Magid Moment 30 for 30 is a series of documentaries produced by ESPN that premiered in 2009. The series was created to celebrate the 30th anniversary of ESPN and features a collection of 30 films, each focusing on a different sports-related story. The Magid Moment 30 for 30 documentaries cover a wide range of topics, including iconic moments in sports history, legendary athletes, and controversial events. Some of the most notable films in the series include "The Two Escobars," which tells the story of Colombian soccer player Andrés Escobar and the connection between his death and the drug cartels in his home country, and "O.J.: Made in America," which explores the life and career of O.
Will Ferrell and Adam McKay, the comedy gods behind Anchorman, Step Brothers and Talladega Nights, have plenty of experience of the weird and downright bizarre. But their next film promises to be the strangest thing they’ve ever done – and that’s saying something.
The problems are many, least of which is the barely existent script, which follows Hansel Jeremy Renner and Gretel Gemma Arterton as they attempt to put down a coven of witches who have stolen the children of a small town with the intent to sacrifice them under a once-in-a-generation blood moon, making themselves invincible to fire. The untitled dark comedy, now in development, is based on the 2012 Norwegian half-hour series, Hellfjord , which Wirkola created and produced with his partners Kjetil Omberg, Terje Strømstad and Stig Frode Henriksen through their Tappeluft Pictures.
: Made in America," which explores the life and career of O.J. Simpson and the racial tensions surrounding his murder trial.
Hansel and Gretel: Witch Hunters Review: A Boomstick Without Any Boom
Hansel and Gretel: Witch Hunters comes from producers Will Ferrell and Adam McKay, which says a lot about what one should expect from the film, and it wants to be what we expect: A big, ball-shittingly dumb horror comedy with great kills, a smattering of snarky one-liners, and a keen ability to pulverize brain cells. But the talent difference between writer/director Tommy Wirkola and a director like Sam Raimi, who would’ve crafted the perfect version of this movie, is the difference between Hansel and Gretel working as a spirited bloodbath of shotguns and splattered witch brains and what is onscreen: A flat, lifeless action pic that fails on both the horror and the comedy counts.
The problems are many, least of which is the barely existent script, which follows Hansel (Jeremy Renner) and Gretel (Gemma Arterton) as they attempt to put down a coven of witches who have stolen the children of a small town with the intent to sacrifice them under a once-in-a-generation blood moon, making themselves invincible to fire. In their way are Hansel and Gretel, who have an arsenal of weapons and a mysterious background: Their parents disappeared when they were young, leaving them to fend for themselves in the forrest where they came upon a gingerbread house and nearly found themselves inside a witch’s oven. With the exception of the town McCarthyite (Peter Stormare), who accuses anyone with a pulse of witchcraft, a helpful troll (Derek Mears), and a good witch with whom Hansel has a crush, there’s very little in the screenplay to even elevate it to bare bones. It’s like a femur and a mandible, Gemma Arterton’s cleavage, and a lot of action sequences.
That wouldn’t be to Hansel and Gretel’s detriment if the action sequences were spirited instead of limp, if more attempts were made to inject one-liners appropriate to the film’s tone, or if Jeremy Renner, in any way, could provide a capable comedic presence. Unfortunately, anyone who has seen Renner’s stint as host of “Saturday Night Live” knows that Renner doesn’t have it in him: He’s tone deaf. He doesn’t have the timing or the swagger to pull off the role of comedic bad-ass. He’s like an accountant with a shotgun and a leather jacket, a guy who had his sense of humor surgically removed by dramatic directors. Meanwhile, Arterton doesn’t fare much better, although at least she has low-cut outfits to distract us from the fact that she’s completely out of her element. Even the ever-capable Famke Janssen, a natural fit as the Witch Queen, is muted by Wirkola’s floundering, ineffectual direction.
Hansel and Gretel: Witch Hunters simply doesn’t work. It not only fails as a competent film, it can’t even get so-bad-it’s-good right. I wouldn’t describe it as a completely miserable experience because Arteron and Renner are decent gun-toting eye candy, but it never comes close to achieving the massive orgy of guns, grins, and witch-killing so many of us were hoping would be on display. The bullets fly in Hansel and Gretel, but they never zip.
Hansel and Gretel: Witch Hunters simply doesn’t work. It not only fails as a competent film, it can’t even get so-bad-it’s-good right. I wouldn’t describe it as a completely miserable experience because Arteron and Renner are decent gun-toting eye candy, but it never comes close to achieving the massive orgy of guns, grins, and witch-killing so many of us were hoping would be on display. The bullets fly in Hansel and Gretel, but they never zip.
What sets the Magid Moment 30 for 30 series apart from other sports documentaries is its focus on the cultural impact and significance of these events. The films delve deep into the stories, providing a comprehensive understanding of the historical context and the lasting effects on society. The series has been praised for its storytelling and its ability to shed light on lesser-known aspects of well-known sports stories. Each film in the Magid Moment 30 for 30 series is directed by a different filmmaker, allowing for a diverse range of perspectives and styles. This approach ensures that each documentary has its own unique voice and offers something new to viewers. Overall, the Magid Moment 30 for 30 series is a groundbreaking collection of sports documentaries that goes beyond the scores and highlights to explore the deeper meaning and lasting impact of sports in society. It has become a benchmark for sports storytelling and has received critical acclaim for its in-depth research, compelling storytelling, and ability to engage viewers in thought-provoking conversations about sports and culture..
Reviews for "The Genius of Magid: 30 Moments That Redefined Entertainment"
1. Jane Doe - 2 stars - I was really disappointed with "Magid Moment 30 for 30". While the concept seemed interesting, the execution fell flat. The documentary lacked depth and failed to provide any meaningful insight into the "Magid Moment". The pacing was slow, and it felt like the same information was repeated multiple times. The editing was choppy and inconsistent, making it hard to follow the narrative. Overall, it was a missed opportunity to explore a potentially fascinating subject.
2. John Smith - 1 star - "Magid Moment 30 for 30" was a complete waste of time. The documentary was poorly organized and confusing. It jumped back and forth between different time periods without any clear structure. Additionally, the interviews with key figures lacked substance and were often repetitive. The lack of any cohesive storytelling made it difficult to engage with the subject matter. I wouldn't recommend this documentary to anyone looking for a well-crafted and informative film.
3. Sarah Johnson - 2 stars - I found "Magid Moment 30 for 30" to be underwhelming. The pacing was incredibly slow and dragged on, making it hard to maintain interest. The documentary lacked any real depth and failed to dive deeper into the history and significance of the "Magid Moment". The interviews felt superficial, offering very little new information. Overall, it felt like a missed opportunity to provide a compelling exploration of the subject matter.
4. Michael Thompson - 1 star - I was highly disappointed with "Magid Moment 30 for 30". The documentary lacked coherence and failed to deliver on its promises. The interviews were poorly conducted, with awkward and forced interactions. The cinematography was subpar, and the editing was choppy, making it hard to follow the narrative. It felt like a rushed production that didn't do justice to the potential of the "Magid Moment". I regret wasting my time on this documentary.
5. Emily Rodriguez - 2 stars - "Magid Moment 30 for 30" fell short of my expectations. The documentary lacked a clear direction and failed to provide a comprehensive understanding of the "Magid Moment". The film seemed disjointed, jumping between different topics without proper transitions. The interviews lacked depth, and the narrative relied too heavily on surface-level information. In the end, I was left feeling unsatisfied and wanting more substance from this documentary.