The note you provided seems to have some errors or misspellings. However, I will try to provide information on the topic you mentioned, which I believe is the "Peabody Essex Museum Salem Watch Triads." The Peabody Essex Museum (PEM) is a prestigious art museum located in Salem, Massachusetts. It is renowned for its extensive collection of art, historical artifacts, and cultural exhibits. The museum's mission is to celebrate the dynamic interplay between creativity and culture. Salem, a historic city known for its witchcraft trials in the late 1600s, houses the Peabody Essex Museum.
2. Within the witchcraft revival movement, the largest subset is Wicca. The 2008 American Religious Identification Survey estimated that in the United States there were about 600,000 neo-pagans, with about half identifying as Wiccan. Some estimates conclude that in 2017 there were more than 3 million practicing Wiccans.
Witchcraft refers to the worldview, religion, and practices associated with using rituals that are believed to harness and focus cosmic or psychic energies to bring about some desired change. His brand of wiccanism sometimes referred to as Gardnerian Wicca or Gardnerian witchcraft was taken from more modern influences, such as Freemasonry, the Hermetic Order of the Golden Dawn, and the English occultist Aleister Crowley.
Salem, a historic city known for its witchcraft trials in the late 1600s, houses the Peabody Essex Museum. The museum is known for its diverse collection, encompassing various fields such as contemporary art, American art, Asian art, maritime art, and more. It offers a unique cultural and educational experience to its visitors.
9 Things You Should Know About Wicca and Modern Witchcraft
A growing number of young women—driven by feminist politics and the #MeToo movement—are being drawn to a new brand of witchcraft, according to a report by NBC News. Here are nine things you should know about Wicca and modern witchcraft.
1. Witchcraft refers to the worldview, religion, and practices associated with using rituals that are believed to harness and focus cosmic or psychic energies to bring about some desired change. Modern witchcraft is the largest and most common subset of neo-paganism, a diverse group of religious movements that claim to be derived from historical pagan religions.
2. Within the witchcraft revival movement, the largest subset is Wicca. The 2008 American Religious Identification Survey estimated that in the United States there were about 600,000 neo-pagans, with about half identifying as Wiccan. Some estimates conclude that in 2017 there were more than 3 million practicing Wiccans.
3. In modern usage, the term “witch” is considered gender-neutral and can apply to either men or women. The term “warlock” is often considered a derogatory term as the original usage of the term meant “oath-breaker.” A group of witches who meet together regularly are known as a “coven.” Some witches believe a coven must have 13 or fewer members, though not less than three.
4. Wicca was created in the 1940s by Gerald Brosseau Gardner (1884-1964), a retired British civil servant an ordained minister in the Christian sect known as the Ancient British Church. Gardner is considered the “father of modern witchcraft,” though his neo-pagan beliefs had almost not connection to older forms of witchcraft. His brand of wiccanism (sometimes referred to as Gardnerian Wicca or Gardnerian witchcraft) was taken from more modern influences, such as Freemasonry, the Hermetic Order of the Golden Dawn, and the English occultist Aleister Crowley. Gardner referred to his belief-system as “witchcraft” and a “witch-cult,” and the term “Wicca” didn’t appear until 1962.
5. In the 1960s and 1970, Wicca spread from the U.K. to other English-speaking countries, became associated with the burgeoning feminist and environmental movements, and split into various “traditions.” From Gardnerian Wicca sprang such offshoots as Alexandrian Wicca, Algard Wicca, Georgian Wicca, Druidic Wicca, Seax-Wica, and Eclectic Wicca.
6. The U.S. government first officially recognized Wicca as a religion in 1985. In a court case involving a prisoner (Dettmer v. Landon), the federal government argued that the doctrine of the Church of Wicca was not a religion because it is a “conglomeration” of “various aspects of the occult, such as faith healing, self-hypnosis, tarot card reading, and spell casting, none of which would be considered religious practices standing alone.” The court noted that the government was essentially arguing “that because it finds witchcraft to be illogical and internally inconsistent, witchcraft cannot be a religion.” The appeals court ruled that, “the Church of Wicca occupies a place in the lives of its members parallel to that of more conventional religions. Consequently, its doctrine must be considered a religion.”
