Witchy Woman by the Eagles is a classic rock song released in 1972 on the band's album titled "Eagles." This song was written by Don Henley and Bernie Leadon, two members of the Eagles, and remains one of their most popular and recognizable tracks. The main idea of Witchy Woman is the allure and mystery of a captivating and enchanting woman, often referred to as a "witchy woman." The song opens with a melodic and haunting guitar riff that sets the mood for the rest of the track. Henley's vocals then come in, telling the story of a woman who possesses a supernatural and bewitching quality. The lyrics paint a picture of a seductive and irresistible woman who entices those around her, making it difficult to escape her enchantment.
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Perhaps part of the problem is that the category rewards numerous women who are older than 40, who are black or ethnic, or who are character actresses, rather than traditional beauties. The Ambies, hosted in its inaugural run by comedian and podcaster Cameron Esposito, aspires to be for podcasts what the Emmys and the Oscars are for TV and movies a recognition of the industry s best by the industry s best and a guide for would-be fans who just want a recommendation for something good.
The lyrics paint a picture of a seductive and irresistible woman who entices those around her, making it difficult to escape her enchantment. Throughout the song, the Eagles creatively use various instruments, including a mandolin and a banjo, to enhance the mystical and mysterious atmosphere of Witchy Woman. The haunting harmonies and catchy chorus create a hypnotic and captivating experience for the listener.
What's Behind The Best Supporting Actress Curse? Plain, Old, Unmagical Sexism
As legend has it, women's film careers are "cursed" by winning the best supporting actress Academy Award. (From left) winners Marisa Tomei in 1993, Jennifer Hudson in 2007 and Mira Sorvino in 1996. Barry King/Liaison/Getty Images; Dan MacMedan/WireImage/Getty Images; Jeff Haynes/AFP/Getty Images hide caption
toggle caption Barry King/Liaison/Getty Images; Dan MacMedan/WireImage/Getty Images; Jeff Haynes/AFP/Getty ImagesAs legend has it, women's film careers are "cursed" by winning the best supporting actress Academy Award. (From left) winners Marisa Tomei in 1993, Jennifer Hudson in 2007 and Mira Sorvino in 1996.
Barry King/Liaison/Getty Images; Dan MacMedan/WireImage/Getty Images; Jeff Haynes/AFP/Getty Images
As if there's not enough controversy over the Oscars, there's also the matter of a curse.
This Hollywood rumor is often said to have started back in 1993, when Marisa Tomei won best supporting actress for My Cousin Vinny. Rather than going on to star in huge movies, as one might expect of a comely and talented Oscar winner, Tomei's film career fizzled. She appeared in small roles, or small films. Even the legitimacy of her win became an urban legend. Thus the curse: Winning best supporting actress is a career killer.
The A-list, movie-star promise that an Academy Award might suggest never materialized with Mira Sorvino (Mighty Aphrodite) or Mercedes Ruehl (The Fisher King), either — even though both are extremely accomplished thespians with impressive resumes. And Jennifer Hudson virtually disappeared from the big screen after Dreamgirls. Amy Nicholson, chief film critic for MTV News, points to Kim Basinger as yet another classic example.
"She won for L.A. Confidential and then she just immediately had no work for three years," she says. "You look at a winner like Brenda Fricker, who won for My Left Foot — the same film that Daniel Day-Lewis won for, which turned him into a huge star. And three years later, you have [Fricker] playing roles like 'Pigeon Lady' in Home Alone 2. And you see that happen to a talented actress and you can't help but wonder — yeah, is there a curse?"
It's a symptom of the fact that there aren't a lot of roles. It's really just a symptom of the movies.
Amy Nicholson, chief film critic for MTV News
To be clear, Nicholson does not believe in this curse. Not at all. Not even remotely. This, she says, is plain, old, unmagical sexism. Basinger was 44 when she won best supporting actress. Perhaps part of the problem is that the category rewards numerous women who are older than 40, who are black or "ethnic," or who are character actresses, rather than traditional beauties.
"It's a symptom of the fact that there aren't a lot of roles," Nicholson says. "It's really just a symptom of the movies, you know?"
Then there's the expectation for Oscar winners to follow up with meaty, meaningful roles. If you're a best supporting actress who doesn't want to play a background wife or mom, that often means having to appear in smaller movies. Show up in a big blockbuster for exposure and to capitalize on your win, and you risk being mocked.
