The Witch class in Dragon Quest VIII is a powerful and versatile character class that focuses on dark magic and spellcasting abilities. As a witch, players have access to a wide range of offensive and support spells that can turn the tide of battle in their favor. One of the key features of the Witch class is the ability to change shape and transform into a more powerful form called the Witch Queen. This transformation grants the player additional abilities and greatly enhances their magical powers. Witches in Dragon Quest VIII are also able to summon familiars, magical creatures that can assist them in battle. These familiars have unique skills and abilities that can be used strategically to gain an edge in combat.
Accidental Innuendo:
Morrie has to know what he's doing when he says a few of his lines.
It s bestiary entry even lampshades the difficulty by claiming that it took the Hero and his party to the brink of despair during battle, reflecting how most players feel whenever they have to fight them. He has two forms his first, where he splits into three copies of himself, and the second, where he assumes a demon form that is somehow even stronger than the combined might of the three from the previous fight.
These familiars have unique skills and abilities that can be used strategically to gain an edge in combat. In addition to their spellcasting abilities, witches can also equip powerful staves and robes that further enhance their magical abilities. These equipment items can be found or purchased throughout the game, and provide additional bonuses to the witch's stats and abilities.
Dragon Quest VIII: Journey of the Cursed King Review
Some re-releases feel like the return of a welcome old friend, others like an unwanted school reunion with old acquaintances who peaked long ago. Thankfully, Dragon Quest VIII: Journey of the Cursed King is a roleplaying game that remains as worthwhile and wonderful as it was in 2005. the core premise and structure still hold strong, and are further improved by some well-implemented new features.
Fundamentally, this is a Japanese RPG of the most recognisable type. The turn-based battle system does little that you’ve not seen in countless other games, the quality of the writing ebbs and flows from the weirdly charming to charmingly weird and back again, and there’s a familiar nature to the way you travel between towns, dungeons, and open environments crawling with enemies.
Loading PlayWhat sets this adventure apart from the majority of its peers, including those that have come since its initial PlayStation 2 debut, is the skill with which everything is produced and sewn together. Not a single element feels out of place, and not a feature is wasted in the quest to deliver a game that demonstrates just how gratifying the traditional structure of a JRPG can be. Everything from the visuals to the writing, the battles to the world map layout has been produced and delivered with a flair and skill that can come only from its designers understanding precisely the framework within which they’re working.
Take the character design, for instance, which is nothing short of incredible and surely represents some of famed designer Akira Toriyama’s best work. This is the man responsible for drawing characters in everything from Dragon Ball Z to Chrono Trigger, with the Dragon Quest VIII cast adhering to the same exacting standards of quality.
Much of the reason why this game manages to continue to feel so enticing and ageless comes down to that character design, the cel-shaded art style, and the bold, almost rainbow-like color palette proving themselves immune to the dulling effects of time.This quality of design helps to embed each character with a unique persona before they’ve even opened their mouths. Yangus is stumpy and round, conveying his rough, inelegant personality while the sometimes pompous, arrogant Angelo has a trendy, elaborate fashion sense to match.
Loading PlayCharacterization is further enhanced by full voice acting, some of which is new to this release, the constant presence of which adds more weight to the brilliant English-language localization. There’s a slapstick quality to much of the voice work, which highlights and embellishes the humour-heavy script in a manner that is in keeping with the ridiculousness of the central storyline.
This 80-hour plus offering is one that begins with the conceit that you need to travel the world to investigate how to break a spell that has transformed the king of the land of Trodain into a small green troll and the princess into a large white horse. It’s a setup that wouldn’t feel out of place in Aqua Teen Hunger Force, Monty Python, or Pee-Wee’s Big Adventure – albeit with (generally) more swords and dragons.
The central plot is not the primary reason to lose yourself in the narrative, that instead comes down to the fantastic dialogue and the entertaining character interactions. Really, this is a game about unlikely partnerships and relationships and how very different people are able to look beyond their differences and work towards a goal that would be unattainable for any individual. This is a story about characters more than it is about plot.
