Halloween and music have always been intertwined, creating a hauntingly delightful atmosphere. The spooky melodies and eerie soundscapes transport us to a world of witches, ghosts, and ghouls. From classic tunes like "Monster Mash" and "Thriller" to haunting instrumentals like "Toccata and Fugue in D Minor," Halloween music has become an essential part of the holiday. One cannot discuss Halloween music without mentioning the iconic song "Monster Mash" by Bobby Pickett. Released in 1962, this catchy tune tells the story of a mad scientist who throws a party for his monster creations. With its catchy rhythm and humorous lyrics, "Monster Mash" became an instant Halloween hit and is still played at parties and events to this day.
Abjuration - Gluttony
A leviathan in a puzzle. A sarg has banished itself to its own private pocket dimension between the planes, nestled so deep into a maze of magical wards and safeguards that not even the god of death can reach it. A sarg sustains itself by siphoning the souls of the dead into its waiting maw, trapping them within. Sargs are of greatest danger to souls passing into the afterlife and sometimes those travelling between planes.
Upon being slain, the Tulpa uses a combination of Gate and Wish to remove itself from a dead form into another plane where it regenerates and summons a new host. But the core differences are that certain spells require higher levels of complexity in order to cast, whilst others that require less focus can be elevated to a higher sphere through a process known as arcanus maxima , wherein additional arcane words are used and more intricate movements are made to bring the spell enhance the spells effects.
With its catchy rhythm and humorous lyrics, "Monster Mash" became an instant Halloween hit and is still played at parties and events to this day. Another Halloween favorite is Michael Jackson's "Thriller." Released in 1982, this song became synonymous with the holiday.
Magic System
Magic originates from the power of deities (also referred to as Patrons or “oracles” but are different to the class) who oversee the world from another dimension. These beings are responsible for the planet’s construction, including filling the ground with veins through which magic can flow and nourish the world’s entities. They also take the roles of Patrons to the different classes. The deities are who Oracles contact and call upon to work their magic, as well as being generally responsible for the main religions across the world.
Mages must channel their magical abilities through an enriched crystal which will have an ‘alignment’ depending on what magical vein energised it. Some classes favor certain alignments, while others can manipulate them all equally. For example, an Elementalist could use multiple crystals while a White Mage may only be able to utilise a crystal charged with light magic. While there are technically individual alignments for each patron deity, they are effectively grouped into elemental, spiritual, war and physical kinds.
Elemental (fire/water/earth etc.): - Chemist | Black Mage | Sorcerer | Arcanist | Green Mage | Elementalist | Geomancer | Spellblade
Spiritual (‘light/dark’): - White Mage | Healer | Seer | Spiritmaster | Oracle | Illusionist | Necromancer | Beastmaster | Animist | Sage
War (fighting): - Freelancer | Squire | Warrior | Knight | Sentinel | Berserker | Barbarian | Monk | Defender | Dragoon | Fencer | Thief | Ninja | Trickster | Juggler | Saboteur | Gambler | Dark Knight | Ranger | Archer | Sniper
Physical (time/space): - Scholar | Wayfarer | Merchant | Dancer | Blue Mage | Vampire | Bard | Time Mage | Astrologer | Machinist | Technicalist
An Example: ResurrectionThe process of total resurrection is not a short one. Compared to the partial resurrection able to be performed by Necromancers (reanimation), permanent and non-damaging revival requires multiple, skilled classes and a lot of patience.
If it were a recipe, the main ingredients would be; a dead person (or animal/plant), a Spiritmaster, an Oracle, a Time Mage, a Healer and food to sustain themselves for a few days. These are quite expensive ingredients, because the classes involved must be around lv. 30 (so, around 45 years old) in order to have the right abilities for the job.
The Time Mage is important - their job in the process is to reverse the effects of decomposition and keep them there during the resurrection so the revived being isn’t brain-dead and rotting from the inside out. This isn’t easy. Time Mages themselves are pretty rare, let alone ones with the knowledge and practice to be able to hold someone in what is essentially a different reality.
