Defying the Norms: Questioning the Authority of the American Society of Magical Negro Racism

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The American Society of Magical Negro Racism is a concept that emerged within discussions about racial stereotypes in American popular culture. The term "magical negro" refers to a fictional character who possesses supernatural abilities or wisdom, often serving as a mentor or savior figure for white protagonists. This trope perpetuates racial stereotypes by presenting black individuals as inherently magical, selfless, and existing primarily to assist white characters in their personal growth. Critics argue that the portrayal of magical negro characters reinforces racist stereotypes by reducing black characters to one-dimensional and non-threatening stereotypes. These characters are often devoid of complexity, existing solely to facilitate the development or success of white protagonists without having their own agency or personal narratives. The American Society of Magical Negro Racism seeks to challenge and raise awareness about the harmful impact of this stereotype within American society.



Cinethetic Racism: White Redemption and Black Stereotypes in "Magical Negro" Films

Direct correspondence: Matthew W. Hughey, Department of Sociology, Department of African American Studies, Mississippi State University, 207 Bowen Hall, P.O. Box C, Mississippi State, MS 39762. E-mail: [email protected]

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This research was partially funded by a Phelps-Stokes Research Grant. The author gratefully acknowledges the discerning feedback from the anonymous reviewers, the work of Production Editor Amy Jo Woodruff, and the insightful guidance of former Social Problems Editor Amy S. Wharton. The author also appreciates comments on earlier drafts from Bethany Bryson, Wende E. Marshall, Hephzibah Strmic-Pawl, Milton Vickerman, and the author's 2006 and 2007 “Race and the Media” students at the University of Virginia.

Social Problems, Volume 56, Issue 3, 1 August 2009, Pages 543–577, https://doi.org/10.1525/sp.2009.56.3.543

Published: 30 July 2014 Views

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Matthew W. Hughey, Cinethetic Racism: White Redemption and Black Stereotypes in "Magical Negro" Films, Social Problems, Volume 56, Issue 3, 1 August 2009, Pages 543–577, https://doi.org/10.1525/sp.2009.56.3.543

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The American Society of Magical Negro Racism seeks to challenge and raise awareness about the harmful impact of this stereotype within American society. It aims to promote diverse and nuanced portrayals of black characters in both mainstream and independent media. Advocates argue that representation matters, and that accurate, multidimensional characterizations are essential in combating racial stereotypes and promoting inclusivity.

Abstract

Recent research on African American media representations describes a trend of progressive, antiracist film production. Specifically, "magical negro" films (cinema highlighting lower-class, uneducated, and magical black characters who transform disheveled, uncultured, or broken white characters into competent people) have garnered both popular and critical acclaim. I build upon such evidence as a cause for both celebration and alarm. I first examine how notions of historical racism in cinema inform our comprehension of racial representations today. These understandings create an interpretive environment whereby magical black characters are relationally constructed as both positive and progressive. I then advance a production of culture approach that examines 26 films that resonate with mainstream audiences' understanding of race relations and racialized fantasies. I find that these films constitute "cinethetic racism"—a synthesis of overt manifestations of racial cooperation and egalitarianism with latent expressions of white normativity and antiblack stereotypes. "Magical negro" films thus function to marginalize black agency, empower normalized and hegemonic forms of whiteness, and glorify powerful black characters in so long as they are placed in racially subservient positions. The narratives of these films thereby subversively reaffirm the racial status quo and relations of domination by echoing the changing and mystified forms of contemporary racism rather than serving as evidence of racial progress or a decline in the significance of race.

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American society of magical negro racist

While progress has been made in recent years toward diversity and representation in media, the American Society of Magical Negro Racism highlights the ongoing need for continued dialogue and action. It encourages filmmakers, writers, and other storytellers to engage in more thoughtful and authentic portrayals of black characters, avoiding the perpetuation of racist stereotypes. The concept of the American Society of Magical Negro Racism serves as a reminder of the importance of challenging and questioning ingrained racial stereotypes. By actively seeking accurate and respectful representations, society can contribute to a more inclusive and equitable cultural landscape, where diversity is celebrated and racial stereotypes are dismantled..

Reviews for "The American Society of Magical Negro Racism: A Barrier to Equality and Justice"

1) John - 1 star - I was extremely disappointed by "American Society of Magical Negro Racist." The title itself is offensive and perpetuates harmful stereotypes. The book solely focuses on racial divisions and fails to offer any meaningful perspective or analysis. The characters lacked depth, and the plot was predictable and unoriginal. I would not recommend this book to anyone seeking an insightful look into race relations or a thought-provoking narrative.
2) Sarah - 2 stars - I struggled to get through "American Society of Magical Negro Racist." While the author attempted to explore racial issues, the execution fell flat. The writing lacked nuance, and the dialogue felt forced and unnatural. The characters were shallow and one-dimensional, making it difficult to feel any connection or investment in their stories. Overall, I found the book to be disappointing and unengaging.
3) Robert - 1 star - "American Society of Magical Negro Racist" was a complete waste of my time. It seemed more focused on shock value and controversy than offering any meaningful social commentary. The book relied heavily on offensive stereotypes and failed to deliver any substantial critique or analysis of race relations. I was hoping for a thought-provoking and insightful read, but instead, I got a poorly executed and offensive mess. I would strongly discourage anyone from reading this book.

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