Loading PlayAn option to play through battles at fast-forward speeds has been added, and it’s a great feature that takes into consideration the portable nature of the 3DS. Those relatively brief moments on bus and train journeys can be taken up with progressing through dungeons quickly rather than waiting for animations to play out. This comes in particularly handy if you’re spending time grinding to level up in anticipation of a tough boss fight.
Other than that time-saving option, the biggest alteration to the way battles work is that encounters are no longer random. In the original release, monsters attacked without warning, as they do in Pokemon and Final Fantasy VII, but here you see them moving out in the open and therefore decide whether or not to engage, as in Ni No Kuni and Final Fantasy XV.
This has a marked change on the overall pacing in that, in effect, you’re given governance over how often you draw your sword. If you come to the conclusion that you’d rather not engage in combat, perhaps because you’re low on health and out of medical supplies, then you can take a route towards a town or other safe haven that avoids conflict.
Ultimately, it pays to fight as often as you can in order to move up the levels and become more powerful. Still, having the option to hobble safely back to town with my tail between my legs rather than losing progress is a welcome one, and itmakes me feel more in charge of my own moment-to-moment destiny.
Battles themselves are simple turn-based affairs that ask you to intelligently decide between whether to attack or defend in any given moment. Exploration forces you to think about the trade-off between potential rewards for moving forward and the risk of dying and having to retrace your footsteps. In continuously presenting these little decisions, Dragon Quest VIII kept me interested and on my toes, whilst topping off these mini-conflicts with a comedy script that fills regular pauses in the action with levity.
These new features represent a sweetener to the package, but they’re not the real reason to invest your time into Dragon Quest VIII. Just as it was over a decade ago, it’s a grand example of how you can add value to a genre without necessarily breaking any of its rules.
If you’ve played the PlayStation 2 original then it’s worth stepping back in not only as a remembrance of just why it was so good the first time around, but because it’s still great today.. If you’re new to this goofy adventure then it’s an excellent example of how much traditional JRPGs still have to give. No matter your level of familiarity, the bottom line is that Dragon Quest VIII is still as entertaining today as it was in 2005.
Verdict
Dragon Quest VIII was one of the finest JRPGs upon its initial release and it manages to retain that lofty status through this 3DS edition. Its adherence to the traditional rules of the genre is where it pulls its strength from, the familiarity of the template allowing the design team to worry about making sure each element is as good as it can possibly can be.
While witches excel in offensive magic, they are somewhat lacking in physical combat capabilities. Players will need to rely on their spells and familiars to deal damage and overcome their foes. Overall, the Witch class in Dragon Quest VIII is a fantastic choice for players who enjoy playing as a spellcaster and wreaking havoc on their enemies with powerful magic. With their ability to transform into the Witch Queen and summon familiars, witches are capable of dealing massive amounts of damage and turning the tide of battle in their favor..
Reviews for "The Role of Witchhs in Dragon Quest 8's Storyline"
1. Jane - 2/5 - I was really excited to play Dragon Quest 8: Witchh, as I had heard great things about it. However, I was left disappointed. The gameplay felt repetitive and the storyline lacked depth. Additionally, the graphics were not particularly impressive, and the characters felt flat and uninteresting. Overall, I found it to be quite underwhelming and not worth the hype.
2. Mark - 3/5 - Dragon Quest 8: Witchh was an okay game, but it failed to live up to my expectations. The combat system felt sluggish and the controls were not very intuitive. The quests were often repetitive and didn't offer anything innovative or exciting. Furthermore, the game had a tendency to lag and crash, which was incredibly frustrating. While it had its moments, I ultimately found the overall experience to be mediocre at best.
3. Sarah - 2/5 - I don't understand the appeal of Dragon Quest 8: Witchh. The gameplay felt tedious and the story didn't captivate me at all. The characters were stereotypical and lacked depth, making it difficult for me to care about their journey. Additionally, the graphics were outdated and the dialogue was often cringe-worthy. I was left feeling bored and uninterested throughout my playthrough of this game.