Slr Magic is a company that offers various anamorphic options for filmmakers. They have a range of anamorphic lenses that can create a unique and desirable look for video footage. Anamorphic lenses are known for their ability to produce a widescreen aspect ratio and a distinct horizontal lens flare. One popular option from Slr Magic is the Anamorphot adapter, which can be attached to existing prime lenses to achieve an anamorphic look. This adapter stretches the image horizontally, resulting in a widescreen aspect ratio when combined with the appropriate camera settings. The lens flare produced by the adapter adds a vintage and cinematic feel to the footage.
The SLR Magic Anamorphot 1.33x creates unique effects such as horizontal lens flare, commonly referred to as anamorphic streaks, and may create slightly elongated bokeh when achromatic diopters are used. Over the history of cinema, these same stylish effects have contributed to the cinematic look of epic motion picture photography. Characteristics that shape this anamorphic look come from Front-mounted anamorphic adapter designs such as the SLR Magic Anamorphot while Rear-mounted anamorphic designs have more suppressed anamorphic characteristics.
Characteristics that shape this anamorphic look come from Front-mounted anamorphic adapter designs such as the SLR Magic Anamorphot while Rear-mounted anamorphic designs have more suppressed anamorphic characteristics. Trial and error will be involved but, in general, the SLR Magic Anamorphot is best paired with a prime lens whose front element not to be confused with its filter thread is smaller than 50mm in diameter.
The lens flare produced by the adapter adds a vintage and cinematic feel to the footage. Another option from Slr Magic is the APO HyperPrime Cine lens, which is a dedicated anamorphic lens. This lens is designed to produce a true anamorphic image without the need for an adapter.
SLR MAGIC Anamorphot 1.33x Lens
SLR Magic 1.33x Anamorphot Lens Attachment with optional +0.3 and +1.3 Diopters.
The lens has a native 62mm thread mount. Each kit includes 49mm, 52mm and 58mm step-up rings.
PURCHASE THE BUNDLE (LENS AND DIOPTERS) AT A SPECIAL $200 OFF DISCOUNTED PRICE.
Kit Options: No Diopters with +0.3 & +1.3 Diopter Set Add To CartVid-Atlantic is an official reseller of the SLR Magic Anamorphot 1.33x Lens Attachment.
A beautiful little film from Diego Contreras filmed in NYC with the GH4 and the SLR Magic Anamorphic 1.33x lens.
In the past, many indie filmmakers who wanted to shoot anamorphic had to depend on rare vintage lenses, which was not always reliable. To achieve the much loved 2.35:1 scope aspect ratio, which gives a very pleasant, epic effect, filmmakers must crop off the top and bottom of standard 16:9 footage when using spherical lenses with modern digital cameras. As a result, 25% of sensor/negative information is discarded.
As a commitment to the film industry, SLR Magic developed this 1.33x anamorphic adapter to help filmmakers maximize their image quality by preventing this loss of vertical resolution. The unique 1.33x squeeze factor uses the entire 16:9 sensor/negative area to achieve the desired 2.35:1 aspect ratio. The Anamorphot 1.33x does this by compressing a 33% wider field of view to fit the width of the 16:9 sensor/negative without compressing image height.
Modern professional cinema cameras have large sensors capable of capturing an image in the 2.35:1 format directly, using spherical lenses, but film makers still desire the anamorphic “look” which often limits them to using rare vintage lenses. These present a number of difficulties in practice such as size, weight, lack of close focus, availability, and high price. We sought to overcome such issues with the SLR Magic Anamorphot.
The SLR Magic Anamorphot 1.33x creates unique effects such as horizontal lens flare, commonly referred to as anamorphic streaks, and may create slightly elongated bokeh when achromatic diopters are used. Over the history of cinema, these same stylish effects have contributed to the cinematic look of epic motion picture photography. Characteristics that shape this anamorphic look come from Front-mounted anamorphic adapter designs such as the SLR Magic Anamorphot while Rear-mounted anamorphic designs have more suppressed anamorphic characteristics.