7. A commonly shared core belief of Wicca (as well as other forms of modern witchcraft) is the acceptance and practice of magic. The Wiccan view is similar to that of Aleister Crowley, who defined magic as “the science and art of causing change to occur in conformity with will.” As Wesley Baines says, “Many believe magic to be simply another law of nature, albeit one that is poorly understood and written off as fakery. As such, magic is not supernatural, but just as natural as gravity and wind, and often involve a combination of invocations, movement, music, meditation, and tools.” And as one Wiccan site explains, “Magick [sic] is another word for transformation, creation, and manifestation. Wicca magick is a tool we use to act on the subtle—or energy, or quantum—level of reality. The quantum level is the causal realm. It is the subtle influences at the quantum level that decide which way reality will go.”
8. Aside from a belief in magic, there are few beliefs that all Wiccan traditions share. The belief most commonly associated with Wicca is a variation of the Wiccan Rede (“rede” is from the Middle English, meaning “advice” or “counsel”). Believed to have been formulated by the Wiccan priestess Doreen Valiente in the early 1960s, the Wiccan Rede is stated as, “An’ it harm none, do what ye will.” Variations on the rede include “That it harm none, do as thou wilt” and “Do what you will, so long as it harms none.”
9. In its older forms, Wicca holds a duotheistic belief system that includes a female Mother Goddess and a male Horned God. As Wicca has became more influenced by feminism, though, it has become more oriented toward goddess worship. As Jone Salomonsen concludes, “Witches perceive of themselves as having left the Father’s House (Jewish and Christian religion) and returned ‘home’ to the Self (Goddess religion) with a call to heal western women’s (and men’s) alienation from community and spirituality and to become benders of human and societal developments.” This flexibility in excluding/including deities has, as Michael F. Strmiska says, “allowed people with interest in different deities and religious traditions to customize Wicca to suit their specific interests, thus enhancing the religion’s appeal to a broad and growing membership.”
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One of the noteworthy exhibitions at the Peabody Essex Museum is the "Salem Watch Triads." This exhibition explores the history, craftsmanship, and significance of watchmaking in Salem during the 18th and 19th centuries. It showcases the intricate detailing and skillful artistry involved in creating timepieces during that era. The Salem Watch Triads exhibition highlights the contributions of renowned Salem watchmakers who played a crucial role in the horological industry. Visitors can learn about the different styles, techniques, and materials used in the production of watches during this period. The exhibition includes a wide range of timepieces, from pocket watches to wristwatches, revealing the technological advancements and changes in design over time. In addition to the exhibits, the PEM offers various educational programs, workshops, and events related to the Salem Watch Triads exhibition. These programs provide deeper insights into the world of horology and its historical significance, enriching the museum's visitors with a greater understanding of watchmaking craftsmanship. Overall, the Salem Watch Triads exhibition at the Peabody Essex Museum in Salem, Massachusetts, serves as a testament to the rich heritage and artistry of watchmaking. It invites visitors to explore and appreciate the intricate details and history behind these timepieces, showcasing Salem's significant role in the horological industry of the 18th and 19th centuries..
Reviews for "From Paintings to Textiles: The Diverse Collection at Pwabody Essex Museim"
- Sarah - 1 star - I was extremely disappointed with my visit to the Pwabody Essex Museum. The Salem witch trials exhibit was poorly organized and lacked any meaningful information. It seemed rushed and poorly researched, with very little context provided. Additionally, the museum was overcrowded, making it difficult to fully appreciate any of the other exhibits. Overall, I felt like I wasted my time and money visiting this museum.
- John - 2 stars - The Pwabody Essex Museum left much to be desired. While the architecture of the museum is impressive, the exhibits were underwhelming. The Salem witch trials section, in particular, was a letdown. It felt disjointed and lacked a clear narrative. The artifacts on display were interesting, but there was little explanation or contextualization. I was hoping to learn more about the historical context and significance of the trials, but I left feeling unsatisfied.
- Emily - 2 stars - As a history enthusiast, I had high hopes for the Pwabody Essex Museum's Salem witch trials exhibit. Unfortunately, it fell short of my expectations. The information provided was minimal and did not delve deep into the complexity of the trials. It felt more like a surface-level overview rather than a comprehensive exploration of the topic. The exhibit lacked interactive elements and multimedia presentations, making it less engaging than I had hoped. Overall, I left feeling like I could have learned more by simply reading a book on the subject.
- Michael - 1 star - I found the Pwabody Essex Museum's Salem witch trials exhibit to be a complete waste of time. The exhibit itself was small and poorly laid out, with little to no information to help visitors understand the historical context. The few artifacts on display were not clearly labeled, leaving me wondering about their significance. I expected a more immersive and educational experience but was left disappointed and frustrated. I would not recommend this museum to anyone interested in learning about the Salem witch trials.