Wicca is a modern pagan religion that celebrates nature and worships various deities. One important aspect of Wiccan practice is the use of altars, which serve as sacred spaces for rituals and devotions. These altars are often dedicated to specific pagan deities, who are seen as powerful forces in the natural world. Wiccan pagan deity altar inspiration can come from a variety of sources. Many Wiccans draw inspiration for their altars from traditional symbols and imagery associated with their chosen deities. For example, altars dedicated to the goddess Isis might feature images of the moon or symbols of femininity, while altars dedicated to the god Cernunnos might include depictions of antlers or other symbols of the natural world.
Chopin's famed Prelude, Op. 28, No. 20, in C minor, demonstrates the composer's artistry in his slowest, most heart-wrenching work. It continues to amaze me how a 13-measure piece can be so emotional and so complete. Given both its weight and its brevity (despite its slow tempo), it's unsurprising that the prelude has been one of Chopin's most enduring compositions and an inspiration to countless artists. In the early 1970s, Barry Manilow became one of those artists, using the famed prelude as the jumping-off point and the bookend to his own hit, "Could It Be Magic."
Could it be magic come, come on,come on,come,oh come into my arms Let me know the wonder of all of you Baby I want you, now, now, oh now,now oh now and hold on fast Could this be the magic at last. True Fanilows Know Manilow and Weil who died on June 1 at age 82 have both been voted into the Songwriters Hall of Fame Weil in tandem with her husband and usual collaborator, Barry Mann.
For example, altars dedicated to the goddess Isis might feature images of the moon or symbols of femininity, while altars dedicated to the god Cernunnos might include depictions of antlers or other symbols of the natural world. In addition to traditional symbols, Wiccans often incorporate elements of nature into their altars. This could include fresh flowers, leaves, or stones, as well as representations of animals or other natural objects.
Barry Manilow
Spirit move me
every time I'm near you
Whirling like a cyclone in my mind
Sweet Melissa,
angel of my life time,
Answer to all answers I can find
Baby I love you Come, come,
come into my arms
Let me know the wonder of all of you
Baby I want you,
now, now, now and hold on fast
Could this be the magic at last
Lady take me
hight upon a hillside
High up where the stallion meets the sun
I could love you,
build my world around you,
Never leave you till my life is done
Baby I love you Come, come,
come into my arms
Let me know the wonder of all of you
Find more lyrics at ※ Mojim.com
and baby I want you,
now, now, oh now, oh now and hold on fast
Could this be the magic at last
now could it be magic
Come, come on,come on
come oh come into my arms
Let me know the wonder of all of you
Baby I want you,
now, now, oh now,oh now and hold on fast
Could this be the magic at last.
Could it be magic
come, come on,come on,come,oh come onto my arms
Let me know the wonder of all of you
Baby I want you,
now, now, oh now,oh now and hold on fast
Could this be the magic at last.
Could it be magic
come, come on,come on,come,oh come into my arms
Let me know the wonder of all of you
Baby I want you,
now, now, oh now,now oh now and hold on fast
Could this be the magic at last.
Hot 100 peak: No. 15 (Nov. 28, 1981) Songwriters: David Pomeranz/Buddy Kaye Notes: This distinctly old-fashioned ballad (co-penned by the writer of “Tryin’ to Get the Feeling Again”) has all of the hallmarks of earlier Manilow smashes. But times and tastes were changing. Two months before this record hit the Hot 100, MTV went on the air. True Fanilows Know: If this sounds like an old, vintage song, there’s a reason for that: Co-writer Buddy Kaye had hits dating back to the 1940s, including Perry Como’s “Till the End of Time” and “‘A’ – You’re Adorable,” on which the crooner collaborated with The Fontane Sisters.
These elements help to connect the altar to the natural world and reflect the deity's role in the cycle of life and death. Colors can also play a significant role in altar inspiration. Different deities are often associated with specific colors, and incorporating these colors into the altar can help to create a deeper connection with the deity. For example, altars dedicated to the goddess Aphrodite might include shades of pink or red, while altars dedicated to the god Odin might feature shades of blue or silver. Ultimately, the inspiration for a Wiccan pagan deity altar is highly personal and can vary greatly from practitioner to practitioner. Some may find inspiration in ancient mythology or historical artwork, while others may be inspired by personal experiences or intuitive feelings. The important thing is for the altar to reflect the devotee's connection with the deity and provide a sacred space for worship and spiritual practice..
Reviews for "The Role of Music and Sound in a Wiccan Pagan Deity Altar"
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