When the corpse has been dialed back to optimum freshness, the Spiritmaster must locate their soul within the magical plane and invite them back to their body. Sometimes the being is resistant and simply doesn’t want to be revived, and the Spiritmaster cannot change this desire. If it agrees, they must then ‘stitch’ their soul back into their body, which is difficult, to say the least.
Finally, the Oracle must contact both their own Patron and the Patron of the deceased. It’s comparable to ringing up a governmental office with lots of “please hold” and “let me transfer you to someone else” happening. It’s not uncommon for them to also consult with a lot of miscellaneous Patrons in the process to make sure it’s cool to bring the dead back to life permanently. As such, it can take days for everyone involved to come to a decision.
If all is well, the Oracle then channels the Patrons’ wills through their body (very exhausting) and the corpse is returned to its state before death. The Healer must act quickly to solve any injuries or sickness that caused death in the first place, or the revived being will die again and their time would have been wasted.
This process is long and tiring, so it didn’t take long for people to start monetising it. Resurrection stations are present around the world and each charges a hefty fee that ensures that the mages involved are considerably well-off. Most people simply can’t afford it so a good portion of the dead are left that way.
The study of time and fate, specifically for the purposes of its manipulation, often crossing over in the Transmutation school of magic. Dunamis is "the primal magical energy of potentiality and actuality, an anticipatory arcane force that helps shape the multiverse and might very well be what holds its elements together, like an infinite web of unseen tethers. Dunamancers are able to twist fate and project potential destinies into a reality or shift the unseen force of gravity to their will, such as the warriors of the Orders Vaults.
Its spooky music video, featuring dancing zombies and Jackson's iconic choreography, has become a Halloween staple. "Thriller" perfectly captures the essence of Halloween with its catchy beat and chilling lyrics. While popular songs like "Monster Mash" and "Thriller" dominate Halloween playlists, haunting instrumentals also play a significant role in setting the spooky mood. One such example is Johann Sebastian Bach's "Toccata and Fugue in D Minor." This brooding and atmospheric composition, often associated with horror films, adds an eerie touch to any Halloween gathering. Beyond these classics, there is a vast array of Halloween music available. From soundtracks of horror movies to creepy ambient tracks, there is something for everyone's taste. Whether you prefer ghostly whispers, creaking doors, or thunderous drums, Halloween music has it all. So next time you celebrate Halloween, be sure to include some spooky tunes in your playlist. Let the haunting melodies and chilling sounds transport you to a world of fright and fun. It is the perfect accompaniment to any Halloween gathering and will undoubtedly add that extra touch of enchantment to your celebrations..
Reviews for "Freaky Frights and Nightmarish Delights: The Best Halloween Music for a Scary Night"
1. Samantha - 2 stars
I was really disappointed with "Halloween Music: A Haunted Qwych". The selection of songs was just not up to par with other Halloween music albums I've listened to. There were a few classics thrown in, but overall it felt like a random mishmash of tracks that didn't really capture the spooky essence of Halloween. I was expecting more eerie and haunting tunes, but instead, I got cheesy and generic songs that didn't do justice to the holiday.
2. Michael - 1 star
This album was a total letdown. The music felt more like something you would hear in a children's Halloween party than at a haunted house. The tracks lacked any sort of depth or darkness, which is what I expect from Halloween music. It seemed like the producers just slapped together some random songs without putting much thought or effort into creating a cohesive theme. Save your money and look for better Halloween music options elsewhere.
3. Michelle - 2 stars
I was really hoping "Halloween Music: A Haunted Qwych" would transport me into a spooky atmosphere, but unfortunately, it fell short. The song choices were not as chilling or eerie as I had anticipated, and I found myself skipping through most of the tracks. The lackluster instrumentals and unimpressive vocals left much to be desired. It's a shame because Halloween is all about creating an atmosphere of fright and delight, but this album simply couldn't deliver on that front.
4. Ryan - 1 star
I regretted purchasing "Halloween Music: A Haunted Qwych". The tracks were repetitive, and none of them really stood out. The album lacked any originality or creativity, making it a forgettable addition to the Halloween music genre. The songs didn't have the power to evoke any spooky emotions or set a haunting mood. I would not recommend this album to anyone looking for quality Halloween music.