"17 Smell the Magic" Imagine a world where smells have the power to transport you to different places, evoke deep emotions, and create lasting memories. In this world, scent is not just a mere sensory experience but a profound connection to the essence of life itself. This concept, known as "17 Smell the Magic," explores the profound impact that smells have on our lives and how they shape our understanding of the world around us. The number 17 in the phrase "17 Smell the Magic" signifies the vast array of possibilities and adventures that await us when we embrace the power of our olfactory senses. It challenges us to step outside our comfort zones and explore the rich tapestry of smells that surround us every day. Whether it's the intoxicating aroma of freshly bloomed flowers in a meadow or the comforting scent of freshly baked bread wafting from a local bakery, each smell has the ability to transport us to a specific time and place.
Javascript is required to view shouts on this page. Go directly to shout page
They had the smart-but-dumb appeal of the Ramones and the hard and heavy ethos of Motorhead all tied in with Spinal Tap as guidebook humour and punk-rock-feminism bedrock. Says the Press release and although they were feminists doing Pro-Choice benefits and the like songs like Fast and Frightening are just sheer biker-rock rebel-pop with a cartoonish glee.
Whether it's the intoxicating aroma of freshly bloomed flowers in a meadow or the comforting scent of freshly baked bread wafting from a local bakery, each smell has the ability to transport us to a specific time and place. Smells have the power to evoke memories and emotions that are deeply rooted in our subconscious. The familiar scent of a particular cologne may remind us of a loved one we haven't seen in years, while the smell of a crackling fire might bring back cherished childhood memories of cozy winter nights.
L7 : Smell the Magic: 30th Anniversary Edition – album review / interview
Release date: 18 Sept 2020 30th Anniversary Edition of the fiery, American grunge pioneers second album remastered and on vinyl for the first time ever! Most under-rated band of the era – says Ged Babey. For me, personally, L7 were THE band of THEIR era. The ‘Grunge Years’ for want of a better name. And if ever there was a guitar-sound that was truly ‘grunge-y’ it was L7’s. I think they pissed all over Nirvana (metaphorically). I’m not courting controv. I mean it. But then I always preferred Hole to Kurt & Co as well. I rated Babes In Toyland as being far more interesting than Mudhoney or Tad or any of the male acts. Women just generally made more interesting, more exciting rock’n’roll in the early Nineties. That said. L7’s best-forgotten debut album was a dud somehow. It sounded like punks playing corny-metal for free-beer. It could be put down to the fact they had a male drummer but more likely is it was a rushed-job by a band who weren’t ready and hadn’t written a decent song yet. It was two years later that Smell the Magic appeared and they were metaphorically and literally ready-to-rock. As the press release says… A multitude of rock music scenes populated the expanse of Los Angeles in 1989: hardcore punk, industrial goth, roots rock, and Sunset Strip hair metal, to name a few. L7 fit into none of them, creating their own unique blend of punk and hard, hooky rock loaded with humour and cultural commentary. A sizeable proportion of punks always had a fondness for old-school metal and the then-newer sleaze-metal, which meant L7 couldn’t lose as far as attracting a broader range of fans from all camps was concerned. They had the smart-but-dumb appeal of the Ramones and the hard and heavy ethos of Motorhead all tied in with Spinal Tap as guidebook humour and punk-rock-feminism bedrock. The memorable career-highlights of trouser-dropping on the Word and tampon-flinging at Reading Festival will forever be the first thing that comes to mind when they are mentioned – but they were a musical force of nature. Naturals. Unfettered rock’n’roll. On a par with the twin-godheads of Ramones and Motorhead. L7 should be mentioned in the same breath as part of an Unholy Trinity of great, no-nonsense rock bands. To tag them as Grunge with such overblown dullards as Pearl Jam and Soundgarden is plain wrong (As ever, I view things from a punk-rock viewpoint, and when you get to the crux of it, the Trinity were punks.) Originally released in 1990, Smell the Magic is a landmark of ’90s feminist rock. Says the Press release – and although they were feminists (doing Pro-Choice benefits and the like) songs like Fast and Frightening are just sheer biker-rock rebel-pop with a cartoonish glee. What follows is part of a syndicated interview where the band talk about the album track by track: After telling us where the album title came from… Donita: We, along with most other bands at that time were constantly referencing This Is Spinal Tap. I’m sure that got into our psyche. But the title “Smell the Magic” actually came from an overnight drive on tour through an industrial part of the U.S. I was sitting shotgun, and Suzi was driving the van. We were both laughing because it smelled so bad. And she said, “Oh god, smell the magic.” Donita. “Fast and Frightening” is an homage to a strong female fantasy-cartoon person, a little bit of Becky Wreck from the Lunachicks, who had a motorcycle. “Poppin’ wheelies on her motor bike, Straight girls wish they were dykes”—that’s where that line comes from. And talking about opening track, released as a single. Shove… Jack Endino, our producer, was playing a reel to reel tape that Mudhoney had previously recorded a jam session on. We were like, “Let’s start our single with that!” We cut into Mudhoney’s jam session at the very beginning of “Shove” just before