Nicholson says that happened to Angelina Jolie, when she starred in Lara Croft: Tomb Raider after winning best supporting actress for Girl, Interrupted. But Jolie helped prove that the best supporting actress curse is utterly bogus. "Now she's the most reliable female box office draw that we have," Nicholson says.
Curse? What curse? Above, best supporting actress winners Cate Blanchett in 2005, Penélope Cruz in 2009 and Anne Hathaway in 2013. Frank Micelotta/Getty Images; Jason Merritt/Getty Images; Jason Merritt/Getty Images hide caption
toggle caption Frank Micelotta/Getty Images; Jason Merritt/Getty Images; Jason Merritt/Getty ImagesCurse? What curse? Above, best supporting actress winners Cate Blanchett in 2005, Penélope Cruz in 2009 and Anne Hathaway in 2013.
Frank Micelotta/Getty Images; Jason Merritt/Getty Images; Jason Merritt/Getty Images
Curse-truthers, look at the spectacular careers of Cate Blanchett, Anne Hathaway, Penélope Cruz and Tilda Swinton. Before Swinton's best supporting actress win for Michael Clayton, she flew under the pop culture radar for years. Now Nicholson says, it feels like she's in everything.
There's no talk of a best supporting actor curse, partly because the awards tend to be bestowed on established older stars of the Morgan Freeman and Alan Arkin generation, or to sexy foreigners such as Javier Bardem or Christoph Waltz. Meanwhile, Nicholson says, female Oscar winners have to deal not just with one alleged curse, but two.
"Sure, you might win an Oscar for best supporting actress or best actress — but then you're probably going to get divorced," she says, sounding irritated.
This curse was taken seriously enough that researchers at the University of Toronto did the math. They found best actress winners have a 63 percent higher chance of divorce.
Yet another story Hollywood tells us about the perils of women having it all.
One of those nominees, for podcast of the year, is “Say Their Name” from DCP Entertainment, a Black-owned independent production company, which tells the stories of Black people killed by police and fundraising for their families.
The song's popularity may stem from its relatability. Many people have encountered someone in their lives who exudes an aura of mystery and allure. The Eagles masterfully capture this essence and convey the fascination and danger that comes with such individuals. Witchy Woman showcases the Eagles' unique blend of rock, country, and folk influences, which became their signature sound. The band's harmonies are particularly notable in this song, as they create a rich and layered vocal arrangement that complements the eerie vibe of the song. Ultimately, Witchy Woman is a timeless rock classic that continues to resonate with audiences today. Its tale of an enchanting and captivating woman serves as a cautionary yet alluring reminder of the complexity and allure of human nature. The Eagles' masterful musicianship and storytelling make this song a must-listen for rock music enthusiasts of all generations..
Reviews for "The hypnotic rhythm of "Witchy Woman" by The Eagles"
1. John - 2/5 - I found the performance of "Witchy Woman" by The Eagles to be lackluster. The vocals lacked the power and emotion needed to do justice to the song. The band seemed to be going through the motions and there was no real energy or excitement on stage. Overall, it was a forgettable rendition of a classic song.
2. Alice - 3/5 - While I appreciate the effort put into performing "Witchy Woman" by The Eagles, I wasn't particularly impressed. The vocals were decent, but the overall arrangement felt a bit off. The song lacked the mystical aura that the original version possesses. It just didn't capture the essence of what makes the song so special. Overall, it was an okay performance, but nothing remarkable.
3. Mike - 2/5 - I was really looking forward to hearing "Witchy Woman" by The Eagles, but I found myself disappointed. The vocals were weak and lacked the necessary grit and power. The band seemed to be struggling to keep up with the song, and it didn't have that magical quality that makes it so memorable. It fell flat for me, and I was left wanting more.
4. Sarah - 2/5 - The rendition of "Witchy Woman" by The Eagles that I witnessed was underwhelming. The vocals were off-key at times, and it seemed like the performer was struggling to hit the high notes. The band didn't seem to be in sync, and the overall performance lacked the energy and intensity the song deserves. It was a disappointment for me, as I was expecting a powerful and captivating rendition.
5. Mark - 1/5 - I was extremely disappointed with the performance of "Witchy Woman" by The Eagles. The vocals were flat and lacked emotion. It felt like a poor imitation of the original, with no unique interpretation or flair. The band seemed disengaged and there was no chemistry between the performers. Overall, it was a forgettable performance that failed to capture the essence of the song.