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Decorated magical folk and fantastical myths have long captured the imaginations of people across different cultures and time periods. Throughout history, various mythologies and folklore have emerged, recounting stories of extraordinary beings and their extraordinary abilities. In ancient Greece, for example, the gods and goddesses were revered for their exceptional powers and divine beauty. Greek mythology is filled with tales of gods like Zeus, the king of the gods, and Aphrodite, the goddess of love and beauty. These mythical beings were believed to possess immense power and were often depicted as dressed in magnificent garments and adorned with enchanting jewelry. Similarly, in Norse mythology, the gods and goddesses were also depicted as powerful and awe-inspiring figures.

Similarly, in Norse mythology, the gods and goddesses were also depicted as powerful and awe-inspiring figures. Thor, the god of thunder, was known for his strength and valor, while Freya, the goddess of love and beauty, exemplified grace and charm. These mythical beings were often depicted wearing ornate armor and jewelry, symbolizing their status as divine beings.

Introduction

Synopsis:
Three ladies in the service of the Queen of the Night save the fainting Prince Tamino from a serpent (“A serpent! A monster!”). When they leave to tell the queen, the bird catcher Papageno bounces in and boasts to Tamino that it was he who killed the creature (“I’m Papageno”). The ladies return to give Tamino a portrait of the queen’s daughter, Pamina, who they say is enslaved by the evil Sarastro, and they padlock Papageno’s mouth for lying. Tamino falls in love with Pamina’s face in the portrait (“This portrait’s beauty”). The queen, appearing in a burst of thunder, is grieving the loss of her daughter; she charges Tamino with Pamina’s rescue (“My fate is grief”). The ladies give a magic flute to Tamino and silver bells to Papageno to ensure their safety, appointing three spirits to guide them (“Hm! hm! hm! hm!”).

Sarastro’s slave Monostatos pursues Pamina (“You will not dare escape”), but is frightened away by the feather-covered Papageno, who tells Pamina that Tamino loves her and intends to save her. Led by the three spirits to the Temple of Sarastro, Tamino is advised by a high priest that it is the queen, not Sarastro, who is evil. Hearing that Pamina is safe, Tamino charms the animals with his flute, then rushes to follow the sound of Papageno’s pipes. Monostatos and his cohorts chase Papageno and Pamina, but are left helpless by Papageno’s magic bells. Sarastro, entering in great ceremony (“Long life to Sarastro”), promises Pamina eventual freedom and punishes Monostatos. Pamina is enchanted by a glimpse of Tamino, who is led into the temple with Papageno.

Sarastro tells his priests that Tamino will undergo initiation rites (“O Isis and Osiris”). Monostatos tries to kiss the sleeping Pamina (“Men were born to be great lovers”); he is discovered by the Queen of the Night, who dismisses him. She gives her daughter a dagger with which to murder Sarastro (“Here in my heart, Hell’s bitterness”).

The weeping Pamina is confronted and consoled by Sarastro (“Within our sacred temple”). Tamino and Papageno are told by a priest that they must remain silent and refrain from eating, a vow that Papageno immediately breaks when he takes a glass of water from a flirtatious old lady. The old lady vanishes when he asks her name. The three spirits appear to guide Tamino through the rest of his journey and to tell Papageno to be quiet. Tamino remains silent even when Pamina appears, which breaks her heart since she cannot understand his reticence (“Now my heart is filled with sadness”).

The priests inform Tamino that he has only two more trials to complete his initiation (“Why, beloved, must we part?”). Papageno longs for a cuddly wife, but settles for the old lady. When he promises to be faithful, she turns into a young Papagena but soon disappears.

After many dangers, Pamina and Tamino are reunited and face the ordeals of water and fire protected by the magic flute.

Papageno is saved from attempting suicide by the spirits who remind him that if he uses his magic bells he will find true happiness. When he does, Papagena reappears and the two plan for the future and move into a bird’s nest (“Pa-pa-pa …”). The Queen of the Night, her three ladies, and Monostatos attack the temple, but are defeated and banished. Sarastro joins Pamina and Tamino as the people hail Isis, Osiris, and the triumph of courage, virtue, and wisdom.

Opera synopsis courtesy of the Metropolitan Opera.

Funding for GREAT PERFORMANCES AT THE MET: “The Magic Flute” has been provided by Toll Brothers, the National Endowment for the Arts, the Corporation for Public Broadcasting, the Charles E. Culpeper Foundation, the Arthur F. and Alice E. Adams Charitable Foundation, Miami, Florida, and PBS.

Related Web Sites

• PBS.org: Broadway: The American Musical: Julie Taymor
• Sony Classical: James Levine
  
• Nathan Gunn
• Ying Huang
• Erika Miklósa
• René Pape
• Matthew Polenzani

Julie Taymor’s production of Die Zauberflöte only gets better with age and familiarity. For this holiday season, the Metropolitan Opera is putting on the abridged, English-language version (called The Magic Flute to differentiate). Wednesday night’s opening performance was a reminder of how fine this 90-minute version is–in some key ways even better than the full version–and just as true to the origin and spirit of Mozart’s opera.

In addition to the gods and goddesses, mythical creatures also played a significant role in various mythologies. From dragons to unicorns, these fantastical beings added an element of magic and wonder to the stories. They were often portrayed as majestic and decorated with intricate patterns and vibrant colors. The theme of decoration and adornment extends beyond just the gods and mythical creatures themselves. In many mythologies, human characters also possessed magical abilities and were depicted in garments and accessories that reflected their extraordinary nature. For example, in Celtic mythology, the Tuatha Dé Danann were a group of supernatural beings who possessed great power. They were often depicted wearing elaborate clothing and were known for their ability to enchant and mesmerize. The fascination with decorated magical folk and fantastical myths continues to this day, with modern adaptations and interpretations of these ancient tales. Whether in literature, film, or art, people have been inspired by the imaginative worlds created by these myths. The themes of beauty, power, and enchantment are ever-present, capturing the enduring appeal of these stories. Overall, decorated magical folk and fantastical myths have captivated the human imagination throughout history. They serve as a testament to our desire for enchantment and wonder, and continue to inspire us with their depictions of extraordinary beings and their extraordinary abilities..

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