the signature riff kicks in. To this day, I don’t think Mudhoney is aware of this… … we decided on a Fiends cover, “Packin’ a Rod” for the B Side. We thought that song was funny and base, but with a female singing… it took on a whole new meaning. The other cover is American Society (originally by Eddie & the Subtitles in 1980) Suzi: My brother had a girlfriend who was in prison. She told me she was reading a lot of paperback novels there, so I just kind of built “Broomstick” around that. It’s about being left in the dirt. She died in that prison. That song is very emotional for me. Jennifer: Thematically, as a writer, I’m always about being overwhelmed. “(Right On) Thru” is about that. Windows are broken in the apartment. They’re broken in the car. You can’t keep anything out. You just have to let it flow. Donita: “Deathwish” is kind of about how we’ve all been worried about each other. Because at one point or another one of us was doing too many drugs or drinking. This band has been both off the wagon, and on the wagon—but not ever all of us at the same time. The guitar lead I did on “Deathwish” is one of my proudest moments. Sometimes I can come up with a lead that’s tasty and good. But as far as channeling a lead in real time? That has very rarely happened to me. That’s the longest lead I think I’ve ever played. Jack just let the tape roll. Suzi: “Till The Wheels Fall Off” is also about doing it to the extreme. There isn’t a big story there. It’s just about trying to stay together. Dee: The album holds up for what we’re known for: We’re a heavy rock band, but you can always sing the songs. How you present yourself, what you say—that’s your politics right there. Donita: You know that line from Fast and Frightening “Got so much clit she don’t need no balls” … that about sums it up. Only nine songs but all killer no filler. L7 had arrived. The later albums were even better… but for now… take a deep breath, inhale a lungful and Smell The Magic! On vinyl at last. L7 fuckin’ rule. Website Facebook: BUY, LISTEN and ENJOY! All words by Ged Babey
We have a small favour to ask. Subscribe to Louder Than War and help keep the flame of independent music burning. Click the button below to see the extras you get! SUBSCRIBE TO LTW
Previous article Chris Phillips: Build Me An Empire – Album Review
Scrobbling is when Last.fm tracks the music you listen to and automatically adds it to your music profile.
These olfactory triggers create a sense of nostalgia and connect us to our past, allowing us to relive those moments even if only for a brief moment. Furthermore, smells can also influence our moods and emotions. Studies have shown that certain scents, such as lavender or citrus, have a calming effect on the mind and body, reducing stress and promoting relaxation. On the other hand, the invigorating scent of peppermint can boost energy levels and improve focus. By harnessing the power of smell, we can improve our overall well-being and enhance our daily experiences. The concept of "17 Smell the Magic" encourages us to slow down, to take a moment, and truly appreciate the world of smells that surrounds us. It urges us to immerse ourselves in the richness of our environment, from the welcoming scent of rain after a long dry spell to the distinctive aromas of various cuisines from around the world. By paying attention to these subtle details, we can heighten our sensory awareness and develop a deeper appreciation for the world we live in. In conclusion, "17 Smell the Magic" embraces the idea that smells have the power to enrich our lives in countless ways. It encourages us to embrace our olfactory senses and to experience the world in a more profound and meaningful way. By allowing ourselves to smell the magic, we can unlock a whole new dimension to our everyday experiences and create lasting memories that will stay with us long after the scent has faded..
Reviews for "The Magic of Food: 17 Aromatic Ingredients That Will Transform Your Cooking"
1. John - 1/5 - "17 smell the magic" is a complete waste of time. Its songs lack originality and sound like a blend of recycled pop beats with generic lyrics. The album feels disjointed and lacks a clear direction. It's clear that the artist was trying too hard to be edgy and experimental, but the result is a mess. Save yourself the disappointment and skip this one.
2. Sarah - 2/5 - I had high hopes for "17 smell the magic," but it fell short of my expectations. The album lacks the catchy hooks and memorable melodies that usually make a pop album enjoyable. The production feels overdone, with excessive auto-tune and heavy dubs that distract from the music itself. While there are a couple of songs that stand out, overall, it fails to leave a lasting impact. I was left underwhelmed and won't be revisiting this album anytime soon.
3. David - 2/5 - "17 smell the magic" tries too hard to be avant-garde and ends up being pretentious. The artist seems more focused on creating an image than delivering quality music. The album is filled with disjointed tracks that lack cohesion and fail to evoke any genuine emotion. It feels like a forced attempt to be edgy without substance. I couldn't connect with the songs nor find any redeeming qualities that would make me revisit this album. It's a forgettable disappointment.
4. Emma - 1/5 - "17 smell the magic" is a chaotic mess. The artist's attempt at blending different genres falls flat, resulting in a jarring listening experience. The songs lack structure and coherence, making it difficult to follow or appreciate. The lyrics are shallow and repetitive, leaving no lasting impact. I was left scratching my head, wondering what the artist was trying to achieve with this album. Overall, it's a confusing and unenjoyable release that I wouldn't recommend to anyone.