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A monograph on white magic focuses on exploring the nature and practice of this form of magic. White magic is often regarded as the positive or good magic, which aims to bring about harmony, healing, and spiritual growth. It is a practice based on the belief in the interconnectedness of all things and seeks to align with universal laws and benevolent energies. In this monograph, we delve into the origins and history of white magic, tracing its roots in ancient civilizations and various religious and mystical traditions. White magic is often associated with spiritual and religious practices such as Wicca, Shamanism, and certain branches of occultism. Moreover, this monograph also explores the fundamental principles and techniques used in white magic.

Rod of Folding. When a ranged touch attack is done with this rod, it strips the target of all clothing and folds it neatly, laying it on the floor nearby.

Wild Magic Surge d100 Effect d100 Effect 01-02 Roll on this table at the start of each of your turns for the next minute, ignoring this result on subsequent rolls. 31-32 You are transported to the Astral Plane until the end of your next turn, after which time you return to the space you previously occupied or the nearest unoccupied space if that space is occupied.

Moreover, this monograph also explores the fundamental principles and techniques used in white magic. These include the use of spells, rituals, visualization, and meditation techniques to manifest positive outcomes and promote well-being. White magic practitioners often work with natural elements, such as herbs, crystals, and essential oils to enhance their practices and connect with higher energies.

Text of whimsical magical effects

I did something a little different today. I tried to write out the potion tables for my fantasy heartbreaker, the GLOG.

Usually I just try to pump out as much fresh brain juice as possible, which is fun because I just write about whatever is interesting. But today I was trying to answer the question of "what is the best possible potion list to have in a game"? Which is a surprisingly different process.

I wrote a list of potions, nearly 200. A lot of them were crappy and I deleted them, but it was clear that the best potion list is not the longest potion list. You want to distill the good stuff down and discard the chaff.

Sure, a bloated potion list is good for DMs to steal ideas for their own adaptations. But a system's core potion list should be as high quality as possible. It also needs to be large enough to feel like there's a good variety there.

Anyway, most games have potion lists with about 20 entries, which seems thin to me.

Or they'll have potion lists that are just adapted straight from the spell list. Which is fine, but it makes it seem that potions are just liquid spells, and I want them to be more than that. I want potions to have their own feeling and their own lore.

Besides, spells have to be (sort of) balanced. Potions are things that you find randomly or at the DM's discretion--there's no need to make them psuedo-equivalent in power level. You can go pig wild when writing them.

I had a few goals when I wrote up my potion list:

• Make a list of 20 old-school potions for people who want a more retro potion list, and who want to avoid the weird stuff.
• Make more potions that were useful for exploration, not just combat. (Spells are prepared with an expectation in mind. Potions are just found. Therefore potions can afford to be more situational than spells.)
• Make potions that are good for solving (and creating) OSR-stylechallenges (especially of the dungeoncrawling variety).
• Make potions that had multiple (but intuitive) uses. Unlike spells, potions are a known substance (liquid) with known properties (liquidity). It has a context and a known behavior (we already know what we can do with 1oz of liquid). Potions should have uses other than just drinking. For example, if a potion of invisibility is poured out on the floor, it should make a small section of the floor invisible, creating a window.
• Make a list of 100 potions.

I wrote too many potions. Please comment on which potions you think are crappiest. Either because they're boring, or you've seen them too many times, or because they wouldn't lead to good gameplay.

Note: Potions descriptions start with a description of what happens when you drink the potion. ("You heal 1d8+1 HP".) Other uses of the potion are detailed later on in the paragraph.

1. Clairvoyance

By designating a location within 100', you can see that location as if you were there. You can look at a different location each round. Lasts 1d6 rounds.

Copycat Quill. A quill that can suck up any ink and reuse it. When this ink is reused, the writing will look identical to that of the author. When 2 inks are combined, the quill explodes for 4d6 damage and coat the surroundings in black. REF14 negates damage.

One of the key aspects of white magic is its emphasis on ethical and responsible use of magic. It promotes the understanding that the intentions and motives behind magical practices are crucial and encourages practitioners to align their actions with the highest good for all involved. White magic practitioners strive to use their magical abilities for healing, protection, and bringing out the best in themselves and others. Throughout this monograph, numerous case studies and examples illustrate the application of white magic in different realms of life, including relationships, health, career, and personal growth. Readers will gain insights into how white magic can be integrated into their lives to bring about positive transformations and increase spiritual awareness. In conclusion, white magic is a practice that aims to harness positive energies and work in harmony with the natural order of the universe. It is rooted in ancient wisdom and offers a way to connect with the spiritual dimensions of life. This monograph serves as a comprehensive guide to understanding and practicing white magic, offering readers a means to explore the depths of this enriching and transformative practice..

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