PLEASE NOTE: The SLR Magic Anamorphot 1.33x Attachement lens may have slight cosmetic imperfections such as small dust motes which has no observable impact on image quality. (PLEASE SEE THE LAST PHOTO ABOVE FOR AN EXAMPLE). It usually takes a lot of imperfections to perceptibly degrade the image quality of a lens. If this is an issue, please do not purchase the Anamorphot kit as returns will not be accepted due to these slight cosmetic imperfections and any dust particles that settle within the optics. This is normal and to be expected and is much better than used anamorphic attachments available elsewhere.
SLR Magic Anamorphot 1,33x
Lens Type: Anamorphic adapter
Front filter thread: Φ77
Rear filter thread: Φ62, Φ58, Φ52, Φ49
Lens Coating: Multi Coated
Close Focus: dependant on taking lens compatibility
Weight (oz./g): 13.4/380
Optional accessories: SLR Magic 77mm Achromatic Diopter Set (+0.33, +1.3)
Suggested taking lens based on sensor size:
17-85mm focal length can be used for S16 sensor.
20-85mm focal length can be used for mFT (M4/3) sensor.
35-85mm focal length can be used for S35 and APS-C sensor.
40-85mm focal length can be used for Full Frame sensor.
Taking lens compatibility:
Lenses with non-rotating front filter threads must be used. The front element of the taking lens should be as close to the rear element of the SLR Magic Anamorphot 1,33x possible without making contact. It isn't necessary for the taking lens to have an internal focusing mechanism. Trial and error will be involved but, in general, the SLR Magic Anamorphot is best paired with a prime lens whose front element (not to be confused with its filter thread) is smaller than 50mm in diameter.
It has a fast aperture and is available in different focal lengths, allowing filmmakers to choose the lens that best suits their needs. Slr Magic also offers the Anamorphot-CINE lens series, which consists of dedicated anamorphic lenses with a 2x stretch ratio. These lenses are designed to produce a cinematic widescreen look and have a built-in front anamorphic element. The lenses are available in different focal lengths and have a consistent T-stop across the range. In addition to their anamorphic lenses, Slr Magic also offers various accessories such as filters and diopters that can further enhance the anamorphic look. These accessories can help achieve a specific style or effect desired by filmmakers. Overall, Slr Magic offers a range of anamorphic options for filmmakers looking to achieve a unique and cinematic look in their footage. Whether it's through their Anamorphot adapters, APO HyperPrime Cine lenses, or Anamorphot-CINE lens series, Slr Magic provides filmmakers with the tools they need to create stunning anamorphic video..
Reviews for "Exploring different aspect ratios with Slr Magic anamorphic lenses"
1. John - 2 stars
I was really excited to try out the Slr Magic anamorphic lens as I had heard great things about it. However, I found the overall image quality to be quite disappointing. The lens introduced a significant amount of distortion and softness at the edges, making it difficult to capture sharp and clear images. Additionally, the lens flare was not as aesthetically pleasing as I had hoped, often appearing unnatural and distracting. Overall, I would not recommend the Slr Magic anamorphic option for those looking for high-quality and professional results.
2. Sarah - 1 star
I was incredibly disappointed with the Slr Magic anamorphic lens. Firstly, the lens felt very cheaply made and lacked the durability that I expected. The focusing mechanism was stiff and difficult to use, making it challenging to achieve accurate focus. Furthermore, the lens produced a significant amount of chromatic aberration, resulting in fringing and color distortions in the images. Overall, I found the Slr Magic anamorphic option to be poorly constructed and produced subpar image quality.
3. Mark - 2 stars
The Slr Magic anamorphic lens did not live up to my expectations. I found the lens to be quite heavy, which made it cumbersome to use for longer periods of time. Additionally, the lens struggled with flare control, often producing excessive and unappealing lens flares that detracted from the overall image. I also noticed a lack of sharpness and detail in the images captured with this lens. Considering the price, there are much better options available in the market for anamorphic shooting.