriginal, leaving no surprises or excitement. Overall, I found this movie to be a complete waste of time and would not recommend it to anyone.
2. Jacob Thompson - 2/5 stars
I was disappointed with "The magical roundabout acting team". The storyline had potential, but the execution fell flat. The pacing was slow, and the film lacked a cohesive narrative structure. The jokes were forced and rarely landed, resulting in awkward and uncomfortable moments. Additionally, the special effects were subpar, making the fantasy elements of the movie feel cheap and unconvincing. While it had some redeeming qualities, I wouldn't go out of my way to watch it again.
3. Sarah Johnson - 2/5 stars
"The magical roundabout acting team" was not my cup of tea. The acting felt amateurish, and the dialogue was cheesy and cliché. The musical numbers were lackluster and forgettable, failing to leave any impact. Furthermore, the movie seemed to drag on, making it difficult to maintain my interest. Ultimately, I found it to be a forgettable and uninspiring film. I would recommend skipping this one and looking for something more captivating.