The witch has departed this world. It is with a mix of relief and sadness that we bid farewell to this enigmatic figure who has captivated our imaginations for so long. The witch, with her broomstick and pointed hat, her potions and spells, has been a central character in countless stories, myths, and legends throughout history. A symbol of both fear and fascination, the witch has been portrayed as both a wicked sorceress and a benevolent healer. She has been persecuted and celebrated, vilified and embraced. But now, we must come to terms with her absence.

White witch actress

Known For Acting

Known Credits 153

Gender Female

Birthday 1960-11-05 (63 years old)

Place of Birth London, England, UK

Also Known As

• Lutz Ebersdorf
• Matilda Swinton
• ティルダ・スウィントン
• Тильда Суинтон
• 蒂尔达·斯温顿
• 凯瑟琳·玛蒂尔达·斯温顿
• Тільда Свінтон

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But now, we must come to terms with her absence. The witch, with her mysterious powers and otherworldly abilities, has always represented a certain kind of power that remains inaccessible to most. Her departure leaves us with a profound sense of loss, as if a source of magic and wonder has been extinguished.

Tilda Swinton

Biography

Katherine Matilda Swinton (born 5 November 1960) is a British actress. Known for her roles in independent films and blockbusters, she has received various accolades throughout her career, including an Academy Award and a British Academy Film Award, in addition to nominations for three Golden Globe Awards and five Screen Actors Guild Awards.

Swinton began her career by appearing in experimental films starting with Caravaggio (1986), followed by The Last of England (1988), War Requiem (1989), and The Garden (1990). She won the Volpi Cup for Best Actress at the Venice Film Festival for her portrayal of Isabella of France in Edward II (1991). She next starred in Sally Potter's Orlando (1992), for which she received a nomination for the European Film Award for Best Actress. She was nominated for a Golden Globe Award for her performance in The Deep End (2001), and followed this with appearances in Vanilla Sky (2001), Adaptation (2002), Constantine (2005), Julia (2008), and I Am Love (2009).

For the film Young Adam (2003), she won the British Academy Scotland Award for Best Actress. Her performance in Michael Clayton (2007) won her the Academy Award for Best Supporting Actress and the BAFTA Award for Best Actress in a Supporting Role. Additionally, she won the European Film Award for Best Actress and received a nomination for the BAFTA Award for Best Actress in a Leading Role for the psychological thriller We Need to Talk About Kevin (2011). Swinton has also played the White Witch in The Chronicles of Narnia series (2005–2010) and the Ancient One in the Marvel Cinematic Universe franchise.

Swinton was awarded the Richard Harris Award by the British Independent Film Awards in recognition of her contributions to the British film industry. In 2013, she was given a special tribute by the Museum of Modern Art. In 2020, Swinton was awarded the British Film Institute Fellowship, the highest honour presented by the institution, for her "daringly eclectic and striking talents as a performer and filmmaker and recognises her great contribution to film culture, independent film exhibition and philanthropy." That same year, The New York Times ranked her thirteenth on its list of the greatest actors of the 21st century up to that point.

Tilda Swinton

Sitter in 7 portraits
Tilda Swinton worked with the Royal Shakespeare Company before moving into film in the 1980s. She was a close friend and collaborator of Derek Jarman, with whom she made seven films including Caravaggio (1986). She received critical praise for her role in Sally Potter's Orlando (1992) and was named Best Supporting Actress at both the Oscars and the BAFTAs for her performance in Michael Clayton (2007). Swinton played the White Witch in the Chronicles of Narnia series of films. In 2009 she was nominated for Best Actress at the Evening Standard British Film Awards for her role in I am Love (2009) and in 2011 starred in Lynne Ramsay's We Need to Talk About Kevin. In 2020, she was awarded a BFI Fellowship in recognition of her contribution to film culture, independent film exhibition and philanthropy.

by The Douglas Brothers
platinum print, November 1992
NPG P2006

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by Paolo Roversi
pigment print, 2005
NPG P1280

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by James F. Hunkin
sepia-toned Agfa record rapid print, circa 1991
NPG x36297

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by David Thompson
toned and redeveloped archival print on Kentmere paper, 1992
NPG x46517

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by David Thompson
toned and redeveloped archival print on Kentmere paper, June 1992
NPG x46519

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by Donald MacLellan
bromide print, 2000
NPG x88590

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by Bryan Adams
C-type colour print, 20 February 2008
NPG x131984

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Related People

• John Byrne (partner)

Category

• Film and Broadcasting
• Theatre and Live Entertainment

Groups

• Actors and actresses

Places

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Tilda Swinton

Katherine Matilda “Tilda” Swinton (born November 5, 1960 in London, England), an actress and performance artist, played the title role in Orlando (1992) directed by Sally Potter from the 1928 novel by Virginia Woolf. She had leading roles in The Deep End (2001), I am Love (2009) and A Bigger Splash (2015) both directed by Luca Guadagnino, We Need to Talk About Kevin (2011) and Only Lovers Left Alive (2013) by Jim Jarmusch with Tom Hiddleston. She played supporting characters in Michael Clayton (2007) by Tony Gilroy with George Clooney, Burn After Reading (2008) and Hail Caesar! (2016) both directed by the Coen Bros, Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014) both by Wes Anderson, Trainwreck (2015) by Judd Apatow with Amy Schumer. She was the White Witch in The Chronicles of Narnia film series (2005, 2008, 2010). She played the Ancient One in Marvel Comics Doctor Strange (2016) starring Benedict Cumberbatch, Avengers: Endgame (2019). Swinton acted in Hail Caesar! (2016) by Joel and Ethan Coen, Okja (2017) by Bong Joon-ho, Suspiria (2018) by Luca Guadagnino, The Personal History of David Copperfield (2019) with Dev Patel, The French Dispatch (2021) by Wes Anderson, Three Thousand Years of Longing (2022) by George Miller.

And yet, there is an undeniable sense of relief that accompanies the witch's departure. For all her power, the witch has often symbolized fears and anxieties, tapping into our deepest insecurities and darkest desires. Her departure signals the end of her influence, the opportunity to move beyond our fears and embrace a new era. In bidding farewell to the witch, we must also acknowledge the ways in which she has shaped our culture and our understanding of the world. From Shakespeare's Macbeth to J.K. Rowling's Harry Potter, the witch's presence has been a driving force in literature, film, and art. Her departure may signal the end of an era, but it also marks the beginning of a new chapter in our collective imagination. As we mourn the witch's departure, we must also celebrate her legacy. The witch has been a source of inspiration and empowerment for many, a symbol of the resilience and strength that can be found in the face of adversity. Her departure may leave us with a sense of void, but it also invites us to forge our own paths and embrace our own sources of magic and wonder. In the end, the departure of the witch is a reminder that life is a constant cycle of beginnings and endings. We must learn to say goodbye and move forward, continuing to create our own stories and find our own sources of inspiration and enchantment. The witch may have left this world, but her spirit lives on in the stories we tell and the magic we create..

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