Santana Album: Magical Enchantress The Santana album titled "Magical Enchantress" is a captivating and mesmerizing collection of songs that transport listeners to a world of enchantment and wonder. Led by the legendary guitarist Carlos Santana, this album showcases his unique blend of Latin rhythms, bluesy guitar solos, and soulful melodies. One of the main highlights of "Magical Enchantress" is the seamless fusion of various musical genres. Santana effortlessly combines elements of rock, jazz, salsa, and Afro-Cuban rhythms to create a sound that is both familiar and completely fresh. Each track on the album is a composition where Santana's virtuosic guitar playing takes center stage, while the band provides a solid and dynamic backing. The album opens with the title track, "Magical Enchantress," a song that instantly captivates listeners with its haunting melody and intricate guitar work.
The album opens with the title track, "Magical Enchantress," a song that instantly captivates listeners with its haunting melody and intricate guitar work. Santana's guitar solos are skillfully woven into the fabric of the song, creating a sense of ethereal beauty and enchantment. As the album progresses, each song builds upon the previous one, creating a rich and cohesive musical journey.
Lisa Morales releases "She ought to be King"
Lisa Morales announces the release of her new LP, She Ought To Be King , due out on August 26th. The 12-track bilingual album includes brand new songs as well as tracks from Morales’ celebrated EPs released earlier this year. She Ought To Be King features collaborations with Americana icon Rodney Crowell, Santana co-founder Gregg Rolie, Los Lobos’ David Hidalgo, and includes Tim Lefebvre, Rachel Eckroth, Elizabeth Goodfellow, Ephraim Owens, and Raul Pacheco. The album was produced by Davíd Garza (Fiona Apple, Sharon Van Etten), and recorded at the renowned Sonic Ranch Recording Studio in Tornillo, Texas, which gave Morales an isolated and creative environment to focus on making music. Like her cousin Linda Ronstadt, Morales and her sister Roberta grew up in a musical family in Tucson, Arizona, learning to perform traditional Mexican music while developing broad-ranging musical taste prior to moving to Texas. She recorded six albums as “Sisters Morales,” the beloved sibling duo in which she partnered with Roberta, who passed away from cancer in August 2021.
The album’s new songs include “She Ought To Be King” (the title track), and the swinging “Fly with Me.” The new LP showcases Morales’ songwriting talents in both English and Spanish and brings to the forefront her powerful vocals and her belief in the power of women. “I’m at this great time in my life where I am in awe of us as women,” says Morales. “I was marvelling at how wonderful we are, reading back the list in this song, and blurted out ‘She Ought to Be King!’ I love the tone of this sentiment, and once the song came together it was easy to see that it would be the centrepiece of the album.” The song highlights the powerful qualities of women, and what might at first sound like a sexy old standard, on closer listen, is actually an empowering blues anthem with a seductive backbone of a rhythm section. The majority of this new album, Morales’ first LP in three years, was written during the height of the pandemic. “The way people were separating and segregating,” she says, “it was like we stepped back a hundred years, and spotlighted we had never really grown out of racism like we wanted to think we had. ‘Freedom’ and ‘Reach Out’ are a calling out to everyone to love one another. Love thy neighbour as thyself. It’s that simple.” The swinging “Fly With Me” is a playful track, recorded live and co-written with Raul Pacheco from Ozomatlí. Morales says, “This song is a conversation to a lover saying step out on a ledge and learn to really give love instead of staying on the periphery. Get in, get wet — it’s amazing if you dive in.” The inclusion of El Amor No Es Cobarde’s Spanish-language tracks represents Morales’ Mexican-American heritage, and the songs have resonated throughout the Tejano community and beyond. Kelly Trevino, of Tejano Backstage Magazine, says “Her vocals and lyrics on ‘Suéltame’ speak to anyone that has ever loved so deeply, that they beg to be released once that love is lost.” In between her two EPs, touring, and new album news, Morales is a leader in her community, honoured to serve as the newly elected Secretary of The Recording Academy’s Texas Chapter. She “looks forward to joining a diverse group of leaders in serving and advocating for our greater music community.” Morales — who produced fellow-Texan Hayes Carll’s debut album Flowers and Liquor — also continues to produce and collaborate with other artists. Dubbed “an absolute enchantress on the stage” by Austin Woman Magazine , Morales will showcase her music magic at AMERICANAFEST 2022 in Nashville (Sept. 13-17). More tour details are forthcoming. She Ought To Be King track listing: *New, original songs 1. Reach Out 2. Freedom 3. Suéltame 4. Desperately 5. Flyin’ and Cryin’ (ft. Rodney Crowell) 6. Sirena 7. Rain in the Desert 8. Fly With Me* 9. She Ought to be King* 10. The Bottle You Live In* 11. Magdalena 12. Our House*
Mysterious, magical, healing, seductive, dangerous, sacred, strange, wonderful… These thirteen tracks portray various characteristics of famous witches from history and legend. Enter the mystical world of the witch and celebrate the divine power of feminine energy across cultures and time. Listen to the album at HearNow. Available at all the usual music retailers and streaming services.
Notable tracks on the album include the energetic and rhythmically complex "Ritmo Latino," featuring a fiery trumpet solo and infectious percussion, and the soulful ballad "Mystic Love," where Santana's emotive guitar playing takes center stage. One of the standout moments on the album is the powerful and intense track "Soul Sacrifice," which showcases Santana's incredible improvisational skills and the band's tight and energetic performance. Overall, "Magical Enchantress" is an album that showcases Santana's musical prowess and his ability to create evocative and captivating music. With its blend of different genres and flawless musicianship, this album is an enchanting journey that transports listeners to a world of magic and beauty. Whether you are a long-time fan of Santana or new to his music, "Magical Enchantress" is a must-listen that will leave you spellbound..
Reviews for "Embracing the Supernatural: Santana's Magical Enchantress Album"
1. David - 2/5 - I was really disappointed with Santana's album "Magical Enchantress". I have been a fan of Santana for years and this album just didn't live up to my expectations. The songs were lackluster and seemed to lack the energy and passion that I associate with Santana's music. It felt like the album was produced hastily and didn't have the same level of craftsmanship as his previous works. Overall, I was left feeling underwhelmed and longing for the Santana of old.
2. Emily - 1/5 - I found "Magical Enchantress" to be a complete letdown. I have always admired Santana's unique blend of rock and Latin influences, but this album seemed to miss the mark. The songs lacked originality and failed to capture the magic that made his previous albums so memorable. It felt like Santana was trying too hard to appeal to a mainstream audience and in doing so, lost his signature sound. It's sad to see such a talented artist produce such uninspiring music.
3. Alex - 2/5 - I hate to say it, but I was not impressed with "Magical Enchantress" by Santana. While Santana is known for his incredible guitar skills, this album seemed to focus more on poppy melodies than showcasing his talent. The songs felt generic and lacked the depth and soul I was expecting. There were a couple of standout tracks, but overall, the album fell flat for me. I hope Santana returns to his roots in future releases.
4. Jessica - 2/5 - I've been a longtime fan of Santana, but "Magical Enchantress" left me feeling unsatisfied. The album failed to capture the essence of Santana's unique sound. The fusion of rock, jazz, and Latin influences that I've come to love was missing from this album. The songs felt repetitive and lacked the creativity that I've always admired in Santana's music. I hope he returns to his roots in his future releases and brings back the energy and passion that made him a legend.